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<p class=MsoPlainText><span lang=EN-US>Olá pessoal,<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText>Abaixo um anuncio de um evento novo (segunda edição) e
inovador: direcionado a estudantes de Pós-Graduação em música ou qualquer área
que apresente interface com a música. Acontece na Universidade de Ghent, Bélgica,
de 18 a 20 de novembro, sob a coordenação de Luiz Naveda, doutorando em
musicologia na mesma universidade.<o:p></o:p></p>
<p class=MsoPlainText><o:p> </o:p></p>
<p class=MsoPlainText>Abraços<o:p></o:p></p>
<p class=MsoPlainText><o:p> </o:p></p>
<p class=MsoPlainText>Mauricio Loureiro<o:p></o:p></p>
<p class=MsoPlainText><o:p> </o:p></p>
<p class=MsoPlainText><span lang=EN-US>(Apologies for any cross-postings /
please re-distribute)<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>SysMus09 - Second Call: Paper submission
open now!<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>----------------------------------------------------<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>We are pleased to invite students from
all fields related to Systematic Musicology to the SysMus09 conference:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>SysMus09:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>"Second International Conference of
Students of Systematic Musicology"<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Ghent, Belgium<o:p></o:p></span></p>
<p class=MsoPlainText><a href="http://www.ipem.ugent.be/sysmus09"><span
lang=EN-US>http://www.ipem.ugent.be/sysmus09</span></a><span lang=EN-US><o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Keynote speakers:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Prof. Ian Cross (University of
Cambridge) Prof. Stephen McAdams (McGill University)<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Important dates:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>
Submission of papers: May 29, 2009<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Notification
of paper acceptance: August 17, 2009<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>
Camera-ready submissions: October 9, 2009<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> SysMus
2009: November 18-20, 2009<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>--------------------------------------------------------------------------<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Call for Papers<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>--------------------------------------------------------------------------<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>All research involving meaning,
description, and technological mediation of music can be related to musicology.
However, the complexity of musical engagement in socio-cultural contexts
engenders different networks of research and knowledge, with distinct
interdisciplinary configurations, methods and specializations.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Systematic musicology specifically
deploys this methodological diversity so as to approach each musicological
question with a distinct configuration of methods. In doing so, systematic
musicology often bridges methodological foundations of sciences with the
critical analysis from humanities. It promotes the study of aesthetics,
semiotics, and cultural studies by incorporating empirical and data-oriented
methods into the methodological framework. It relies on paradigms from
different disciplines as diverse as the philosophy of aesthetics, theoretical
sociology, semiotics, and music criticism, combined with strategies derived
from empirical psychology, acoustics, physiology, neurosciences, cognitive
sciences, computing, and others.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Unfortunately, the concentration of
efforts on methodological diversity and broad re-search questions may lead
students to superficial discussions, disconnected results or research that is
alienated from the musical matter. One of the biggest challenges for
researchers in systematic musicology, therefore, is to learn how to deal with
the inter-disciplinary nature inherent to their own field.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Several questions are raised by this
problem:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>- How to guide yourself through
innumerable methods, resources, and uncertain methodological pathways?<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>- How to design and execute
interdisciplinary research?<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>- How to communicate with our partners:
engineers, psychologists, and musicians?<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>- How to build an active network of
collaborations within this interdisciplinary field?<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>These questions, together with courses
in presentation and conference skills, will be addressed in SysMus09.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Submission:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Submissions are solicited for spoken
research papers or posters related to any subdiscipline of systematic
musicology. Suggested topic areas include, but are not limited to:<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Acoustics and psychoacoustics<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Cognitive musicology<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Composition and improvisation<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Computer Music<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Cross-cultural studies of music<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Mediation technology<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Memory and music<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Multimodal Interfaces<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and emotions<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and evolution<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and language<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and Meaning<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and movement<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music and neuroscience<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music education<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music performance<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Music therapy<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Musical development<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Musical timbre<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Pitch and tonal perception<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Rhythm, meter, and timing<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Social psychology of music<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Short papers in English (max. 2 pages)
should be submitted on the conference website (</span><a
href="http://www.ipem.ugent.be/sysmus09/"><span lang=EN-US>http://www.ipem.ugent.be/sysmus09/</span></a><span
lang=EN-US>) and must be presented in one of the two formats: oral
presentations or posters.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>The templates required for formatting
papers and posters will be available at the same address. There will be a
double-blind review process by a committee composed of advanced PhD students.<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Wishing you welcome in Ghent in 2009!<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Organizing Committee - SysMus 09<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Director: Luiz Naveda<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Co-Director: Prof. Marc Leman<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>--<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Luiz Naveda<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>_________________________________<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Mobile: + 32 0487 245594<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Office: + 32 9 264 4141<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> IPEM - Dep. of Musicology<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Blandijnberg 2<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Ghent University,<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Ghent, B-9000<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> Belgium<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>
^v^<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US> ^v^<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>
^v^<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US><o:p> </o:p></span></p>
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<p class=MsoPlainText><span lang=EN-US>^~^~^~^~^~^~^~^~^~^~~^~~^~~^~^~^~~~^~~~<o:p></o:p></span></p>
<p class=MsoPlainText><span lang=EN-US>Nenhum vírus encontrado nessa mensagem
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