[ANPPOM-L] Oxford Journals Database / Early Music ToC
Carlos Palombini
palombini em terra.com.br
Sex Ago 12 13:14:56 BRT 2005
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*************************Announcement***************************
Early Music -- Table of Contents Alert
A new issue of Early Music
has been made available:
August 2005; Vol. 33, No. 3
URL: http://em.oxfordjournals.org/content/vol33/issue3/index.dtl?etoc
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EDITORIAL
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Editorial
Tess Knighton
Early Music 2005 33:369-370.
http://em.oxfordjournals.org/cgi/content/full/33/3/369?etoc
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ARTICLES
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Visual and poetic allegory in Bellerofonte Castaldi's extraordinary
Capricci a due stromenti
David Dolata
Early Music 2005 33:371-392.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/371?etoc
Point/counterpoint: Vicentino's musical rebuttal to Lusitano
Timothy R. McKinney
Early Music 2005 33:393-412.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/393?etoc
Attributions to Giovanni Rovetta
Jonathan Drennan
Early Music 2005 33:413-424.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/413?etoc
Musical offerings in the Renaissance
Rob C. Wegman
Early Music 2005 33:425-438.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/425?etoc
Don Juan de Austria and the Venetian music trade
Michael J. Levin and Steven Zohn
Early Music 2005 33:439-448.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/439?etoc
The Hanover orchestral repertory, 1672-1714: significant source
discoveries
Erik Albertyn
Early Music 2005 33:449-472.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/449?etoc
Performance practice of recitativo secco in the first half of the 18th
century: A contribution to the debate over the interpretation of
recitative, particularly in Handel's operas
Dieter Gutknecht
Early Music 2005 33:473-494.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/473?etoc
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PERFORMING MATTERS
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Treble or soprano? Performing Tallis
Peter Phillips
Early Music 2005 33:495-502.
http://em.oxfordjournals.org/cgi/content/abstract/33/3/495?etoc
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BOOK REVIEWS
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The birth of the orchestra: John Spitzer and Neal Zaslaw, The birth of the
orchestra: history of an institution, 1650-1815 (Oxford: Oxford University
Press, 2004), {pound}95/$175
Peter Holman
Early Music 2005 33:503-505.
http://em.oxfordjournals.org/cgi/content/full/33/3/503?etoc
The one-to-a-part concerto: Richard Maunder, The scoring of Baroque
concertos (Woodbridge: The Boydell Press, 2004), {pound}50/$85
Andrew Manze
Early Music 2005 33:506-508.
http://em.oxfordjournals.org/cgi/content/full/33/3/506?etoc
A story of 'A': Bruce Haynes, A history of performing pitch: the story of
'A' (Lanham: Scarecrow Press, 2002), $80/{pound}61
Andrew Johnstone
Early Music 2005 33:508-509.
http://em.oxfordjournals.org/cgi/content/full/33/3/508?etoc
Conservation versus use: Robert Barclay, The preservation and use of
historic musical instruments: display case or concert hall? (London:
Earthscan, 2004), {pound}35
Jeremy Montagu
Early Music 2005 33:510-511.
http://em.oxfordjournals.org/cgi/content/full/33/3/510?etoc
The south German violin: Thomas Drescher, Spielmannische Tradition und
hofische Virtuositat: Studien zu Voraussetzungen, Repertoire und
Gestaltung von Violinsonaten des deutschsprachigen Sudens im spaten 17.
Jahrhundert (Tutzing: Hans Schneider, 2004), {euro}75
Tassilo Erhardt
Early Music 2005 33:511-513.
http://em.oxfordjournals.org/cgi/content/full/33/3/511?etoc
'The cradle of music in Ireland': Barra Boydell, A history of music at
Christ Church Cathedral, Dublin (Woodbridge: Boydell & Brewer, 2004),
{pound}45
Rachel Cowgill
Early Music 2005 33:514-515.
http://em.oxfordjournals.org/cgi/content/full/33/3/514?etoc
Couperin in context: David Tunley, Francois Couperin and 'the perfection
of music' (Aldershot: Ashgate, 2004), {pound}45
Graham Sadler
Early Music 2005 33:516-518.
http://em.oxfordjournals.org/cgi/content/full/33/3/516?etoc
Concerts in English society: Concert life in 18th-century Britain, ed.
