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<p class=MsoNormal><span style='font-size:18.0pt;color:white'> Sotheby's
| Cataloguing Preview</span></p>
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<td valign=top style='padding:0cm 0cm 0cm 0cm;height:30.0pt'>
<p class=MsoNormal><span style='font-size:11.0pt;color:black'><br>
Musical Manuscripts (L08408)<br>
London 12/03/08 - <o:p></o:p></span></p>
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<tr style='mso-yfti-irow:2'>
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<blockquote style='margin-top:5.0pt;margin-bottom:5.0pt'>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><br>
<b>Lot 51</b><br>
<br>
<strong><!-- begin template driven fields -->JOBIM, ANTONIO CARLOS
["TOM"] . </strong><br>
<br>
</span><span style='font-size:10.0pt;color:black'>AUTOGRAPH MANUSCRIPT OF THE
SONG "CHEGA DE SAUDADE" ("NO MORE BLUES"), SIGNED
("ANTONIO CARLOS JOBIM"), <u>THE FIRST 'BOSSA NOVA' SONG </u></span><span
style='font-size:11.0pt;color:black'><o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>the full orchestral score,
together with the separate harp part, notated for "Canto, Guitarra,
Flautas, Trompas, Tromb[ones], Clarone, Harpa, Violino (1-2 and 3-4), Violas,
Cell[os], [and] Bassa", notated in pencil on fourteen staves per page,
with the detailed orchestration annotated throughout including indications
for Bat[eria, i.e. percussion] and piano, the tuning for the harp, the
pizzicato in the bass, with deletions and revisions ("nâo executem êstes
4 compassos"), the voice (without words) and guitar parts written on
paper affixed to the top margin, the singer's name inscribed by the
composer at the reprise ("Elizete [Cardoso]"), and the name of the
poet faintly at the head of the manuscript ("Vinícius de Moraes"),
and the harp part inscribed by Jobim "Chega de saudade"<o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>20 pages, mainly large folio <em>(c</em>.38
x 23cms), on 12-stave paper extended to 14 stave with strips of manuscript
paper glued to the top margin, [Rio de Janeiro, 1958], <em>foxing and
staining, some repairs with translucent adhesive tape</em><o:p></o:p></span></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><o:p> </o:p></span></p>
<p><u><span style='font-size:11.0pt;color:black'>This song is a classic of
twentieth-century popular music.</span></u><span style='font-size:11.0pt;
color:black'> <o:p></o:p></span></p>
<p><u><span style='font-size:11.0pt;color:black'>Composers'
autograph scores of popular music are of the greatest rarity.</span></u><span
style='font-size:11.0pt;color:black'> They rarely survive even in
libraries and are almost never offered for public sale. We have no record of
a manuscript of similar historical and musical importance in the field of
popular music being offered for sale at auction. <o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>Generally, full scores of
popular music were written by anonymous arrangers. Even the melodies of
such repertory were usually transcribed by someone other than the
artist and all that survives in the hand of the "star" is the
lyrics (or words). This however is the complete orchestral full score
in the hand of the composer Tom Jobim (1927-1994), and its appearance at
auction represents a remarkable opportunity to acquire a piece of musical
history. Tom Jobim was also the composer of "Garota de Ipanema"
("The Girl from Ipanema") (1962), the most famous of all <em>bossa
nova </em>songs.<o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>"Chega de saudade" is
considered to be the first <em>bossa nova</em> song. Like "Outra
vez", it was composed by Tom Jobim for the album "Cançâo do amor
demais" ("Song of excessive love"), designed and produced
by the poet Vinícius de Moraes and recorded in April 1958. This was the
pair's first album and started the "Bossa Nova" sound.<strong> </strong>The
singer was Elizete Cardoso, from whose estate this manuscript derives. The <em>bossa
nova </em>style was characterized by the equal prominence given to the
voice and the complex and subtle accompaniment. This song also features
the alternation of minor and major modes which is another characteristic of
the <em>bossa nova. </em><o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>This song and "Outra
Vez", were the only pieces on the album to feature the distinctive
guitar playing by Joâo Gilberto, whose remarkable rhythms became a
characteristic of the "Bossa Nova" sound. The present manuscript
records Jobim's guitar harmonies but not Gilberto's rhythms, which were
evidently contributed <em>ad libitum</em>, and which also marked his
subsequent solo 78rpm disk entitled "Chega de saudade"
(1959). This however is the complete vocal and orchestral arrangement
as heard on the original album, which has been recently re-issued. The music
was published in vocal score in 1962, but not with the full instrumentation
found here. <o:p></o:p></span></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><br>
<br>
</span><b><span style='font-size:10.0pt;color:black'>LITERATURE:</span></b><span
style='font-size:11.0pt;color:black'><br>
Ruy Castro, <em>Bossa Nova. The Story of The Brazilian Music That Seduced the
World. </em>(Chicago, 1990), 'One Minute and Fifty-Nine Seconds That Changed
Everything', pp.126-144.<br>
<br>
</span><b><span style='font-size:10.0pt;color:black'>PROVENANCE:</span></b><span
style='font-size:11.0pt;color:black'><br>
Elizete Cardoso, the soprano who recorded the song in 1958: her ink
