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<p class="MsoNormal"><span style="" lang="PT-BR">FWD cdmc - 07/2007<br>
<br>
Centro de Documentacao de Musica Contemporanea<br>
</span><span style="">CDMC-Brasil/UNICAMP </span><span style=""
lang="PT-BR"><a href="http://www.unicamp.br/cdmc/"><span style=""
lang="EN-US">http://www.unicamp.br/cdmc/</span></a></span><span
style=""><br>
(membro da IAMIC - The International Association of Music Information
Centres)<br>
<br>
</span><span style="" lang="PT-BR">Diretora: Profa. Dra. Lenita
W. M. Nogueira<br>
<br>
Producao e Montagem do FWD cdmc: Denis Koishi (estagiario)<br>
<br>
</span><span lang="FR-CA">************************************************************************<br>
************************************************************************<br>
</span><span style="" lang="PT-BR"><br>
Noticias somente em texto simples, sem figuras nem tabelas, enviar a:<br>
<a href="mailto:cdmusica@unicamp.br">cdmusica@unicamp.br</a> <br>
</span><span lang="FR-CA"><br>
Para receber/cancelar o recebimento do FWD cdmc enviar seu pedido a <a
href="mailto:cdmusica@unicamp.br">cdmusica@unicamp.br</a> <br>
<br>
************************************************************************<br>
************************************************************************<br>
<br>
<br>
CDMC-Brasil/Unicamp <br>
2007<br>
patrocinio<br>
P E T R O B R A S<br>
<br>
<br>
************************************************************************<br>
************************************************************************<br>
<br>
<br>
<span style=""><span class="MsoHyperlink"><span style=""><a
href="#_Toc159404213">1 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CALL FOR PAPERS: Literature and Music
in Latin America
(26-29/Mai/2007 - Saskatoon, CANADA)</a><br>
</span></span><span style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><a
href="#_Toc159404214">2 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CALL FOR PAPERS AND PERFORMANCES:
French Music: Performance and Analysis (DEADLINE 01/Jun - Laie, HI, USA)</a></span></span><span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404215">3 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CALL
FOR SCORES: North/South Consonance's 28th Annual Call for Scores
(DEADLINE
01/Jun - Nova Iorque, EUA)</a></span></span><span style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404216">4 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CALL
FOR WORKS: Infinite Composing (DEADLINE 02/Abr - Copenhagen, DINAMARCA)</a></span></span><span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404217">5 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>COMPETITION:
International Competition for Band Compositions "Romualdo Marenco"
(DEADLINE 31/Jul - Novi Ligure, ITALIA)</a></span></span><span style=""
lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404218">6 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>COMPOSITION
CONTEST: International composition contest for improvised chamber music
(DEADLINE 30/Abr - Salzburg, AUSTRIA)</a></span></span><span style=""
lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404219">7 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CONCURSO:
: 8o. Concurso Brasileiro de Canto Maria Callas (02-08/Abr - Sao Paulo,
SP e
Jacarei, SP, BRASIL)</a></span></span><span style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404220">8 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CONCURSO:
Professor Assistente (Ritmica e Bateria), UNICAMP (26/Fev - Campinas,
SP,
BRASIL)</a><br>
</span></span><span style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><a
href="#_Toc159404221">9 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CONCURSO PUBLICO: Prof.
Substituto (Canto Lirico e Percepcao). (27-28/Fev, 08:30-15:30hs - Sao
Joao del
Rey, MG, BRASIL)</a></span></span><span style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404222">10 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>CONFERENCIA:
Performa 2007 - Homepage disponivel (10-12/Mai - Aveiro, PORTUGAL)</a></span></span><span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404223">11 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>EDITAL:
Selecao publica de projetos de pesquisa nas areas de ciencias humanas,
sociais
e sociais aplicadas (15/Mar - Brasilia, DF)</a></span></span><span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404224">12 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>RECITAL:
PAULO PEDRASSOLI (violao). </a></span></span>Obras de Barrios,
Kampela,
Villa-Lobos (22/Fev - Sala Baden Powell, Rio de Janeiro, RJ)<span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404225">13 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>NOTICIA:
Rhone-Alpes et PACA au Bresil. Cooperation Universitaire, Scientifique
et
Technologique (Fev/2007 - Sao Paulo, SP)</a></span></span><span style=""
lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404226">14 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>NOTA:
Marlos Nobre - Atividades e programacao em 2006</a></span></span><span
style="" lang="EN-US"><br>
</span><span class="MsoHyperlink"><span style=""><br>
<a href="#_Toc159404227">15 -<span
style="color: windowtext; text-decoration: none;" lang="EN-US"><span
style=""> </span></span>SYMPOSIUM:
International Symposium on Musical Acoustics ISMA 2007 (DEADLINE for
abstract
submission: 15/Mar - Barcelona, ESPANHA)</a></span></span><span style=""
lang="EN-US"><br>
</span></span><br>
<br>
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<br>
<br>
<a name="_Toc159404213">1. CALL FOR PAPERS: Literature and Music in
Latin
America (26-29/Mai/2007 - Saskatoon, CANADA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: [<a class="moz-txt-link-freetext" href="mailto:anppom-l-bounces@iar.unicamp.br">mailto:anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlos
palombini<br>
Sent: segunda-feira, 12 de fevereiro de 2007 19:10<br>
Subject: [ANPPOM-L] CFP: Literature and Music in Latin America<br>
<br>
A relevant session at this summer's Asociacion Canadiense de
Hispanistas /
Canadian Assocation of Hispanists conference, which takes place at the
Congress
of the Humanities and Social Sciences, University of Saskatchewan,
Saskatoon,
SK, Canada, from May 26 to May 29, 2007.<br>
<br>
Contact Victoria Felice Wolff (victoria.wolff at mail.mcgill.ca) for
more
information.<br>
<br>
LITERATURE AND MUSIC IN LATIN AMERICA<br>
<br>
The objective of this session is to explore the intersections between
literature and music in its numerous manifestations in Latin America.
Although
traditionally perceived as distinct disciplines, recent interartistic
approaches have revealed that literature and music have shared common
ground.
>From Sor Juana Ines de la Cruz's loas and villancicos, to the
incorporation of
popular musical forms such as the bolero and cha-cha-cha in the novels
of
Guillermo Cabrera Infante, to the collaborations between the Brazilian
writer Mario
de Andrade and the composer Mozart Camargo Guarnieri, the influences
and
counter-influences between Literature and Music in different time
periods and
regions of Latin America is an intriguing and innovative area for study.<br>
<br>
Of possible consideration is how musical elements have been
incorporated into
literary works, whether in poetry, prose, or in theatre. Also important
is how
literature has inspired music as exemplified by Silvestre Revueltas's
symphonic
piece "Sensemaya" based on Nicolas Guillen's poem. Finally, other
fascinating areas of examination are studies of the collaborations
between
writers and musicians or composers, and the adaptations of works from
one
artistic form to the other.<br>
<br>
Both theoretical contributions to the study of the relationships
between
literature and music, as well as papers on specific works that show how
literature and music have influenced each other in Latin America, are
welcome.<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404214">2. CALL FOR PAPERS AND PERFORMANCES: French
Music:
Performance and Analysis (DEADLINE 01/Jun - Laie, HI, USA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: [<a class="moz-txt-link-freetext" href="mailto:anppom-l-bounces@iar.unicamp.br">mailto:anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlos
palombini<br>
Sent: quarta-feira, 14 de fevereiro de 2007 11:11<br>
Subject: [ANPPOM-L] CFP: French Music: Performance and Analysis<br>
<br>
Call for Papers and Performances: French Music: Performance and Analysis<br>
<br>
November 15th-19th, 2007<br>
<br>
Brigham Young University-Hawaii<br>
<br>
The conference has as general themes the performance and analysis of
French
music. Repertoire is limited to art music of the 19th and
20th-centuries
including foreign-born composers who influenced compositional practice
over an
extended period of time ( e.g. Chopin), or composers who relocated to
France
for a sizeable portion of their careers (e.g. the American composer
Noel Lee).
