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<DIV></DIV>From: <I>Carlos Palombini <palombini@terra.com.br></I><BR>To: <I>anppom-l <anppom-l@iar.unicamp.br></I><BR>Subject: <I>[ANPPOM-L] CFP: Music and Theology: Making Connections</I><BR>Date: <I>Sat, 14 Jan 2006 11:58:30 -0200</I><BR>><BR>>Theology and Music: Making Connections<BR>>The Music School, Durham University, UK<BR>>Tuesday 20 June 2006<BR>><BR>>A one-day conference for postgraduate students on the relationship <BR>>between music and theology. Through a key-note presentation, <BR>>papers, and a round-table discussion panel, this conference will <BR>>explore issues of theology and music. The influence of theology on <BR>>music, both within the Church and beyond, is complex and <BR>>far-reaching. This conference will aim to highlight these
<BR>>influences and provide a forum for discussion.<BR>><BR>>Call for Papers<BR>><BR>>Proposals for 20-minute papers within the areas below are invited, <BR>>although other proposals addressing other aspects of this topic are <BR>>also<BR>>welcome:<BR>><BR>>Music and Worship: theology, doctrine and music Art music and the <BR>>influenceof theology Genres and theological association <BR>>Instruments/performance practice Theology, text and music<BR>><BR>>Proposals no longer than 200 words should be sent to:<BR>><BR>>Martin Clarke<BR>>The Music School<BR>>Durham University<BR>>Palace Green<BR>>DURHAM<BR>>DH1 3RL<BR>>UK<BR>><BR>>Email: m.v.clarke@durham.ac.uk<BR>><BR>>The closing date for proposals is 1 March 2006. Results will be <BR>>notified by<BR>>1 April 2006.<BR>><BR>>Keynote Speaker:
Andrew Love OSB<BR>><BR>>Brother Andrew Cyprian Love is a Benedictine monk of Glenstal Abbey, <BR>>County Limerick. He has a lifelong interest in musical <BR>>improvisation, especially in a liturgical context. He holds a <BR>>doctorate in musicology from the University of Hull, England, and <BR>>has a number of publications in theology. A Fellow of the Royal <BR>>College of Organists, he has made CD recordings on the organ of <BR>>Glenstal Abbey, including both standard<BR>>repertoire and his own composition and improvisation. He is author <BR>>of<BR>>Musical Improvisation, Heidegger and the Liturgy – A Journey to the <BR>>Heart of Hope (Mellen Press, 2003).<BR>><BR>>www.dur.ac.uk/m.v.clarke/rma.htm<BR>><BR>>Martin Clarke, Durham University, UK<BR>>m.v.clarke@durham.ac.uk<BR>><BR>>--<BR>>carlos
palombini<BR>>diretor<BR>>centro de pesquisa em música contemporânea<BR>>universidade federal de minas gerais<BR>>cpmc-ufmg<BR>><palombini@terra.com.br><BR>
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