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<DIV><FONT size=2 face=Arial>Caros colegas,</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT> </DIV>
<DIV><FONT size=2 face=Arial>Solicito ampla divulgação do periódico Analytical
Approaches to World Music, que será lançado em agosto de 2010 e conta com
expressivo corpo editorial.</FONT></DIV>
<DIV><FONT size=2 face=Arial></FONT> </DIV>
<DIV><FONT size=2 face=Arial>Atenciosamente,</FONT></DIV>
<DIV><FONT size=2 face=Arial>Adriana Lopes Moreira</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2 face=Arial>- - -<BR> <BR>Profa. Dra. Adriana Lopes
Moreira<BR>Departamento de Música<BR>Escola de Comunicações e
Artes<BR>Universidade de São Paulo<BR>CMU-ECA-USP<BR>Tel. 55 11 3091 4330,
r.200<BR></FONT><A href="http://www.cmu.eca.usp.br"><FONT size=2
face=Arial>www.cmu.eca.usp.br</FONT></A><BR><FONT size=2
face=Arial> <BR></DIV></FONT>
<DIV style="FONT: 10pt arial">----- Original Message -----
<DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A
title=I_PRIORE@uncg.edu href="mailto:I_PRIORE@uncg.edu">Irna Priore I_PRIORE</A>
</DIV>
<DIV><B>To:</B> <A title=adrimauricio@uol.com.br
href="mailto:adrimauricio@uol.com.br">Adriana Lopes Moreira</A> </DIV>
<DIV><B>Sent:</B> Friday, April 16, 2010 10:42 PM</DIV>
<DIV><B>Subject:</B> favor: divulgacao</DIV></DIV>
<DIV><BR></DIV><BR><FONT size=2 face=sans-serif>Por favor, voce poderia fazer o
favor de divulgar a informacao abaixo (a ANPPOM tem alguma lista?)?</FONT>
<BR><FONT size=2 face=sans-serif>Eu faco parte do corpo editorial.</FONT>
<BR><FONT size=2 face=sans-serif>Obrigada,</FONT> <BR><FONT size=2
face=sans-serif>Irna</FONT>
<DIV align=center><BR><FONT size=3 face=Arial><B>CALL FOR SUBMISSIONS</B>
</FONT></DIV><BR><FONT size=3 face=Arial> </FONT><BR><FONT size=3
face=Arial>We are pleased to announce the formation of the new online journal
<I>Analytical Approaches to World Music (aawmjournal.com)</I>. <I>
</I></FONT><BR><FONT
size=3 face=Arial> </FONT><BR><FONT size=3 face=Arial><I>AAWM</I> aims to
bring together analysts from a broad range of conceptual and cultural traditions
in order to explore new modes of musical description and understanding capable
of navigating the multicultural soundscape of the twenty-first century. In so
doing, <I>AAWM</I> seeks to expand the potential for musical analysis from a
cross-cultural perspective by applying diverse theoretical and analytical
concepts to repertoires outside the Western art music tradition.