Because of the unique location of the host institution, it also
explores the
influence of Pacific and Asian music(s) on French composers. Ideally,
the
conference is targeted at musicians with an interest in French music
and the
possibility of analysis informing performance; likewise, to those who
see the
potential of performance benefiting analytical understanding.<br>
<br>
Format: guidelines<br>
<br>
Abstracts of 250 words or less may propose long papers (20 minutes) or
lecture
recitals (45 minutes). Applicants opting for the lecture-recital format
should
also submit a recent, unedited recording along with the abstract. The
deadline
for submission is June 1st, 2007.<br>
<br>
Proposals which address one or more of the following areas will be
given
priority consideration by the organizing committee:<br>
<br>
* Papers and/or performances which demonstrate clear relationships
between
music(s) of Pacific, Asian and French composers<br>
<br>
* The analysis of specific works in which the findings have direct
relevance to
performance<br>
<br>
* Lecture-recitals which articulate a musical link between analysis and
performance<br>
<br>
* The derivation of narrative from analytical understanding<br>
<br>
* New approaches to analysis through the study of performance<br>
<br>
* Editorial practice which considers performance and analysis together<br>
<br>
* Interactions between composer and performer<br>
<br>
* Performance practice which takes analysis and recordings into account<br>
<br>
Evening events<br>
<br>
As performance is a central focus of the conference, several evening
concerts
will be offered in the McKay auditorium on the campus of BYU-Hawaii.
Roy Howat
and Wendy Hiscocks will present a duo-piano recital which includes
Debussy's
'En blanc et noir' and Chabrier's 'Trois valses romantiques'. Pianist
Scott
McCarrey will offer a solo recital of works by Ravel and Poulenc, this
performance to include the world premiere of a new piece by Wendy
Hiscocks
commissioned for the conference.<br>
<br>
Additional keynote speakers, evening performances, fees and
registration
details will be announced in the near future at
<a class="moz-txt-link-freetext" href="http://academics.byuh.edu/finearts/?q=node/22">http://academics.byuh.edu/finearts/?q=node/22</a> <br>
<br>
Contact information<br>
Please direct all enquires to:<br>
<br>
Dr. Scott McCarrey<br>
Brigham Young University-Hawaii<br>
Chair, Department of Fine Arts<br>
55-220 Kulanui Street<br>
Laie, Hawaii, USA<br>
96762<br>
Email: mccarres at byuh.edu <a class="moz-txt-link-rfc2396E" href="http://byuh.edu"><http://byuh.edu></a><br>
<br>
<br>
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********************************************<br>
<br>
<br>
<a name="_Toc159404215">3. CALL FOR SCORES: North/South Consonance's
28th
Annual Call for Scores (DEADLINE 01/Jun - Nova Iorque, EUA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: North/South Concerts [<a class="moz-txt-link-freetext" href="mailto:ns.concerts@att.net">mailto:ns.concerts@att.net</a>] <br>
Sent: quarta-feira, 14 de fevereiro de 2007 18:46<br>
Subject: North/South Consonance's 28th Annual Call for Scores
Information
Please inform members of your organization<br>
<br>
<br>
NORTH/SOUTH CONSONANCE, INC. is currently conducting an open search for
compositions to be featured during the 2007-08 season. <br>
<br>
All composers are invited to submit works for consideration.
Compositions
scored for solo instruments or chamber ensembles up to fifteen
performers,
including voice and/or electronics, are eligible. <br>
<br>
Out of the works selected for performance, one will be recommended for
recording in an upcoming CD featuring the NORTH/SOUTH CONSONANCE
ENSEMBLE. For
a complete copy of the submission guidelines please log on to <br>
<br>
<a class="moz-txt-link-freetext" href="http://www.northsouthmusic.org/call.asp">http://www.northsouthmusic.org/call.asp</a><br>
<br>
<br>
Scores, and if available, a recording of the work should be submitted
by June
1, 2007. <br>
<br>
A non-refundable registration/processing fee of $25 per composition
payable in
US funds should accompany all submissions.<br>
<br>
All submissions and/or communications should be directed to:<br>
<br>
<br>
NORTH/SOUTH CONSONANCE, INC <br>
P. O. Box 698 - Cathedral Station<br>
New York, NY 10025-0698<br>
USA<br>
<br>
<br>
For further information about the concert and recording activities
sponsored by
North/South Consonance, please visit<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.northsouthmusic.org">http://www.northsouthmusic.org</a><br>
<br>
<br>
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********************************************<br>
<br>
<br>
<a name="_Toc159404216">4. CALL FOR WORKS: Infinite Composing (DEADLINE
02/Abr
- Copenhagen, DINAMARCA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Infinite Composing [<a class="moz-txt-link-freetext" href="mailto:composingwhat@yahoo.dk">mailto:composingwhat@yahoo.dk</a>] <br>
Sent: quinta-feira, 15 de fevereiro de 2007 12:06<br>
Subject: Call for works: Infinite Composing<br>
<br>
In conjunction with the Danish festival for soundart and contemporary
music,
SPOR 2007, artists and composers from all musical environments are
invited to
contribute digital audiovisual works to the independent festival event <br>
<br>
<br>
INFINITE COMPOSING.<br>
<br>
Infinite Composing focuses on the issue of the listener as producer, or
more
specifically: how the listener's participating appropriation of certain
kinds
of digital sound and music can be useful when coming upon newly
composed music.
We therefore call on all interested to contribute works that contain
open,
interactive and possibly "infinite" elements, set into perspective
conventional practices of creating and performing music and provide
ideas on
how to challenge the traditional division of functions as composer,
performer
and listener. Furthermore, we call on artists and composers from all
environments to challenge their own ways of creating music, keeping the
same
objectives in mind.<br>
<br>
SPOR 2007 will be held from 10 to 13 May 2007. Throughout the period
contributions to Infinite Composing will be displayed in Ridehuset,
Århus
(Denmark) on stationary computers with headsets. Therefore, the
submitted
pieces of work must be created so that they can be viewed on a common
computer
screen, listened to in stereo through headsets and function with
Macintosh
computers in QuickTime, max/MSP, Flash, Firefox or Safari. <br>
<br>
Preceding the festival, a jury of internationally acknowledged
professionals
and artists (Atau Tanaka, Natasha Barrett, Elena Ungeheuer, Morten
Søndergaard
among others) will each select one contribution and argue why they find
the
selected one particularly interesting. Selected pieces will be
displayed on a
widescreen during the festival and the audience will be able to read
the individual
evaluations. On the last day of the festival the favourite piece of
work of the
audience will be presented and given a special reward. All
contributions to
Infinite Composing will be located permanently on an independent web
site after
the festival as far as it is technically possible.<br>
<br>
SPOR 2007 is curated by Anna Berit Asp Christensen og Anne Marqvardsen.