inscription on the first page "Propriedade de Elizete Cardoso"<br>
<br>
<!-- end template driven fields --><!-- WO#117900, must suppress the estimates when the estimate up request flag is Y -->10,000
GBP - 15,000 GBP<o:p></o:p></span></p>
<div style='margin-left:24.6pt;margin-top:12.0pt'>
<p class=MsoNormal><span style='font-size:11.0pt;color:black'> <o:p></o:p></span></p>
</div>
</blockquote>
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<td valign=top style='padding:0cm 0cm 0cm 0cm;height:18.0pt'>
<p class=MsoNormal><span style='font-size:10.0pt'>03 Nov 2008 11:08 AM
EBKS/LOND</span></p>
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</tr>
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<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><o:p> </o:p></p>
<div align=center>
<table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width=700
style='width:420.0pt;mso-cellspacing:0cm;mso-padding-alt:0cm 0cm 0cm 0cm'>
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<td style='background:#000066;padding:0cm 0cm 0cm 0cm;height:30.0pt'>
<p class=MsoNormal><span style='font-size:18.0pt;color:white'> Sotheby's
| Cataloguing Preview</span></p>
</td>
</tr>
<tr style='mso-yfti-irow:1;height:30.0pt'>
<td valign=top style='padding:0cm 0cm 0cm 0cm;height:30.0pt'>
<p class=MsoNormal><span style='font-size:11.0pt;color:black'><br>
Musical Manuscripts (L08408)<br>
London 12/03/08 - <o:p></o:p></span></p>
</td>
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<tr style='mso-yfti-irow:2'>
<td valign=top style='padding:0cm 0cm 0cm 0cm'>
<blockquote style='margin-top:5.0pt;margin-bottom:5.0pt'>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><br>
<b>Lot 52</b><br>
<br>
<strong><!-- begin template driven fields -->JOBIM, ANTONIO CARLOS
["TOM"]. </strong><br>
<br>
</span><span style='font-size:10.0pt;color:black'>AUTOGRAPH MANUSCRIPT OF THE
SONG "OUTRA VEZ" ("ONE MORE TIME"), SIGNED
TWICE ("ANTONIO CARLOS JOBIM")</span><span style='font-size:11.0pt;
color:black'><o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>the full score, somewhat
different from the recorded version, with repeats, notated in pencil on
twelve staves per page, the instrumentation marked throughout, for "
Violâo [...Guitarra], Voz [...Canto], fl[autas], Trompa, V[iolino] 1-2, 3-4,
V[io]las, Cell[os] and Bassa", the accompaniment merely marked as
"Org" on the first page of music, with the autograph title page:
"Outra Vez/ samba/ de Antonio Carlos Jobim/ Canta: Elizete Cardoso/
Arranja: A.C. Jobim"; together with the separate parts for the
instrumentalists, written in ink by another hand, for "1<sup>o</sup>
Violino, 2<sup>o</sup> Violino, 3<sup>o</sup> Violino, 4<sup>o</sup> Violino,
Viola, Contrabaixo, Trompa and Flauto", the part for
"Trompa" altered and corrected at the end in a German hand<o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>8 pages, folio <em>(c</em>.32.5
x 23cms), including autograph title, 12-stave paper, the playing parts on 8
leaves of a different paper, [Rio de Janeiro, 1958], <em>foxing, occasionally
heavy, some repairs with translucent adhesive tape</em><o:p></o:p></span></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><o:p> </o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>"Outra Vez" is, like
"Chega de saudade", one of the key songs in the early history of
the <em>bossa nova,</em> featured on Tom Jobim's celebrated album <em>Cançâo
do amor demais</em>" ("Song of excessive love"),
recorded in April 1958. This is the composer's autograph manuscript of
the song, a classic of popular music: such manuscripts are of the greatest
rarity at auction. <o:p></o:p></span></p>
<p><span style='font-size:11.0pt;color:black'>"Outra Vez" and
"Chega de Saudade", were the only songs on the album to
feature the striking guitar playing of Joâo Gilberto. In this manuscript
of "Outra Vez", however, the complex rhythmic notation for guitar
is written out by the composer. The <em>bossa nova </em>evolved from the <em>samba</em> (which
is how this song is described on the title-page), and is
characterized by a deliberate avoidance of any single element predominating,
so that the voice is not emphasized over the complex rhythms and textures of
the accompaniment . The melody of this sophisticated <em>samba </em>is one of
the most beguiling on the album, but is fragmented and totally integrated
into the music texture. There is a sophisticated and sonorous
accompaniment in the strings, which cannot be appreciated from the 1962
printed vocal score. <o:p></o:p></span></p>
<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:11.0pt;
color:black'><br>
<br>
</span><b><span style='font-size:10.0pt;color:black'>PROVENANCE:</span></b><span
style='font-size:11.0pt;color:black'><br>
Elizete Cardoso, the singer of the 1958 recording of "Outra Vez".<br>
<br>
<!-- end template driven fields --><!-- WO#117900, must suppress the estimates when the estimate up request flag is Y -->6,000
GBP - 8,000 GBP<o:p></o:p></span></p>
<div style='margin-left:24.6pt;margin-top:12.0pt'>
<p class=MsoNormal><span style='font-size:11.0pt;color:black'> <o:p></o:p></span></p>
</div>
</blockquote>
</td>
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<tr style='mso-yfti-irow:3;mso-yfti-lastrow:yes;height:18.0pt'>
<td valign=top style='padding:0cm 0cm 0cm 0cm;height:18.0pt'>
<p class=MsoNormal><span style='font-size:10.0pt'>03 Nov 2008 11:08 AM
EBKS/LOND</span></p>
</td>
</tr>
</table>
</div>
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