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From: <I>Caroline Traube <caroline.traube@UMontreal.CA></I><BR>Reply-To: <I>cercledemusicologie@groupesyahoo.ca</I><BR>To: <I>Cercle de musicologie <cercledemusicologie@groupesyahoo.ca></I><BR>Subject: <I>[cercledemusicologie] Call for submissions - EMS08 (Electroacoustic Music Studies Conference - Paris)</I><BR>Date: <I>Thu, 26 Jul 2007 13:16:37 -0400</I><BR><BR>
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<P><FONT face="Verdana, Helvetica, Arial"><SPAN style="FONT-SIZE: 12px">From: Leigh Landy <LLandy@dmu.ac.<WBR>uk><BR><BR></SPAN><FONT size=4><SPAN style="FONT-SIZE: 14px"><B>Musique concrète - 60 years later<BR><FONT color=#800000>Electroacoustic Music Studies Network - International Conference Series<BR></FONT>5th Conference ‘EMS08’ 3-6 June 2008, Paris<BR></B></SPAN></FONT><SPAN style="FONT-SIZE: 12px"><BR>Presenting EMS 08<BR><BR>When the first trains were “running out” off the loudspeakers during<BR>the concerts of Pierre Schaeffer’s Études, the audience must have been<BR>surprised and shocked with the notion that such mundane sounds could be<BR>used in music. Sixty years and thousands of musical works later, the<BR>shock factor is gone but our surprise remains in terms of the discovery<BR>of new musical trends on the unending road where technology is applied<BR>to
music.<BR><BR>And yet, what do we know about electroacoustic music? It is vast domain<BR>with many actors, small and large; a domain that attracts composers<BR>from all around the world; a domain for any musician to explore.<BR>However it is a domain where few studies have been done in comparison<BR>to other domains; where methodologies and terminologies have yet to<BR>evolve that are capable of taking the complexity of electroacoustic<BR>music into account.<BR><BR>One of the main functions of the EMS Network is to promote and<BR>encourage the study of electroacoustic music, and to provide a regular<BR>framework for discussion and diffusion of the results. 2008 is a<BR>special year for this, a year for celebrating the past but also a year<BR>for new perspectives. Several trends will be explored during EMS08;<BR>before the meeting, there will be a special study session on
the<BR>socio-political implications of electroacoustic music, Composing Today.<BR>This meeting and the EMS08 event will be hosted by the GRM (which will<BR>be celebrating its 50th anniversary) and the University of Paris<BR>Sorbonne. It will last three days and concerts will be performed during<BR>the event featuring the Asian Network (EMSAN) track; on the weekend<BR>immediately following EMS08 there will also be two concerts in the<BR>annual GRM series at the Salle Olivier Messiaen at the French Radio.<BR><BR><B>EMS08 - CALL FOR PAPERS<BR></B><BR>Conference Theme: Musique concrète, 60 years later<BR><BR>- Conference Committee<BR>- Marc BATTIER (MINT-OMF, Université de Paris-Sorbonne, France)<BR>- Bruno BOSSIS (MINT-OMF, Université de Paris-Sorbonne, France)<BR>- Leigh LANDY (MTI, De Montfort University, UK)<BR>- Daniel TERUGGI (INA/GRM, Paris, France)<BR>-
Christian ZANESI (INA/GRM, Paris, France)<BR><BR>Dates and place: <B>3-6 June, 2008</B> - INA-GRM (Paris) and University<BR>Paris-Sorbonne (Maison de la Recherche)<BR><BR>The EMS conference is organised yearly through the initiative of the<BR>Electroacoustic Music Studies Network, an international team which aims<BR>to encourage reflection on the better understanding of electroacoustic<BR>music and its genesis, its appearance and its development over the span<BR>of a century. The organisers are all engaged in the key areas of debate<BR>and actively seeking the development of solutions.<BR><BR>Thanks to a collaboration with ISAST (International Society for the<BR>Arts, Sciences and technology) and OLATS (Observatoire Leonardo des<BR>Arts et Technosciences)<WBR>, a Leonardo-EMS prize will be given to a<BR>selected communication of a young researcher for publication of
his/her<BR>paper in Leonardo (MIT Press).<BR><BR>The 5th Conference will start in the afternoon of Tuesday, June 3 with<BR>a panel discussion (Composing Today), registration and a presentation<BR>by the keynote speaker and conclude with concerts organised by GRM on<BR>Saturday, June 7th and Sunday, June 8th. A concert of Chinese and<BR>Taiwanese electroacoustic music will take place on Thursday, June 5th.<BR>Additional events may be announced later.<BR><BR><B>EMS 08 main theme<BR></B><BR>The main topic for the EMS08 will be the relationship between sound and music<BR><BR>- Inventing new sounds for music: how do composers approach the<BR>production of sounds for their musical works, which methods and<BR>procedures they used?<BR>- Influence of tools on music: Is the music the result of invention,<BR>or do tools determine the final result?<BR>- Relations between sound and