The
overall objective of SPOR 2007 is to examine identities of composers
and
artists and to encourage new ways of perceiving the traditional
performance
situation. Further information on the SPOR Festival and Infinite
Composing is
available on the festival site <a class="moz-txt-link-abbreviated" href="http://www.spor-festival.dk">www.spor-festival.dk</a>. You may also
contact the
coordinator of the event Marie Buchert at <a class="moz-txt-link-abbreviated" href="mailto:infinitecomposing@yahoo.dk">infinitecomposing@yahoo.dk</a> <br>
<br>
Works for Infinite Composing should be submitted on a CD-ROM or DVD to
SPOR
Festival, att. Marie Buchert, Shetlandsgade 3, 4th floor, DK-2300
Copenhagen S,
Denmark. Deadline for submission is Monday 2 April 2007.<br>
<br>
Please note, that works must be compatible with Macintosh computers in
either
QuickTime, max/MSP, Flash, Firefox or Safari.<br>
<br>
<br>
Download as pdf ( <a class="moz-txt-link-freetext" href="http://www.spor-festival.dk/infinite_eng.pdf">http://www.spor-festival.dk/infinite_eng.pdf</a> )<br>
<br>
<br>
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<br>
<br>
<a name="_Toc159404217">5. COMPETITION: International Competition for
Band
Compositions "Romualdo Marenco" (DEADLINE 31/Jul - Novi Ligure,
ITALIA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Biblioteca Civica di Novi Ligure
[<a class="moz-txt-link-freetext" href="mailto:prestiti.sbn@biblioteche.reteunitaria.piemonte.it">mailto:prestiti.sbn@biblioteche.reteunitaria.piemonte.it</a>] <br>
Sent: sexta-feira, 16 de fevereiro de 2007 13:01<br>
Subject: 5th International Competition for band composition and solo
instrument
- clarinet in sib<br>
<br>
<br>
INTERNATIONAL COMPETITION FOR BAND COMPOSITIONS<br>
"ROMUALDO MARENCO"<br>
<br>
Artistic Direction: Mo. Maurizio Billi<br>
<br>
<br>
A) COMPOSITION FOR BAND<br>
<br>
One prize: 5000 E<br>
Entrance fee: 60 E<br>
Deadline: 31 July 2007<br>
<br>
B) COMPOSITION FOR SOLO INSTRUMENT - CLARINET SOPRANO IN B-flat<br>
<br>
One prize: 3000 E<br>
Entrance fee: 40 E<br>
Deadline: 31 July 2007<br>
<br>
The Town of Novi Ligure is holding the 5th International Competition
for Band
Composition, "Romualdo Marenco" in honour of the great Musician from
Novi, in order to promote the composition of Band Music and to increase
the
contemporary repertoire. <br>
<br>
The Organizing Body, to celebrate Romualdo Marenco's centenary of his
death,
which falls in 2007, means supporting the 5th International Competition
for
band Composition, with a "Special Competition" reserved to the
composition of a work for a SOLO INSTRUMENT - CLARINET SOPRANO IN SIB<br>
<br>
Maurizio Billi<br>
Direttore Artistico<br>
<br>
Patrizia Orsini<br>
Segreteria del Concorso<br>
<br>
For information:<br>
<br>
Centro Comunale di Cultura "G. F. Capurro"<br>
Via Marconi 66<span style=""> </span>-<span style=""> </span>I -
15067 Novi Ligure (AL) - Italy<br>
Tel.: +39 0143 76246<span style=""> </span>-<span style=""> </span>Fax:<span
style="">
</span>+39 0143 72592<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.comune.noviligure.al.it">http://www.comune.noviligure.al.it</a><br>
e-mail:<span style=""> </span><a class="moz-txt-link-abbreviated" href="mailto:biblioteca.direzione@comune.noviligure.al.it">biblioteca.direzione@comune.noviligure.al.it</a><br>
<br>
<br>
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********************************************<br>
<br>
<br>
<a name="_Toc159404218">6. COMPOSITION CONTEST: International
composition
contest for improvised chamber music (DEADLINE 30/Abr - Salzburg,
AUSTRIA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: [<a class="moz-txt-link-freetext" href="mailto:compositoresvenezolanos@gruposyahoo.com">mailto:compositoresvenezolanos@gruposyahoo.com</a>] On Behalf Of
Victor
Varela<br>
Sent: quarta-feira, 14 de fevereiro de 2007 17:33<br>
Subject: [compvenz] Again<br>
<br>
International composition contest for improvised chamber music<br>
<br>
For the first time JIMS 2007 organizes an international composition
contest for
pieces of music that concentrate on improvisation. The ensemble in
charge - as
well as the jury - consists of JANUS ENSEMBLE conducted by Christoph
Cech.<br>
<br>
Conditions of participation:<br>
<br>
- The pieces of music ought to stress the improvisational abilities of
the
members of the ensemble; one third should be devoted to improvisation,
the
other two thirds should be based on notes.<br>
<br>
- The duration of the pieces should total about 12 - 15 minutes.<br>
<br>
- The improvisational part should be defined by clear instructions
concerning
moods, events or improvisational aids such as scales, chords, patterns
or the
like. Simple hints like "free improvisation" are not permitted.<br>
<br>
- The improvised part can both comprise all musical instruments and one
solo
instrument only that deals with a piece based on notes and leads over
to
collective improvisation. <br>
<br>
- No age restriction.<br>
<br>
- The pieces of music must be personally composed by the sender and
must not
have been published or performed in public before.<br>
<br>
Instruments (11 musicians):<br>
<br>
- flute, also piccolo flute or alto flute<br>
- clarinet Bb, also Eb<br>
- bass clarinet<br>
- F-horn<br>
- trumpet in Bb, also grand horn<br>
- piano<br>
- percussion: marimba C-c, vibraphone g-c, big drums, small drums, all
kinds of
cymbals, gong, tam-tams, Latin percussion, small bass drums and kettle
drums.<br>
- first violin<br>
- second violin<br>
- viola<br>
- double bass or e-bass<br>
<br>
Entry procedure:<br>
<br>
Entry must be anonymous according to international standards!<br>
<br>
- The mail should not contain the sender's name or address.<br>
- The scores - three copies - should contain the title of the piece
only, not
the composer's name.<br>
- The mail should also contain two further envelopes that are closed:
one of
the two should contain a paper giving the title of the composition,
whereas the
other should contain a paper giving the name, address, nationality,
telephone
number and e-mail address of the composer.<br>
- The winners will be informed via post or e-mail by June 1, 2007.<br>
- No course of law allowed.<br>
- Closing date for entries: April 30, 2007 (date of the postmark).<br>
<br>
<br>
- Mails to: <br>
Jazzbase<br>
Sven-Kristian Wolf<br>
Elisabethstrasse 11<br>
5020 SALZBURG<br>
AUSTRIA<br>
<br>
The three winning pieces of music will be performed in Salzburg on July
