[ANPPOM-L] Mannes Institute on Chromaticism

[Jorge Antunes]

Caro Marcos:

A Academia Brasileira de Música certamente poderá te orientar:
abmusica em abmusica.org.br
ou: (21) 2221-0277 (falar com Ericson)

Boa sorte,
Jorge Antunes





"Marcos Virmond (ILSL)" wrote:

> Aproveitando a linha:
>
> Desculpem-me a pergunta, talvez rasa, mas estou terminando um DVD da
> orquestra que dirijo (Universidade do Sagrado Coração de Bauru) e pretendo
> incluir o Mourão para Cordas de Guerra-Peixe.
>
> Com quem trato a questão de direitos autoriais?
>
> Agradeço
>
> Marcos
>
> ----- Original Message -----
> From: "Carlos Palombini" <palombini em terra.com.br>
> To: "anppom-l" <anppom-l em iar.unicamp.br>
> Sent: Sunday, October 30, 2005 4:30 PM
> Subject: [ANPPOM-L] Mannes Institute on Chromaticism
>
> >
> > ************************************************
> > MANNES INSTITUTE FOR ADVANCED STUDIES IN MUSIC
> > 2006 INSTITUTE ON CHROMATICISM - JUNE 22-25, 2006
> > @ YALE UNIVERSITY, NEW HAVEN, CONNECTICUT
> > ************************************************
> > Wayne Alpern, Director
> >
> > The Mannes Institute will hold its sixth annual summer Institute on the
> > topic of Chromaticism from June 22-25, 2006, hosted as a special event
> > at Yale University in New Haven, Connecticut.
> >
> > The Institute is a premier professional think tank dedicated to communal
> > inquiry at the highest level of scholarship. Forty-five outstanding
> > musicologists and theorists from around the world selected by
> > application gather in a collegial setting to explore a different subject
> > each year in participatory workshops, plenary sessions, and special
> > presentations emphasizing interactive dialogue and debate under the
> > expert guidance of a rotating faculty of peers. This year we will
> > explore in depth the complex and evolving topic of tonal chromaticism
> > from a variety of scholarly perspectives.
> >
> > Details about the Mannes Institute and its new MUSICAL ESSAY AWARD are
> > located on its website at www.mannes.edu/mi. Information will also be
> > distributed at the national SMT and AMS meetings, and periodically
> > posted on this list. Applications are accepted via the website only from
> > January 1 to March 1, 2006. A brief description is provided below.
> >
> > MANNES INSTITUTE ON CHROMATICISM
> > 2006 PROGRAM AND FACULTY
> > ***************************************
> > A. Morning Workshops
> >
> > EFFECTS OF CHROMATICISM
> > Leader: Daniel Harrison (Yale University)
> > An examination of the effects of chromaticism upon tonality through
> > interaction with increased dissonance, modal and special-scale options,
> > and rhetorical play with uncertain tonal centering in late 19th and
> > 20th-century music.
> >
> > THE CHROMATIC MOMENT IN ENLIGHTENMENT THOUGHT
> > Leader: Richard Kramer (City University of New York)
> > An exploration of the idea of a chromatic Moment in 18th-century
> > writings and compositions and how such a concept resonates within a
> > larger aesthetic sphere of Enlightenment and post-Enlightenment thought.
> >
> > COPING WITH CHROMATICISM: FROM SCHENKER TO US
> > Leader: Patrick McCreless (Yale University)
> > An investigation of how select theorists over the past century have
> > coped with chromaticism, focusing on unusually illuminating moments of
> > analytical insight and the theorists’ reaction to their own chromatic
> > encounters.
> >
> > B. Afternoon Workshops
> >
> > DISTINGUISHING CHROMATICISM
> > Leader: David Kopp (Boston University)
> > A deconstruction of binary distinctions and oppositions typically
> > applied to theoretical explanations of chromaticism, their underlying
> > value judgments, analytic impact, and alternative conclusions they
> > generate.
> >
> > ALTERNATIVES TO HARMONIC FUNDAMENTALISM
> > Leader: Charles Smith (University at Buffalo)
> > A consideration of alternatives to root-focused theories of harmonic
> > structure and progression utilizing neo-Riemannian and transformational
> > approaches to analyze late 19th-century chromaticism.
> >
> > CHROMATICISM AND MODE MIXTURE
> > Leader: Deborah Stein (New England Conservatory)
> > An assessment of the chromatic impact of simple and complex uses of
> > mode, and its evolution from an elementary modulatory device into an
> > agent in creating innovative chromatic tonal designs.
> >
> > C. Plenary Sessions
> >
> > THE HERMENEUTICS OF CHROMATICISM
> > A roundtable discussion of the hermeneutical intersection between
> > chromatic structure and musical meaning via special examples.
> >
> > DIATONIC TO 12-GAMUT SPACE: Multiple Distances, Multiple Containment
> > SPECIAL GUEST: Gregory Proctor (Ohio State University)
> >
> > THE BOUNDARIES OF CHROMATICISM
> > A collective navigation of the historical and stylistic boundaries of
> > tonal chromaticism and the limits of chromatic theory.
> >
> > Each member of the Institute enrolls in one Morning and one Afternoon
> > Workshop for the entire program and attends all plenary sessions. Each
> > workshop of fifteen scholars meets for three 3-hour sessions. Prior
> > preparation and active participation are essential. Communal meals, a
> > reception, and a banquet are provided, and affordable housing is
> > available.
> >
> > We invite you to join your colleagues and share in this unique and
> > transformative experience in collaborative learning. Please direct all
> > inquiries to Wayne Alpern, Director, The Mannes Institute, at
> > mannesinstitute em aol.com.
> >
> > *********************************************
> > Wayne Alpern, Director
> > The Mannes Institute
> > www.mannes.edu/mi
> > waynealp em aol.com
> >
> > --
> > carlos palombini
> > diretor
> > centro de pesquisa em música contemporânea
> > universidade federal de minas gerais
> > cpmc-ufmg
> > <palombini em terra.com.br>
> >
>
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