structure: what relationships exist<BR>between the sounds and the structure of the work? Are there significant<BR>trends in this domain?<BR>- Sound terminology: is a physical or the morphological description<BR>efficient for characterising sounds? Has a need for new terminology<BR>appeared in any way?<BR><BR><B>Other EMS 08 themes<BR></B><BR>None of these is exclusive; any may be combined, others added.<BR>Criticism of the terminology, categories and assumptions made in this<BR>list will be perfectly acceptable. We also encourage papers from the<BR>margins of electroacoustic music and papers which discuss works in the<BR>fields of intermedia, installations, video music, multimedia,<BR>Internet-based collaboration, etc.<BR><BR>Analysis:<BR>- What types of discourse are relevant to electroacoustic works?<BR>- Which analytical methods are currently being developed?<BR>-
Can one adapt existent analytical methods of music to<BR>electroacoustic works, many of which involve no prescriptive notation?<BR>- How can we further develop the field of study of electroacoustic musics?<BR><BR>Transcription and representation of sound, new audio-visual tools:<BR>- How are analytical tools being produced and disseminated in the community?<BR>- Which means are available for communicating this sonic artform<BR>through symbolic and graphic representations?<BR>- Does the study of electroacoustic musics require specifically<BR>designed tools or can it take advantage of methods conceived for other<BR>musics?<BR><BR>Taxonomy, terminology - ‘meaningful’ units of music description:<BR>- Which systems of classification are in use or should be developed?<BR>- How can we become more consistent in our use of terminology in a<BR>field as
dynamic as electroacoustic music?<BR><BR>Real-time music making:<BR>- How can live performance/<WBR>composition strategies be analysed?<BR>- What is ‘live’ electronic music?<BR><BR>Performance, presentation, dissemination:<BR>- What is the ‘work’?<BR>- New presentation spaces, technologies.<BR>- Internet communities, group compositions and performances.<BR><BR>Listening, Intention-Reception<WBR>:<BR>- Issues of perception and interpretation.<BR>- How do the composer’s intentions relate to what is perceived?<BR><BR>Semiotics/semiology<WBR>, ‘meaning’:<BR>- What (and how) do different electroacoustic music genres express?<BR><BR>Soundscape, sound ecology:<BR>- Analytical tools for the understanding of soundscapes.<BR>- New approaches to sound ecology, sonification, sound environment.<BR><BR>Genres/styles, ‘languages’:<BR>-
Questions of unity, diversity, plurality, multicultural resources,<BR>polystyle, hybridisation, ‘local music’<BR><BR>Gender issues:<BR>- Have gender balances shifted since the early days?<BR>- The relationship between technology/electroa<WBR>coustic music and gender.<BR>- Unrecognised contributions: revising history.<BR><BR>Electroacoustic music in East and South-East Asia:<BR>- The EMS 08 conference will include a special EMSAN track. EMSAN<BR>(Electroacoustic Music Studies Asia Network) is devoted to the study of<BR>the development and practices of electroacoustic music in East and<BR>South-East Asia. All contributions are welcome.<BR><BR>Furthermore ... Proposals concerning any other themes related to<BR>electroacoustic music studies, such as sources and resources are most<BR>welcome.<BR><BR><B>Guidelines for submission of proposals for
presentations<BR></B><BR>The duration of each paper will be 20 minutes (excluding the<BR>installation and question period of about 10 minutes). Papers can be<BR>given in English or French. Multimedia support will be provided in the<BR>form of video projector (for laptops), overhead projector, CD and DVD<BR>player, internet access and stereo sound system.<BR><BR>Submissions are to be made electronically to:<BR>- info@ems-network.<WBR>org<BR><BR>A submission must consist of:<BR>- The paper proposal abstract (in English or French, 1,000 words<BR>maximum), headed with your name, organisation affiliation (if any),<BR>contact address, telephone, and preferred e-mail address;<BR>- Curriculum vitae (including a list of publications)<WBR>;<BR>- Brief biography (150 words maximum).<BR><BR>The abstract should be ready for publication if the proposal is<BR>accepted. A
programme containing the paper abstracts will be made<BR>available in advance on the EMS website (www.ems-network.<WBR>org) and<BR>distributed at the conference. Submissions from research students and<BR>early career postdoctoral researchers are particularly encouraged.<BR><BR><B>Dates<BR></B>The deadline for the receipt of proposals is <B>Friday, 11 January, 2008</B>.<BR>Paper acceptance decisions will be completed by Saturday, 26 January<BR>and emailed without delay. The proceedings of the conference will be<BR>published by the MINT/Sorbonne.<BR><BR><B>Publication<BR></B>Following the event, accepted papers will be published by the MINT<BR>group at the University of Paris Sorbonne in its book series.<BR><BR>www.ems-network.<WBR>org info@ems-network.<WBR>org<BR></SPAN></FONT></P></DIV><SPAN style="COLOR: white">__._,_.___</SPAN>
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