19,
2007 by the JANUS ENSEMBLE. Exact place of performance will be given
later.<br>
<br>
Prize money:<br>
First prize: 1.800.- Euros<br>
Second prize: 1.000.- Euros<br>
Third prize: 700.- Euros<br>
<br>
Inquiries : <a class="moz-txt-link-abbreviated" href="mailto:office@jims.at">office@jims.at</a><br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404219">7. CONCURSO: : 8o. Concurso Brasileiro de Canto
Maria
Callas (02-08/Abr - Sao Paulo, SP e Jacarei, SP, BRASIL)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: <a class="moz-txt-link-abbreviated" href="mailto:theatrosaopedro@apaa.org.br">theatrosaopedro@apaa.org.br</a> [<a class="moz-txt-link-freetext" href="mailto:theatrosaopedro@apaa.org.br">mailto:theatrosaopedro@apaa.org.br</a>] <br>
Sent: sexta-feira, 16 de fevereiro de 2007 12:48<br>
Subject: 8o. Concurso Brasileiro de Canto Maria Callas - inscricoes
abertas<br>
<br>
<br>
8o. CONCURSO BRASILEIRO DE CANTO <br>
<br>
Maria Callas<br>
<br>
Sao Paulo/Jacarei - 2 a 8 de abril de 2007<br>
<br>
PROGRAMA OFICIAL<br>
<br>
<br>
2 e 3 de Abril de 2007 (segunda e terca-feira), 17h - Theatro Sao Pedro
(SP)<br>
- Eliminatorias (aberto ao publico)<br>
<br>
4 de Abril de 2007 (quarta-feira), 17h - Theatro Sao Pedro (SP)<br>
- Palestra - Beniamino Gigli (1890-1957) - Em comemoracao aos 50 anos
de morte
(aberto ao publico)<br>
<br>
5 de Abril de 2007 (quinta-feira), 17h - Camara Municipal de Jacarei
(SP)<br>
- Fase Semifinal - Cada candidato apresentara duas pecas de seu
programa
escolhidas pelo Juri (aberto ao publico)<br>
<br>
7 de Abril de 2007 (sabado), 17h - Camara Municipal de Jacarei (SP)<br>
- Fase Final - Cada candidato apresentara duas pecas de seu programa
escolhida
pelo Juri (aberto ao publico)<br>
<br>
8 de Abril de 2007 (domingo), 18h - Camara Municipal de Jacarei (SP)<br>
- Recital dos Vencedores do Concurso e Convidados - Entrega de Premios
(aberto
ao publico)<br>
<br>
INSCRICOES LIMITADAS<br>
<br>
regulamento/informacoes: <a class="moz-txt-link-abbreviated" href="http://www.ciaoperasaopaulo.com.br">www.ciaoperasaopaulo.com.br</a><br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404220">8. CONCURSO: Professor Assistente (Ritmica e
Bateria),
UNICAMP (26/Fev - Campinas, SP, BRASIL)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
De: Departamento de Musica [<a class="moz-txt-link-freetext" href="mailto:sdmu@iar.unicamp.br">mailto:sdmu@iar.unicamp.br</a>] <br>
Enviada em: sexta-feira, 16 de fevereiro de 2007 10:30<br>
Assunto: Processo Seletivo de Bateria<br>
<br>
<br>
PROCESSO SELETIVO PARA CONTRATACAO EMERGENCIAL DE DOCENTE<br>
<br>
JUNTO AO DEPARTAMENTO DE MÚSICA<br>
<br>
O Departamento de Musica do Instituto de Artes da Universidade Estadual
de
Campinas torna publico que, estarao abertas no periodo de 22 a
23/02/2007 as
inscricoes ao Processo Seletivo para uma Funcao Autarquica de Professor
Assistente, categoria MA-I, nivel A, em RTC, da Carreira do Magisterio
Artistico,
na area de Fundamentos Teoricos das Artes, nas disciplinas: MU-058 -
Ritmica I,
MU-059 - Ritmica II, MU-060 - Ritmica III, MU-061 - Ritmica IV, MU-062
- Ritmica
V e MU-063 - Ritmica VI, e na area de Praticas Interpretativas, nas
disciplinas: MU-102 - Instrumento I (Bateria) a MU-802 - Instrumento
VIII
(Bateria), de acordo com a Resolucao GR no. 48/2003.<br>
<br>
O processo seletivo de que trata o presente edital far-se-a consoante
com os
seguintes objetivos:<br>
<br>
1) A contratacao emergencial vigorara de marco a junho de 2007;<br>
<br>
2) Requisitos minimos exigidos: Profissional atuante na area,
comprovado.
Dar-se-a preferencia a candidatos com experiencia de ensino. <br>
<br>
3) A Comissao examinadora podera optar por uma pre-selecao, baseada
exclusivamente no curriculum vitae, caso o numero de inscritos seja
elevado.<br>
<br>
4) Constara das seguintes provas: a) Analise de curriculum vitae; b)
Prova Pratica;
d) Entrevista.<br>
<br>
5) As inscricoes deverao ser feitas na Secretaria do Departamento de
Musica do
Instituto de Artes da UNICAMP, sito a rua Elis Regina, 50 - Cidade
Universitaria
"Zeferino Vaz" - Barao Geraldo - Campinas - Sao Paulo, das 9 as 16h,
de segunda a sexta-feira, dentro do prazo indicado, por meio de
requerimento
contendo nome, idade, filiacao, naturalidade, estado civil, domicilio e
profissao
dirigido ao Chefe do Departamento de Musica do Instituto de Artes,
acompanhado
dos seguintes documentos: a) documentos de identificacao (RG, CPF e
Titulo de
Eleitor); b) comprovacao dos titulos academicos ou profissionais
pertinentes a area,
dos quais e portador; c) quatro exemplares do curriculum vitae contendo
as
atividades realizadas, em que sejam comprovados os trabalhos
publicados,
atividades profissionais e demais informacoes que permitam cabal
avaliacao dos
meritos do candidato.<br>
<br>
6) As provas realizar-se-ao no dia 26 de Fevereiro de 2007, no
Departamento de
Musica do Instituto de Artes da UNICAMP. <br>
<br>
Quaisquer outras informacoes poderao ser obtidas na Secretaria do
Departamento
de Musica do Instituto de Artes da UNICAMP.<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404221">9. CONCURSO PUBLICO: Prof. Substituto (Canto
Lirico e
Percepcao). (27-28/Fev, 08:30-15:30hs - Sao Joao del Rey, MG, BRASIL)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Marcia Taborda [<a class="moz-txt-link-freetext" href="mailto:marciataborda@globo.com">mailto:marciataborda@globo.com</a>] <br>
Sent: sexta-feira, 9 de fevereiro de 2007 15:35<br>
Subject: CONCURSO UFSJ<br>
<br>
CONCURSO PÚBLICO PARA PROFESSOR SUBSTITUTO<br>
<br>
AREAS DE CANTO LIRICO E PERCEPCAO<br>
<br>
<br>
CPD001/2007, area de musica - Canto <br>
<a class="moz-txt-link-freetext" href="http://www.ufsj.edu.br/Pagina/concursos/Arquivos/CPD_001.doc">http://www.ufsj.edu.br/Pagina/concursos/Arquivos/CPD_001.doc</a><br>
<br>
CPD002/2007, area de musica - Percepcao musical<br>
<a class="moz-txt-link-freetext" href="http://www.ufsj.edu.br/Pagina/concursos/Arquivos/CPD_002-1.doc">http://www.ufsj.edu.br/Pagina/concursos/Arquivos/CPD_002-1.doc</a><br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404222">10. CONFERENCIA: Performa 2007 - Homepage
disponivel
(10-12/Mai - Aveiro, PORTUGAL)</a><br>
<br>
******************************************** <br>
<br>
<br>
O Performa ja tem um site disponivel com informacao relativa a
conferencia.<br>
<br>
O endereco e:<br>
<br>
<a class="moz-txt-link-freetext" href="http://performa.web.ua.pt/index.html">http://performa.web.ua.pt/index.html</a><br>
