[ANPPOM-Lista] Prazo Estendido - 19/02/2024 - "Journées d'Informatique Musicale 2024"

[Micael Antunes]

Caros colegas,

*Desculpe pela Repetição de Postagens.*

Temos o prazer de informar que o prazo para a submissão de trabalhos para
as J*ournées d'Informatique Musicale 2024* foi estendido até *19 de
fevereiro de 2024. *

Aproveitamos para reforçar que não serão concedidas novas extensões do
prazo final. Dessa forma, a data de 19 de fevereiro é definitiva. Em caso
de dúvidas, não hesitem em nos contactar.

As JIMs são gerenciadas pela Associação Francófona de Computação Musical
(AFIM), com o apoio da DGCA e do Ministério da Cultura e Comunicação da
França. A edição de 2024 é coorganizada pelo Laboratório PRISM
(CNRS/AMU/Ministério da Cultura), AFIM, Inciam e GMEM.

Cronograma atualizado da chamada:

19 de fevereiro de 2024 - Prazo final para envio de artigos
18 de março de 2024 - Notificação de aceitação
15 de abril de 2024 - Prazo para envio das versões finais

A seguir, vocês encontrarão a chamada para contribuições, completa,
redigida em inglês. A conferência aceita submissões e comunicações tanto em
inglês quanto em francês.

===

Call for Papers
"Journées d'Informatique Musicale 2024"
06-08 May 2024, Marseille (France)

Each year, the "Journées d'Informatique Musicale" bring together
researchers, developers and different actors of the musical life who use
computing as a tool for dissemination, creation, interpretation or
pedagogy. The JIMs are managed by the Association Francophone
d'Informatique Musicale (AFIM) and are supported by DGCA and the French
Ministry of Culture and Communication. The JIM 2024 are co-organized by
PRISM (CNRS/AMU/Ministry of Culture), AFIM, Inciam and GMEM, and will
take place from May 6 to 8, 2024, at la friche (gmem, 6 and 8th May) and
at the CNRS Aiguier campus (PRISM, Tuesday 7th May). The keynote
speakers will be the following: Elaine Chew, David De Roure, David
Meredith, and Marco Stroppa.

Calendar
Article submission deadline: Monday February 19, 2024
Notification of acceptance: Monday March 18, 2024
Deadline for submission of final versions: Monday April 15, 2024

Topics
In addition to the traditional themes,
(https://jim2024.sciencesconf.org/resource/page/id/2), this edition,
from 6 to 8 May 2024, will focus on the following themes:

*Risset & Beyond*
What is Jean-Claude Risset's legacy in the fields of sound synthesis,
live electronics and the use of the disklavier for musical creation in
the age of AI, streaming listening practices and non-standardised
electronic lutheries? "Is 'creating sound itself' still relevant in the
first quarter of the 21st century? How modern is Jean-Claude Risset in
an environment of constant technological innovation?

*Computational Musicology*
Computational musicology fuses music theory, computer science and data
analysis to interpret musical structures using algorithms and
statistics. Dating back to experiments that began over 70 years ago, it
has subsequently led researchers to closely examine the suitability of
musical theories for computer use. This rapidly evolving field, at the
crossroads of tradition and innovation, raises the question of the
the extent to which technology can continue to improve our understanding
of music without compromising the very essence of musicological work.

*Intersection Between Computer Science and Empirical Musicology*
Empirical musicology draws on methodologies from a variety of
disciplines, including psychology, statistics, acoustics and computer
science. The application of empirical methods enables a more
quantifiable and reproducible understanding of music, bridging the gap
between the subjective nature of musical experience and the objective
analysis of musical phenomena. What references, new methods and
protocols resulting from these cross-fertilisations are ready to be
integrated to enrich our analysis of musical works?

Immersion, Multimodality, Virtual Reality
Virtual reality typically revolves around images. However, its use in
the field of sound opens up promising prospects, both in industry and in
artistic creation, as illustrated by the advances in binaural
techniques, which now play an essential part in the user's sense of
immersion. Interaction design in VR today typically entangles sound,
visual and haptic feedback, and thus opens up a more forward-looking
dimension to multimodal creation and the new challenges linked to
multisensory interactions.

Submission Details
Articles may be written either in English or in French, between 4 and 10
pages. For the articles in English, a French abstract is mandatory.
Communications will take place either as oral presentations (30 minutes,
including questions), or performances-presentations (format to be
defined), or demos (format to be defined). The different rooms of the
conference will be equipped in multichannel. The type of presentation
(either oral presentation, or performance-presentation, or demo) should
be mentioned by the authors when submitting. The organizing committee
will approve the final choice when setting the program of the JIM.

Articles should be submitted using PDF format. The page layout should be
achieved using either the Word or the LaTeX templates:

Word template [1]

LaTeX template [2]
Proposals should be submitted online on the website of the conference
only: https://jim2024.sciencesconf.org/submission/submit

Submission requires the creation of a sciencesconf.org account. If you
already own a sciencesconf.org account, please use this one.

Young Researcher's Prize
Proposals from young researchers (doctoral students, young doctors and
independent researchers) are particularly welcome. An AFIM "Young
Researcher" Prize will be awarded to the best article presented by a
young researcher as part of the JIM 2024 , based on a vote by
participants. The winner will receive financial assistance in the amount
of EUR500 to encourage them in their research. For more information,
see: https://jim2024.sciencesconf.org/resource/page/id/9

Please email all inquiries at jim2024 em prism.cnrs.fr

JIM 2024 Organizing Committee
Jonathan Bell, Charles de Paiva-Santana, Javier Elipe, Mylène
Gioffredo, Vincent Tiffon, Micael Antunes

Links:
------
[1]
https://jim2023.sciencesconf.org/data/pages/TEMPLATE_JIM_2023_Word_1.docx
[2] https://jim2024.sciencesconf.org/data/pages/TEMPLATE_JIM_2024.zip

-- 

Micael Antunes da Silva

micaelant em gmail.com <micael.antunes em usp.br>

NICS/IA- University of Campinas