Susan Wollenberg and Simon McVeigh (Aldershot: Ashgate, 2004),
{pound}52.50
Barra Boydell
Early Music 2005 33:518-520.
http://em.oxfordjournals.org/cgi/content/full/33/3/518?etoc
Sammartini revisited: Giovanni Battista Sammartini and his musical
environment, ed. Anna Cattoretti (Turnhout: Brepols, 2004), {euro}150
Michael Talbot
Early Music 2005 33:520-522.
http://em.oxfordjournals.org/cgi/content/full/33/3/520?etoc
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MUSIC REVIEWS
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The arcane colours of Fayrfax: Robert Fayrfax, Masses Tecum principium and
O quam glorifica, ed. Roger Bray, Early English Church Music, xlv (London:
Stainer & Bell for The British Academy, 2004), {pound}55
John Milsom
Early Music 2005 33:523-524.
http://em.oxfordjournals.org/cgi/content/full/33/3/523?etoc
A pastoral and 'the Scottish play': Music for Macbeth, ed. Amanda Eubanks
Winkler, Recent Researches in the Music of the Baroque Era, cxxxiii
(Middleton WI: A-R Editions, 2004), {pound}68 * Maurice Greene, Phoebe: a
pastoral opera, ed. H. Diack Johnstone, Musica Britannica, lxxxii (London:
Stainer & Bell, 2004), {pound}79
Mark Humphreys
Early Music 2005 33:524-526.
http://em.oxfordjournals.org/cgi/content/full/33/3/524?etoc
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RECORDING REVIEWS
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Visions of the Middle Ages
Ivan Moody
Early Music 2005 33:527-528.
http://em.oxfordjournals.org/cgi/content/full/33/3/527?etoc
Phantasms sweet
Lucy Robinson
Early Music 2005 33:528-530.
http://em.oxfordjournals.org/cgi/content/full/33/3/528?etoc
Harpsichord music from England and Germany
John Kitchen
Early Music 2005 33:530-532.
http://em.oxfordjournals.org/cgi/content/full/33/3/530?etoc
The recorder across Europe
Francis Knights
Early Music 2005 33:532-533.
http://em.oxfordjournals.org/cgi/content/full/33/3/532?etoc
Baroque voices and violins
Elizabeth Roche
Early Music 2005 33:533-535.
http://em.oxfordjournals.org/cgi/content/full/33/3/533?etoc
The artful harpsichord
David Ledbetter
Early Music 2005 33:535-536.
http://em.oxfordjournals.org/cgi/content/full/33/3/535?etoc
Vivaldi in madness and mirth
Michael Talbot
Early Music 2005 33:536-538.
http://em.oxfordjournals.org/cgi/content/full/33/3/536?etoc
The sweet sound of cultures clashing
Joyce Lindorff
Early Music 2005 33:538-539.
http://em.oxfordjournals.org/cgi/content/full/33/3/538?etoc
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REPORTS
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Seeking early English keyboards
Richard Turbet
Early Music 2005 33:541-543.
http://em.oxfordjournals.org/cgi/content/full/33/3/541?etoc
Questions of copyright
Tess Knighton
Early Music 2005 33:543-544.
http://em.oxfordjournals.org/cgi/content/full/33/3/543?etoc
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CORRESPONDENCE
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Tempering Bach's temperament
David Ponsford
Early Music 2005 33:545.
http://em.oxfordjournals.org/cgi/content/full/33/3/545?etoc
Daniel Jencka
Early Music 2005 33:545.
http://em.oxfordjournals.org/cgi/content/full/33/3/545-a?etoc
Richard Maunder
Early Music 2005 33:545-546.
http://em.oxfordjournals.org/cgi/content/full/33/3/545-b?etoc
Carl Sloan
Early Music 2005 33:546.
http://em.oxfordjournals.org/cgi/content/full/33/3/546?etoc
Mark Lindley
Early Music 2005 33:546.
http://em.oxfordjournals.org/cgi/content/full/33/3/546-a?etoc
Correspondence
Kenneth Mobbs, Alexander Mackenzie of Ord, and Stuart Isacoff
Early Music 2005 33:546-547.
http://em.oxfordjournals.org/cgi/content/full/33/3/546-b?etoc
Early Music 2005 33:547-548.
http://em.oxfordjournals.org/cgi/content/full/33/3/547?etoc
Copyright issues
Lionel Sawkins
Early Music 2005 33:548-549.
http://em.oxfordjournals.org/cgi/content/full/33/3/548?etoc
More on the clarinet in England
Albert Rice
Early Music 2005 33:549.
http://em.oxfordjournals.org/cgi/content/full/33/3/549?etoc
The little-known Francesco Scarlatti
Roberto Pagano
Early Music 2005 33:549-550.
http://em.oxfordjournals.org/cgi/content/full/33/3/549-a?etoc
Lassus and the wild beasts
Richard Rastall
Early Music 2005 33:550.
http://em.oxfordjournals.org/cgi/content/full/33/3/550-a?etoc
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ABSTRACTS
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Abstracts
Early Music 2005 33:550-552.
http://em.oxfordjournals.org/cgi/content/full/33/3/550?etoc
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ADVERTISERS' INDEX
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Advertisers' Index
Early Music 2005 33:553-554.
http://em.oxfordjournals.org/cgi/reprint/33/3/553?etoc
--
carlos palombini
diretor
centro de pesquisa em música contemporânea
universidade federal de minas gerais
cpmc-ufmg
<palombini em terra.com.br>
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