<br>
O Departamento de Comunicacao e Arte da Universidade de Aveiro realiza,
entre
10 e 12 de Maio de 2007, uma conferencia internacional sobre temas de
investigacao
em interpretacao e artes performativas.<span style="">
</span>Tratando-se de uma area de estudos emergente, com reduzida
expressao em
Portugal, o PERFORMA tenciona contribuir para a divulgacao da
investigacao
efectuada no pais e a nivel internacional.<span style="">
</span>Na edicao de 2007, o PERFORMA define-se como um espaco
multidisciplinar
de debate sobre o universo da interpretacao musical, acolhendo por
isso,
propostas com proveniencias disciplinares diversas, com alargamento as
areas da
psicologia da musica, musicologia, etnomusicologia, pedagogia, analise
musical
e reflexao filosofica sobre interpretacao.<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404223">11. EDITAL: Selecao publica de projetos de
pesquisa nas
areas de ciencias humanas, sociais e sociais aplicadas (15/Mar -
Brasilia, DF)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: [<a class="moz-txt-link-freetext" href="mailto:docentes-bounces@iar.unicamp.br">mailto:docentes-bounces@iar.unicamp.br</a>] On Behalf Of Denilda
Bortolleto<br>
Sent: segunda-feira, 12 de fevereiro de 2007 09:43<br>
Subject: [Docentes] Edital CNPq no. 50/2006 <br>
<br>
<br>
Edital CNPq no. 50/2006 <br>
<br>
SELECAO PÚBLICA DE PROJETOS DE PESQUISA NAS AREAS DE CIENCIAS HUMANAS,
SOCIAIS
E SOCIAIS APLICADAS<br>
<br>
O Ministerio da Ciencia e Tecnologia, por intermedio do Conselho
Nacional de
Desenvolvimento Cientifico e Tecnologico - CNPq, torna publico o
lancamento do
presente Edital e convida os pesquisadores interessados das areas de
Ciencias
Humanas, Sociais e Sociais Aplicadas a apresentarem propostas para
obtencao de
financiamento a projetos de pesquisa, nos termos aqui estabelecidos.<br>
<br>
1 - INFORMACOES GERAIS<br>
<br>
1.1 - Objetivo<br>
<br>
Estimular e fortalecer linhas de pesquisa, no ambito das Ciencias
Humanas,
Sociais e Sociais Aplicadas, mediante o financiamento de projetos com
merito
cientifico que contribuam para o desenvolvimento da area no Brasil. [1]<br>
<br>
1.2 - Cronograma<br>
<br>
Evento<span style=""> </span>Data <br>
Lancamento do Edital no DOU 22/12/2006 <br>
Recebimento das Propostas 15/3/2007 <br>
Analise e Julgamento Maio/2007 <br>
Divulgacao dos Resultados Junho/2007 <br>
Contratacao das Propostas A partir de 15/07/2007 <br>
<br>
1.3 - Publico alvo<br>
<br>
Pesquisadores vinculados a programas de pos-graduacao e/ou
departamentos das areas
de ciencias humanas, sociais e sociais aplicadas de instituicoes de
ensino
superior, institutos ou centros de pesquisa e desenvolvimento, publicos
ou
privados, todos sem fins lucrativos, doravante denominados instituicao
de execucao
do projeto. <br>
<br>
1.4 - Recursos financeiros<br>
<br>
1.4.1 As propostas aprovadas serao financiadas com recursos no valor
global de
R$ 3.000.000,00 (tres milhoes de reais), recursos estes oriundos do
Tesouro
Nacional, acao 4158 do orcamento de 2007, relativo ao Fomento a
Pesquisa
Fundamental, a serem liberados de acordo com a disponibilidade
orcamentaria e
financeira do CNPq.<br>
<br>
1.4.2 Os projetos terao o valor maximo de R$ 20.000,00 (vinte mil
reais), para
gastos com itens de custeio e capital.<br>
<br>
1.5 - Itens financiaveis<br>
<br>
1.5.1 Serao financiados itens referentes a custeio e capital,
compreendendo: <br>
<br>
a) Custeio:<br>
<br>
- material de consumo, componentes e/ou pecas de reposicao de
equipamentos,
software, instalacao, recuperacao e manutencao de equipamentos;<br>
<br>
- passagens e diarias para pesquisa de campo (de acordo com as Tabelas
de
Valores de Diarias para Auxilios Individuais e Bolsas de Curta Duracao);<br>
<br>
- servicos de terceiros - pagamento integral ou parcial de contratos de
manutencao
e servicos de terceiros, pessoa fisica ou juridica, de carater
eventual.
Qualquer pagamento a pessoa fisica deve ser realizado de acordo com a
legislacao
em vigor, de forma a nao estabelecer vinculo empregaticio. Assim, a
mao-de-obra
empregada na execucao do projeto nao tera vinculo de qualquer natureza
com o
CNPq e deste nao podera demandar quaisquer pagamentos, permanecendo na
exclusiva responsabilidade do Coordenador/Instituicao do projeto;<br>
<br>
- despesas acessorias, especialmente as de importacao e as de
instalacoes
necessarias ao adequado funcionamento dos equipamentos.<br>
<br>
b) Capital:<br>
<br>
- equipamentos;<br>
<br>
- material permanente;<br>
<br>
- material bibliografico;<br>
<br>
Os itens de capital serao alocados na instituicao proponente sob a
responsabilidade, manutencao e guarda do(a) Coordenador(a)/Instituicao
do
projeto.<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404226">12. NOTA: Marlos Nobre - Atividades e
programacao em
2006</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Maria Luiza Corker [<a class="moz-txt-link-freetext" href="mailto:marialuizacorker@uol.com.br">mailto:marialuizacorker@uol.com.br</a>] <br>
Sent: quarta-feira, 14 de fevereiro de 2007 18:42<br>
Subject: Marlos Nobre-Atividades em 2006<br>
<br>
MARLOS NOBRE - ATIVIDADES E PROGRAMACAO EM 2006<br>
<br>
- Em 21 de janeiro participa do Festival do Colegio de Compositores de
Musica
de Arte do Mexico, no qual o pianista Edison Quintana apresenta sua
"SONATA BREVE para piano"<br>
na Sala Manuel Ponce, Mexico.<br>
<br>
- Em 4 de fevereiro, o violonista Juan Carlos Laguna, toca seus
"MOMENTOS
I e II para violao" na Sala Manuel Ponce, Mexico.<br>
<br>
- Participa do New Music Festival da East Carolina University, no qual
e
apresentada sua "PASSACAGLIA para Orquestra", em 1 de Marco/06, pela
East Carolina University Symphony Orchestra, sob a direcao de Jorge
Richter.<br>
<br>
- Em 23 de Marco, sua obra "CANTORIA I<span style="">
</span>para violoncelo solo" e apresentada pelo violoncelista Antonio
Meneses, no auditorio da Americas Society, em Park Avenue 680, New York.<br>
<br>
- Recebe em 23 de Marco, em Recife,<span style=""> </span>o Premio
"Raizes Culturais", do Conselho Estadual de Cultura do Estado de
Pernambuco.<br>
<br>
- Em 25 de Marco a Orquestra Sinfonica Petrobras, sob a regencia do
maestro
Marcelo Ramos, apresenta na Sala Cecilia Meireles sua obra "PASSACAGLIA
para Orquestra", no ambito da Serie Seculo XXI.<br>
<br>
- Participa do "Ginastera Festival 2006" em Londres, em 28 de Marco/06,
com seu "DESAFIO VII para piano e orquestra de cordas" apresentado no
