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From: <I>Martine Rheaume <martine_rheaume@hotmail.com></I><BR>Reply-To: <I>cercledemusicologie@groupesyahoo.ca</I><BR>To: <I>Cercle de musico groupe courriel <cercledemusicologie@groupesyahoo.ca></I><BR>Subject: <I>[cercledemusicologie] FW: MUSICAE SCIENTIAE mai 2007</I><BR>Date: <I>Mon, 21 May 2007 12:52:40 -0400</I><BR><BR>
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Date: Sun, 20 May 2007 17:12:57 +0200<BR>From: Irene.Deliege@<WBR>skynet.be<BR>To: musisorbonne@<WBR>cines.fr<BR>Subject: [musiSorbonne] MUSICAE SCIENTIAE<BR><BR><FONT face=Verdana>Chers Colistiers,<BR><BR>Voici le sommaire du DISCUSSION FORUM 4A <BR>sorti de presse début mai 2007:<BR><BR>SIMILARITY PERCEPTION IN LISTENING TO MUSIC<BR><BR>Contents-Sommaire-<WBR>Inhalt<BR><BR>EDITORIAL...<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>..... 3<BR><BR>CALL FOR PAPERS ............<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>... 7<BR><BR><B>IRÈNE DELIÈGE<BR></B>Similarity relations in listening to music:<BR>how do they come into play? ............<WBR>.........<WBR>.........<WBR>....... 9<BR><BR><B>ZOHAR EITAN AND RONI Y. GRANOT<BR></B>Intensity changes and perceived similarity:<BR>inter-parametric
analogies...<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>....39<BR><BR><B>ELEANOR SELFRIDGE-FIELD<BR></B>Sooial Dimensions of Melodic Identity, Cognition,<BR>and Association ............<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>....... 77<BR><BR><B>NAOMI ZIV, ZOHAR EITAN<BR></B>Themes as prototypes:<BR>Similarity judgments and categorization tasks<BR>in musical contexts ............<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>... 99<BR><BR><B>KJELL LEMSTRÖM, ANNA PIENIMÄKI<BR></B>On comparing edit distance and geometric frameworks<BR>in content-based retrieval of symbolically encoded<BR>polyphonic music ............<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>..... 135<BR><BR><B>RAINER TYPKE, FRANS WIERING AND REMCO C. VELTKAMP<BR></B>Transportation distances and human perception<BR>of melodic similarity
............<WBR>.........<WBR>.........<WBR>.........<WBR>.........<WBR>.. 153<BR><BR><B>DANIEL MÜLLENSIEFEN AND KLAUS FRIELER<BR></B>Modelling expert’s notions of melodic similarity ............ 183<BR><BR><B>TUOMAS EEROLA, MICAH BREGMAN<BR></B>Melodic and contextual similarity of folk song phrases ....211<BR><BR><B>SVEN AHLBÄCK<BR></B>Melodic similarity as a determinant of melody structure .. 235<BR><BR><B>OLIVIER LARTILLOT AND PETRI TOIVIAINEN<BR></B>Motivic matchingstrategies<BR>for automated pattern extraction ............<WBR>.........<WBR>.........<WBR>.. 281<BR><BR><B>GERAINT A. WIGGINS<BR></B>Models of Musical Similarity ............<WBR>.........<WBR>.........<WBR>.........<WBR>.. 315<BR></FONT></BLOCKQUOTE>
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