[ANPPOM-Lista] Announcing Resonance: The Journal of Sound and Culture

[Carlos Palombini]

University of California Press will launch Resonance: The Journal of Sound
and Culture, a new quarterly online journal, in 2020.

Aims and Scope

Resonance: The Journal of Sound and Culture is an interdisciplinary,
international peer reviewed journal that features research and writing of
scholars and artists working in fields typically considered to be the
domain of sound art and sound studies. These fields may include traditional
and new forms of radio, music, performance, installation, sound
technologies, immersive realities, and studies-based disciplines such as
musicology, philosophy, and cultural studies.  The scope extends to other
disciplines such as ethnography, cultural geography, ecologies, media
archeology, digital humanities, audiology, communications, and
architecture. The journal’s purview investigates the research, theory, and
praxis of sound from diverse cultural perspectives in the arts and sciences
and encourages consideration of ethnicity, race, and gender within
theoretical and/or artistic frameworks as they relate to sound. The journal
also welcomes research and approaches that explore cultural boundaries and
expand upon the concept of sound as a living, cultural force whose
territories and impacts are still emerging.

Resonance: The Journal of Sound and Culture will publish its first issue in
March 2020.

Editorial Team

Editors
Phylis West Johnson, San Jose State University
Jay Needham, Southern Illinois University, Carbondale

Associate Editor
Honna Veerkamp, St. Louis, Missouri

The complete Resonance Editorial Board can be accessed here.

The journal welcomes submissions for its inaugural volume. Please review
the journal’s author guidelines prior to submission. All editorial
inquiries should be directed to the Resonance editorial team at
resonance em ucpress.edu

About the Editors

Phylis West Johnson is Director of Journalism and Mass Communications at
San Jose State University and Emeritus Professor of Sound and New Media in
the College of Mass Communication and Media Arts at Southern Illinois
University, Carbondale. She is the past editor of Soundscape: The Journal
of Acoustic Ecologyand the Journal of Radio and Audio Media. Her most
recent book publication is Moving Sounds: A Cultural History of the Car
Radio (Peter Lang, 2019).

Jay Needham is Professor of Sound and Media at Southern Illinois
University, Carbondale. He is a sound artist, electro-acoustic composer,
teacher, and scholar. His sound art, works for radio, and visual art have
appeared at museums, festivals, and on the airwaves worldwide. He has been
invited to speak at many noted programs including the Amsterdam School for
Cultural Analysis; University of Amsterdam, Netherlands; the Department of
Techno-Cultural Studies, University of California, Davis; and the Institute
of the Arts, the School of the Art Institute, Chicago. His research has
been published in Exposure, Soundscape: The Journal of Acoustic Ecology,
Leonardo Music Journal, and in the book Hearing Places: Sound, Place, Time,
Culture(Cambridge Scholars, 2009). Needham is also the past Director of the
Global Media Research Center at Southern Illinois University, Carbondale.

https://www.ucpress.edu/blog/42216/announcing-resonance-the-journal-of-sound-and-culture

-- 
carlos palombini, ph.d. (dunelm)
professor de musicologia ufmg
professor permanente ppgm-unirio