St. John´s Smith Square, London, pela Southbank Sinfonia, sob a direcao
de
Matilda Hofman, tendo como solista o pianista Alberto Portugheis.<br>
<br>
Em Londres, o critico Ray Picot escreveu a respeito: "After de
interval,
the distinguished pianist Alberto Portugheis took centre-stage in a
performance
of Marlos Nobre´s Desafio no. 7, accompanied by the strings of the
Southbank
Sinfonia. This fascinating piece is part of an ongoing series, in which
the
composer explores in musical terms, the desafio (challenge) which is a
type of
poetry contest where participants attempt to surpass each other in the
improvisation of verses. Opening with a cadenza for solo piano, the
orchestra
then joins in this musical dare, in a whirlwind of imaginative and
virtuoso
writing, alive with the rhythms of the composer´s beloved North East
Brazil. It
was performed with great verve and drew enthusiastic applause".<br>
<br>
No ambito do II Encontro Internacional de Percussao sua obra "CONCERTO
PARA PERCUSSAO E ORQUESTRA" e apresentada pela Orquestra Sinfonica
Nacional - UFF, com o percussionista Thierry Miroglio como solista,
regente Ligia
Amadio, no Teatro Cinearte UFF (9 de abril) e na Sala Cecilia Meireles
(10 de
abril).<br>
<br>
- Sua obra "AGO-LONA para coro misto" e apresentada pelo Hollands
Vocaal Ensemble, dirigido por Fokko Oldnhuis, em Ultrecht (21 de abril)
e em
Amsterdam (23 de abril).<br>
<br>
- Participa do XIV Festival Latinoamericano de Musica de Caracas,
Venezuela, de
19 a 28 de Maio. No concerto inaugural, dia 19 de maio, 2006, na Sala
Jose Felix
Ribas, Teatro Teresa Carreno, sua obra "KABBALAH para Orquestra" e
apresentada pela Orquestra Sinfonica Simon Bolivar, sob a direcao de
Alfredo
Rugeles e no dia 21 de maio, na mesma Sala Jose Felix Ribas, no ambito
do
Festival, e apresentada sua obra "SONANTE No. 1 para Marimba solo, pelo
percussionista Gustavo Olivar.<br>
<br>
- Em 27 de Maio, sua obra "KABBALAH para Orquestra" e apresentada no
Teatro Municipal do Rio de Janeiro, pela Orquestra Sinfonica Brasileira
em sua
Serie Noturna Temporada Oficial 2006, sob a direcao do Maestro Alastair
Willis.<br>
<br>
Escreve a "CANTORIA II para violoncelo solo", por encomenda do
violoncelista mexicano Carlos Prieto, que estreia a obra em 10 de
junho/06, na
Sala Carlos Chavez da UNAM, no Mexico.<br>
<br>
- Em 15 de junho, em solene ato na Real Academia de Bellas Artes de San
Fernando, em Madrid, Espanha, e feita a entrega do VI PREMIO
IBEROAMERICANO DE
LA MÚSICA TOMAS LUIS DE VICTORIA 2005, em solenidade seguida de um
concerto de
suas obras que incluiu: TRES CANCOES NEGRAS para soprano e piano; CANTO
A
GARCIA LORCA para soprano e piano (ambas com o soprano Pilar Jurado e o
pianista Horacio Lavandera) e a estreia mundial de sua "SONATA PARA
PIANO
(sobre um tema de Bartok) pelo pianista Lavandera. <br>
<br>
Os criticos<span style=""> </span>de Madrid foram unanimes ao
comentarem os meritos do compositor: "En estreno mundial, se presentaba
la
"Sonata sobre um tema de Bartok - um motivo del impresionante Concierto
para orquesta-, partitura ejemplar por su escritura, su riqueza
imaginativa y
su potencia. Lavandera la interpreto com uma fuerza arrolladora. Las
obras de
Nobre afirman su personalidad de artista creador, completamente libre,
dueno de
la tecnica, que no le tiene miedo a nada. Ni siquiera a la tonalidad,
que ha
sido y sigue siendo el coco para muchos, por culpa de las malas
companias.(
Carlos Gomez Amat de El Mundo, Madrid, 17 junio);<br>
<br>
A. Vela Del Campo de jornal El Pais, de 17 junio, escreveu: "La musica
resulto deslumbrante. Tanto de las Canciones Negras como de la Sonata
pianistica<span style=""> </span>se desprendio uma fuerza ritmica
excepcional.
Confluyen um triple juego de relaciones dialeticas, las derivadas del
pensamiento logico en su contraste con el magico, la complementariedad
entre lo
popular y lo culto y el viaje de ida y vuelta entre Europa y America.
El
tratamiento de Bartok, fue de lo mas sugerente. Sobre todo, al poseer
la obra
um magnetismo y uma fuerza que la hacen irresistible".<br>
<br>
Fundacion Autor e o Instituto Complutense de Ciencias Musicales (ICCMU)
de
Madrid, lancam a primeira biografia sobre o compositor : "Marlos Nobre:
El
sonido del realismo magico", escrito por Tomas Marco, que inclui
biografia,
estudo sobre suas obras, seu pensamento musical e estilo, assim como
catalogo
completo de obras, discografia e bibliografia. O livro e distribuido
pela
Fundacion Autor de Madrid.<br>
<br>
- De 10 a 14 de Julho, participou dos Cursos de Verano 2006 da
Universidad
Complutense da Espanha, no El Escorial, Curso "Dialogos Culturales
entre
Brasil y Espana", ditando um conferencia em 11 de Julho sobre o tema
"Una experiencia creativa en el tropico".<br>
<br>
- A Orquestra Sinfonica de Minas Gerais, dirigida pela maestro Marcelo
Ramos,
realizou uma tournee em Minas apresentando em todos os concertos a
"PASSACAGLIA para Orquestra", em Lavras (20 julho); Caxambu (21
julho); Barbacena (22 julho) e Juiz de Fora (23 julho).<br>
<br>
- Termina em 02 de agosto a revisao definitiva do seu "IVo. CICLO
NORDESTINO para piano (1. Caboclinhos 2. Cantilena 3. Maracatu 4.
Ponteado 5.
Frevo).<br>
<br>
- Participa do Festival Internacional CERVANTINO, de Guanajuato,
Mexico, no
qual e apresentada sua obra "MUSICAMERA para Orquestra de Camera" em
8 de outubro, no Templo de Valenciana, Guanajuato, Mexico, pela
Orquestra
Camerata de Coahuila, dirigida por Manuel De Elias.<br>
<br>
- Em 2 de novembro, no ambito do Ginastera Festival 2006 em Londres,
sua obra
"CONCERTANTE DO IMAGINARIO para piano e orquestra de cordas" e
apresentada
no St. John´s Smith Square, pela London Schubert Players, dirigida por
Daniel
Mazza, tendo como solista o pianista Alberto Portugheis. <br>
<br>
No mesmo Festival, em 9 de novembro, o violonista Fabio Zanon toca suas
obras
"MOMENTOS I" e "REMEMORIAS para violao" na Canning House.<br>
<br>
A respeito destas duas apresentacoes, o critico londrino Ray Picot
escreveu:"The first part concluded with another great living composer,
the
Brazilian Marlos Nobre. Written in 1989 the Concertante do Imaginario
contrasts
quite sharply old and new styles in a testing work for pianist and
orchestra.<span style=""> </span>Alberto Portugheis responded
to the drama and passion of the first movement with utter authority,
partnered
equally by Daniel Mazza who whipped up a breathtaking performance from
the orchestra.
