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From: <I>"Martine Rheaume" <martine_rheaume@hotmail.com></I><BR>Reply-To: <I>cercledemusicologie@groupesyahoo.ca</I><BR>To: <I>cercledemusicologie@groupesyahoo.ca</I><BR>Subject: <I>[cercledemusicologie] Music Theory Online v. 11.3</I><BR>Date: <I>Wed, 07 Sep 2005 23:10:20 -0400</I><BR><BR>
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<P>Chers membres, je vous transfère l'annonce de publication suivante:</P>
<P><BR><FONT face="Times New Roman" size=3>I am pleased to announce the publication of <I><SPAN style="FONT-STYLE: italic">Music Theory Online</SPAN></I> volume 11.3. In our third volume of 2005, we present a contribution to neo-Riemannian group theory and two articles that draw analytical observations from actions of musical performance.<BR><BR>Lori Burns provides an analytic approach to the study of vocal gesture in performances by Billie Holiday, showing how Holiday's distinctive vocal expressive strategies relate to the formative influences of Bessie Smith and Louis Armstrong in "Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong."<BR><BR>In "Generalized Contextual Groups," Thomas Fiore and Ramon Satyendra describe the properties of a neo-Riemannian-type group, treating ordered pc segments as the objects transformed.
Analytical illustrations are drawn from Hindemith's <I><SPAN style="FONT-STYLE: italic">Ludus Tonalis </SPAN></I>Fugue in E.<BR><BR>Daphne Leong and David Korevaar describe elements of a performer's intuitive interpretive process in "The Performer's Voice: Performance and Analysis in Ravel's <I><SPAN style="FONT-STYLE: italic">Concerto pour la main gauche."</SPAN></I> Drawing from personal experiences in performing the work as well as historical recordings, the authors explore how performance considerations can inform an understanding of musical structure and meaning.<BR><BR>The issue also includes listings of recently completed dissertations, job opportunities, and general announcements.<BR><BR>To read the new issue, please visit the <I><SPAN style="FONT-STYLE: italic">MTO</SPAN></I> home page: http://www.music-theory.org/mto/<BR><BR><BR>Submissions to <I><SPAN style="FONT-STYLE:
italic">MTO</SPAN></I> are welcome at any time. We hope to receive article submissions on the widest range of topics in the field of music theory.<BR><BR>We encourage readers to post their reactions to this issue's articles and review. The mto-talk email list is available to <I><SPAN style="FONT-STYLE: italic">MTO</SPAN></I> subscribers (subscription is free) for online discussion of any <I><SPAN style="FONT-STYLE: italic">MTO-</SPAN></I>related topic. To post to mto-talk, simply send an email message to mto-talk@societymusictheory.org. Longer responses may be submitted to the Editor for publication in the Commentary section of the next issue.<BR><BR>All <I><SPAN style="FONT-STYLE: italic">MTO</SPAN></I> volumes dating back to our first issue in 1993 can be accessed from the contents page at http://www.societymusictheory.org/mto/issues/issues.html.<BR><BR>===============<BR><I><SPAN
style="FONT-STYLE: italic">Music Theory Online</SPAN></I> is a publication of the Society for Music Theory<BR><BR>Editor: Timothy Koozin (University of Houston)<BR><BR>Reviews Editor: Jack Boss (University of Oregon)<BR><BR>Editorial Board: Marion Guck (University of Michigan), Julian Hook (Indiana University), Rebecca Leydon (Oberlin College), Andrew Mead (University of Michigan), Richard Parncutt (University of Graz, Austria), Peter Schubert (McGill University)<BR><BR>Managing Editor: Brent Yorgason (Indiana University)<BR><BR>Editorial Assistant: Stanley V. Kleppinger (Indiana University)<BR><BR>List Managers: Jay Rahn (York University), Ichiro Fujinaga (McGill University)<BR>===============<BR><BR>Submitted by:<BR><BR>Tim Koozin<BR>Editor, </FONT><FONT size=3><FONT face="Times New Roman"><I><SPAN style="FONT-STYLE: italic">Music Theory
Online<BR></SPAN></I>mto-editor@societymusictheory.org<BR><BR><BR>Dr. Timothy Koozin<BR>Associate Professor of Music Theory<BR>Moores School of Music<BR>University of Houston<BR>120 School of Music Bldg<BR>Houston, TX 77204-4017 (713)743-3318</FONT></FONT></P></DIV><BR><BR><TT>www.cercledemusicologie.com<BR>---Pour vous retirer de ce groupe, envoyez un courrier électronique à : <BR>cercledemusicologie-unsubscribe@groupesyahoo.ca<BR><BR></TT><BR><BR><BR>
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