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From: <I>Caroline Traube <caroline.traube@UMontreal.CA></I><BR>Reply-To: <I>cercledemusicologie@groupesyahoo.ca</I><BR>To: <I>Cercle de musicologie <cercledemusicologie@groupesyahoo.ca></I><BR>Subject: <I>[cercledemusicologie] "Tempest" Symposium @ McGill</I><BR>Date: <I>Wed, 17 Jan 2007 11:20:01 -0500</I><BR><BR>
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<P><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px"><B>De : </B>William Caplin <caplin@music.<WBR>mcgill.ca><BR><BR>Dear Colleagues,<BR><BR>From <B>February 8 to 10</B>, the Schulich School of Music will host an <B>international symposium</B> devoted to a single composition: <B>Beethoven's "Tempest" Sonata</B> (in D minor, Op. 31, No. 2), a work that represents a turning point in music history, raising questions about aesthetics, instrument, performance, and form.<BR><BR>This three-day event will bring together pianists, historians, and theorists from McGill, Belgium, and the United States around this one piece, which lends itself particularly well to different approaches and perspectives. At the core of the project are connections of scholarship and performance. <BR> <BR>More workshop in spirit than formal conference,
events will consist of seminar-type presentations, performances, and an open discussion forum. <BR><BR>We invite everyone to participate, from in or outside the Schulich School of Music, from various backgrounds of research or performance. <BR><BR>Attendance is free. All events take place in <B>A-832</B> (eighth-floor conference room, new building), unless otherwise indicated.<BR><BR>Preliminary Schedule of Events<BR><BR><B><I>Thursday, February 8, 2007<BR></I></B>1:30–1:45 Welcoming Remarks<BR>1:45–2:30 PERFORMANCE<BR>Daniel Steibelt, L’Orage précédé d’un rondeau pastorale (from his concerto Nr. 3, Op. 33, 1798), Erin Helyard (McGill), fortepiano<BR>Beethoven, Piano Sonata in D minor, Op. 31, No. 2 (“Tempest”), Tom Beghin (McGill), fortepiano<BR>2:45–3:45 Jeroen D’Hoe (Lemmens Institute), ”Playing (with) Harmony in Beethoven's Op. 31,
No. 2”<BR>4:00–5:00 Pieter Bergé (Leuven), “To Play or Not to Play: Motivic Connections in Beethoven's ‘Tempest’ Sonata”<BR><B><I>Friday, February 9, 2007<BR></I></B>9:30–10:30 William Caplin (McGill), “The ‘Tempest’ Exposition: A Springboard for Form-Functional Considerations”<BR>10:45–11:45 Robert Hatten (Indiana), “Interpreting the ‘Tempest’ through Topics, Gestures, and Agency”<BR>1:30–2:30 Tom Beghin (McGill), on rhetoric & performance<BR>2:45–3: 45 Markus Neuwirth (Leuven), “Listening Forward: What an Expectancy-Based Cognitive Music Analysis Tells us about Beethoven’s ‘Tempest’ Sonata”<BR>4:00–5:00 Steven Vande Moortele (Leuven), “Hesitant Openings and Tempestuous Transitions: Ways of Organizing Sonata Form Expositions in the Nineteenth Century” <BR>6:15 CONCERT, <I>in Redpath Hall<BR></I>Ludwig van Beethoven, Three Piano Sonatas,
Opus 31:<BR>Number 1 in G Major, Sara Laimon (McGill), piano<BR>Number 2 in D Minor, Richard Raymond (McGill), piano<I> <BR></I>Number 3 in E-flat Major, Kyoko Hashimoto (McGill), piano<BR><B><I>Saturday, February 10, 2007<BR></I></B>10:00–12:00 Open Forum: Analysis & Performance, <I>in Tanna Schulich Hall<BR></I>Moderator: Robert Hatten, with the participation of Tom Beghin (on the fortepiano) and Richard Raymond (on the modern piano)<BR>____________<WBR>_________<WBR>________<BR>William E. Caplin<BR>James McGill Professor of Music Theory<BR>President, Society for Music Theory<BR><BR>Schulich School of Music<BR>McGill University<BR>555 Sherbrooke Street West<BR>Montréal, Québec<BR>Canada H3A 1E3<BR><BR>office: (514) 398-4535 x00279<BR>home: (514) 488-3270<BR><BR> </SPAN></FONT> </P></DIV><SPAN style="COLOR: white">__._,_.___</SPAN>
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