The lyrical second movement was a joy, with the ghost Villa-Lobos
flitting
through the assured writing. The virtuoso finale is of more modern
character
and once more soloist, conductor and ensemble responded as one. This
was a
barnstorming performance that really captured the audience´s
imagination!", "The internationally renowned guitarrist Fabio Zanon,
followed with a solo recital at Canning House. He introduced to an
enthusiastic
audience a fascinating programme. Marlos Nobre is one of the foremost
composers
alive in Brazil today. His MOMENTOS I was written before Ginastera´s
great
guitar sonata,and fascinatingly it shares some of its features, notably
the
exploitation of sonorities and effects, and as such is typical of the
1970´s
avant garde. REMEMORIAS<span style=""> </span>was written in
2005, and given its European Premiere tonight. Taking its inspiration
from the
Caboclinhos, a North Eastern Brazil folk dance, Fabio Zanon relished
the
rhythmic challenges and played the piece with immaculate care and
precision. He
was<span style=""> </span>equally at home with the earlier
piece (Momentos I)<span style=""> </span>and gave it a
coherence that raised it above the sum of its complexities."<br>
<br>
Em 6 de novembro participa do XX Incontri Internazionali con la musica
contemporanea, TRIESTE 2006, Italia, no qual e apresentado seu Tango e
Frevo
para piano, pela pianista rumena Ancuza Aprodu, na Sala Del Ridotto Del
Teatro
Verdi.<br>
<br>
- Em Maio/2006 o pianista Bernardo Scarambone apresenta sua Defesa de
Tese,
para o Doutorado na University de Houston, sobre :" THE PIANO WORKS OF
MARLOS NOBRE", a Dissertation presented to the Faculty of the Moores
School of Music, University of Houston, in partial fulfillment of the
requirements for the Degree of Doctor of Musical Arts.<br>
<br>
- Em setembro de 2005, Alexandre Siqueira de Freitas, apresentou sua
tese de
doutorado: "UNE TENSION FERTILE: LA GESTUALITE BRESILIENNE ET LE
DODECAPHONISME
DANS "VARIACOES RITMICAS" DE MARLOS NOBRE, na Sorbonne, Paris, UFR de
Lettres, Philosophie et Musique: Department de Musique, Mention
Musicologie.<br>
<br>
- Em 23 de novembro, a profa. Josely Machado Bark, faz sua Defesa de
Tese na
UNICAMP, Doutorado em Musica, sobre "MARLOS NOBRE: CONCERTANTE DO
IMAGINARIO
PARA PIANO E ORQUESTRA DE CORDAS OP. 74 - ESTUDO ANALITICO E
INTERPRETATIVO", Instituto de Artes da UNICAMP, no Auditorio da CPG.<br>
<br>
ENCOMENDAS RECEBIDAS:<br>
<br>
1) Michigan State University, U.S.A.: Obra encomendada especialmente
para o
TRIO VERDEHR (violino, clarinete e piano).<br>
<br>
2) FESNOJIV (Sistema Nacional de Orquestras Infantiles e Juveniles de
Venezuela): Obra para o "Ensamble de Metales de Venezuela". Obra ja
escrita em janeiro de 2007: METALAMERICA para conjunto de metais e
percussao.<br>
<br>
3) ESCUELA SUPERIOR REINA SOFIA de ESPANHA: Obra de camera para
madeiras,
metais, timpani, percussao e cordas, especialmente para os jovens
integrantes
da Orquestra de Camera da Escuela Superior de Musica Reina Sofia da
Espanha.<br>
<br>
4) FESNOJIV (Sistema Nacional de Orquestras Infantiles e Juveniles de
Venezuela): Obra para Orquestra especialmente para Orquestra Simon
Bolivar da
Venezuela.<br>
<br>
5) Deutsche Oper de Berlin: Desafio XXXIV para Sexteto de Cordas, obra
ja
terminada em janeiro de 2007,especialmente para o concerto na Deutsche
Oper de
musica brasileira atual, em novembro de 2007.<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404225">13. NOTICIA: Rhone-Alpes et PACA au Bresil.
Cooperation
Universitaire, Scientifique et Technologique (Fev/2007 - Sao Paulo, SP)</a><br>
<br>
<br>
******************************************** <br>
<br>
From: jamannis [mailto:</span><st1:PersonName><span lang="FR-CA"><a class="moz-txt-link-abbreviated" href="mailto:jamannis@uol.com.br">jamannis@uol.com.br</a></span></st1:PersonName><span
lang="FR-CA">] <br>
Sent: quinta-feira, 15 de fevereiro de 2007 19:59<br>
Subject: ENC: Bulletin Electronique 93- CenDoTeC<br>
<br>
Cooperation Universitaire, Scientifique et Technologique <br>
<br>
Rhone-Alpes et PACA au Bresil<br>
<br>
Source : Ambassade de France. <br>
<br>
Une importante mission collective multidisciplinaire (culture, science
et
technologie, economie, commerce) de la Region Rhone-Alpes s'est rendue
a Sao
Paulo et Curitiba dans le cadre de l'accord de cooperation signe en
octobre
2005 avec l'Etat du Parana. La delegation etait emmenee par le
President de la
Region M. Jean-Jack Queyrannne. Il est encore trop tot pour evaluer les
resultats
mais de nombreuses retombees sont attendues : une intensification des
relations
economiques, culturelles et scientifiques ainsi que la mise en place de
veritables
partenariats commerciaux, industriels et de developpement avec les
entreprises
et institutions bresiliennes. <br>
<br>
Mr Gerard Bodinier, Conseiller pour les relations internationales de
Michel
Vauzelle, President de la Region PACA, a precede la delegation
Rhone-Alpes. Sa
visite s'est incrite dans le cadre de l'accord qui unit la Region PACA
et
l'Etat de Sao Paulo depuis 2002. Mr Bodinier a mis en avant que la
cooperation
entre les deux partenaires est plus mure et que les missions sont plus
ciblees.
Au programme pour 2007 : cinq missions en lien avec l'environnement, le
pole
photonique, la Chambre de Commerce, le pole mer et le tourisme. Autre
initiative, la CCI Marseille est en train de finaliser une plateforme
virtuelle
en vue de promouvoir les echanges et les investissements avec des
entreprises
bresiliennes. Enfin, Mr Vauzelle va transmettre d'ici peu une
invitation au
nouveau gouverneur de l'Etat de Sao Paulo, Jose Serra. <br>
<br>
Pour plus d'informations: <br>
<br>
Mission Economique de Sao Paulo <br>
<br>
Consulat General de France a Sao Paulo<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404224">14. RECITAL: PAULO PEDRASSOLI (violao). Obras de</a>
Barrios, Kampela, Villa-Lobos (22/Fev - Sala Baden Powell, Rio de
Janeiro, RJ)<br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Paulo Pedrassoli Jr. [<a class="moz-txt-link-freetext" href="mailto:ppj@connection.com.br">mailto:ppj@connection.com.br</a>] <br>
Sent: quinta-feira, 15 de fevereiro de 2007 13:48<br>
Subject: Classicos do violao na Sala Baden<br>
<br>
SERVICO:<br>
<br>
Evento: Classicos do violao<br>
<br>
Artista: Paulo Pedrassoli (violao solo)<br>
<br>
Programa: Bach, Tarrega, Albeniz, Barrios, Kampela e Villa-Lobos<br>
<br>
Data: 22 de fevereiro de 2007<br>
<br>
Hora: 19h<br>
<br>
Local: Sala Baden Powell (Av. N, Sra. de Copacabana, 360)<br>
<br>
Preco: 10 reais (bilheteria aberta das 15h as 18h, venda antecipada<br>
<br>
<br>
********************************************<br>
********************************************<br>
<br>
<br>
<a name="_Toc159404227">15. SYMPOSIUM: International Symposium on
Musical
Acoustics ISMA 2007 (DEADLINE for abstract submission: 15/Mar -
Barcelona,
ESPANHA)</a><br>
<br>
<br>
******************************************** <br>
<br>
<br>
From: Leonardo Fuks [<a class="moz-txt-link-freetext" href="mailto:cyclophonica@yahoo.com">mailto:cyclophonica@yahoo.com</a>] <br>
Sent: sexta-feira, 16 de fevereiro de 2007 11:51<br>
Subject: ISMA 2007 BARCELONA, convite (prazo 15 de marco)<br>
<br>
<br>
ISMA 2007 Presentation <br>
<a class="moz-txt-link-freetext" href="http://isma2007bcn.org/">http://isma2007bcn.org/</a><br>
<br>
<br>
The International Symposium on Musical Acoustics ISMA 2007 is
traditionally
held just after the ICA - International Congress on Acoustics (under
the
auspices of the International Commission for Acoustics, ICA). As in the
case of
the previous conferences in this series, ISMA 2007 will bring together
international leaders of the musical acoustics field. Though its
dimension is
much smaller than the latter, the participation of well-recognised
scientists
from all over the world ensures a high quality. The choice of Barcelona
as hosting
city is due not only to the geographical proximity to that of the ICA
2007
MADRID but also to the fact that there are several local active
research groups
in this field. Moreover, the conference coincides with the opening of
the new
Barcelona Museum of Music. A visit to the new museum is included in the
regular
ISMA program.<br>
<br>
Abstract submission 15 March <br>
Notice of acceptance 30 March <br>
Full paper manuscript 1 May <br>
<br>
Registration for authors 15 May <br>
Early registration 15 May <br>
<br>
Abstract Submission: <br>
<a class="moz-txt-link-freetext" href="http://isma2007bcn.org/submission.html">http://isma2007bcn.org/submission.html</a><br>
<br>
Committees<br>
<br>
Scientific Board<br>
<span style=""> </span><br>
Australia- </span><st1:PersonName><span lang="FR-CA">Joe</span></st1:PersonName><span
lang="FR-CA"> Wolfe <a class="moz-txt-link-rfc2396E" href="mailto:j.wolfe@unsw.edu.au"><j.wolfe@unsw.edu.au></a> <br>
Austria-<span style=""> </span>Gregor Widholm
<a class="moz-txt-link-rfc2396E" href="mailto:widholm@mdw.ac.at"><widholm@mdw.ac.at></a> <br>
Brazil - Leonardo Fuks <a class="moz-txt-link-rfc2396E" href="mailto:cyclophonica@yahoo.com"><cyclophonica@yahoo.com></a> <br>
France - Antoine Chaigne <a class="moz-txt-link-rfc2396E" href="mailto:chaigne@ensta.fr"><chaigne@ensta.fr></a> <br>
Finland - Vesa Valimaki <a class="moz-txt-link-rfc2396E" href="mailto:vesa.valimaki@tkk.fi"><vesa.valimaki@tkk.fi></a> <br>
Germany - Malte Kob<span style="">
</span><a class="moz-txt-link-rfc2396E" href="mailto:mkob@ukaachen.de"><mkob@ukaachen.de></a><span style=""> </span><br>
Hungary - Judit Angster <a class="moz-txt-link-rfc2396E" href="mailto:angster@ibp.fraunhofer.de"><angster@ibp.fraunhofer.de></a> <br>
Italy<span style=""> </span>- Lamberto Tronchin
<a class="moz-txt-link-rfc2396E" href="mailto:tronchin@ciarm.ing.unibo.it"><tronchin@ciarm.ing.unibo.it></a> <br>
Japan - Shigeru Yoshikawa <a class="moz-txt-link-rfc2396E" href="mailto:shig@design.kyushu-u.ac.jp"><shig@design.kyushu-u.ac.jp></a> <br>
Nederlands - Abraham Hirschberg <a class="moz-txt-link-rfc2396E" href="mailto:a.hirschberg@tue.nl"><a.hirschberg@tue.nl></a> <br>
Poland - Andrzei Rakowski <a class="moz-txt-link-rfc2396E" href="mailto:rakowski@chopin.edu.pl"><rakowski@chopin.edu.pl></a> <br>
Spain - Ana Barjau<span style="">
</span><a class="moz-txt-link-rfc2396E" href="mailto:ana.barjau@upc.edu"><ana.barjau@upc.edu></a> <br>
Sweden - Johan Sundberg <a class="moz-txt-link-rfc2396E" href="mailto:pjohan@speech.kth.se"><pjohan@speech.kth.se></a> <br>
UK - Murray Campbell <a class="moz-txt-link-rfc2396E" href="mailto:dmcampbell@ed.ac.uk"><dmcampbell@ed.ac.uk></a> <br>
USA - Thomas Rossing <a class="moz-txt-link-rfc2396E" href="mailto:rossing@physics.niu.edu"><rossing@physics.niu.edu></a> <br>
<br>
ORGANIZERS<br>
<br>
Department of Mechanical Engineering<br>
(Polytechnic University of Catalunya, UPC)<br>
Joaquim Agullo i Batlle (ISMA chair)<br>
Ana Barjau Condomines (ISMA secretary)<br>
Sociedad Espanola de Acustica (SEA)<br>
Antonio Perez-Lopez. President of SEA<br>
Antonio Calvo-Manzano, General Secretary of SEA<br>
<br>
Abstract submission 15 March <br>
Notice of acceptance 30 March <br>
Full paper manuscript 1 May <br>
<br>
Registration for authors 15 May <br>
Early registration 15 May <br>
The congress venue <br>
<br>
The Institut d'Estudis Catalans (Institute of Catalan Studies, IEC) was
founded
in 1907. <br>
<br>
It is an "academic, scientific and cultural corporation whose main goal
is
scientific research, especially research that involves all the elements
of
Catalan culture". <br>
<br>
The corporation has its main headquarters in Barcelona, but its sphere
of
action covers all the geographical areas with Catalan language and
culture.<br>
<br>
In 1922, the IEC was accepted as a full member of the International
Union of
Academies (IUA).Today the Institut brings together a large part of the
scientific elite of the Catalan-speaking world. The members are
distributed
among the five sections of this institution: History and Archaeology,
Biological Sciences, Science and Technology, Philology, Philosophy and
Social
Sciences.<br>
<br>
The IEC is highly respected by the public powers, and has a powerful
influence
on the <br>
Catalan society. <br>
<br>
<br style="">
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