</FONT><BR><FONT size=3 face=Arial> </FONT><BR><FONT size=3 face=Arial>We
welcome submissions that examine world musical traditions from a wide variety of
analytical and theoretical perspectives. These may include, but are not limited
to: the adaptation of analytical approaches usually associated with Western art
music to address various world music traditions; the use of indigenous
analytical tools and strategies to characterize particular musical styles and
genres; and the development of "hybrid" analytical systems and theories that
integrate the aforementioned approaches. Furthermore, we whole-heartedly
embrace research that encompasses various formal, cultural, aesthetic and
philosophical analytical perspectives. </FONT><BR><FONT size=3 face=Arial>
</FONT><BR><FONT size=3 face=Arial>It is our hope that by bringing together
analysts from a broad range of conceptual and cultural traditions, new modes of
musical description and understanding may emerge. </FONT><BR><FONT size=3
face=Arial> </FONT><BR><FONT size=3 face=Arial><I>AAWM</I> will be
published twice a year, and work in tandem with the <I>AAWM</I> conference,
which operates on a biennial schedule. </FONT><BR><FONT size=3
face=Arial> </FONT> <BR><FONT size=3 face=Arial>Submissions that take full
advantage of our online format through the use of sound files,
images</FONT><FONT color=#0000e0 size=3 face=Arial>,</FONT><FONT size=3
face=Arial> video files, flash animation, hyperlinks, or any other pertinent
media are particularly encouraged. </FONT><BR><FONT size=3
face=Arial> </FONT> <BR><FONT size=3 face=Arial>We welcome articles of
moderate length (up to 10,000 words), as well as shorter essays, interviews,
editorials, and reviews. </FONT><BR><FONT size=3 face=Arial> </FONT>
<BR><FONT size=3 face=Arial><I>AAWM</I> employs the author-date system, as found
in Chapters 16 and 17 of <I>The Chicago Manual of Style</I>, 15th edition. Text
should be double-spaced and written in 12-point font. Endnotes, rather than
footnotes, should be employed. </FONT><BR><FONT size=3 face=Arial> </FONT>
<BR><FONT size=3 face=Arial>All submissions are subject to blind peer review.
Therefore, any identification of the author should be removed from all submitted
documents and media. </FONT><BR><FONT size=3 face=Arial><I> </I></FONT>
<BR><FONT size=3 face=Arial><I>AAWM</I> will not accept submissions that have
been previously published or are currently under review for publication with
another journal. </FONT><BR><FONT size=3 face=Arial> </FONT> <BR><FONT
size=3 face=Arial>The inaugural issue will be released in August, 2010.
</FONT><BR><FONT size=3 face=Arial><B> </B></FONT> <BR><FONT size=3
face=Arial><B>Please send submissions as Microsoft Word (*.doc) or pdf files to:
</B></FONT><FONT color=blue size=3
face=Arial><U>aawmjournal@gmail.com</U></FONT><FONT size=3 face=Arial>
</FONT><BR><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial><B>EDITORS</B></FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Lawrence Shuster (University of Massachusetts Amherst)</FONT><FONT
size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>Rob Schultz (University of
Massachusetts Amherst)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial><B>ASSOCIATE
EDITORS</B></FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Robert Labaree (New England Conservatory of Music)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Panayotis Mavromatis (New York
University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>David Racanelli (Dowling University)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial><B>MANAGING EDITOR</B></FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Aikaterini Dimitriadou (New York Public
Library)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Times><B> </B> </FONT><BR><FONT size=3 face=Arial><B>EDITORIAL
ASSISTANT</B></FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Maisie Sum (University of British Columbia)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial><B>ADVISORY PANEL</B></FONT><FONT size=3 face=Times> </FONT><BR><FONT
size=3 face=Arial>Kofi Agawu (Princeton University)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Simha Arom (Directeur de
Recherche Emérite au CNRS, France)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Stephen Blum (CUNY Graduate
Center)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Richard Cohn (Yale University)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Nicholas Cook (Cambridge
University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Peter Manuel (CUNY Graduate Center)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Robert Morris (Eastman School of
Music)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>Lewis
Rowell (Indiana University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT
size=3 face=Arial>Martin Scherzinger (New York University)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Michael Tenzer (University of
British Columbia)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Godfried Toussaint (McGill University)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Richard Widdess (School of Oriental and
African Studies, University of London)</FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial><B>EDITORIAL BOARD</B></FONT><FONT size=3 face=Times>
</FONT><BR><FONT size=3 face=Arial>Christina Anagnostopoulou (University of
Athens)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>Ben
Bierman (John Jay College, CUNY)</FONT><FONT size=3 face=Times> </FONT><BR><FONT
size=3 face=Arial>Paul Burdick (New England Conservatory of Music)</FONT><FONT
size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>Martin Clayton (Open
University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Jack Douthett (Albuquerque, New Mexico)</FONT><FONT size=3
face=Times> </FONT> <BR><FONT
size=3 face=Arial>Rachel Hall (St. Joseph’s University)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Áine Heneghan (University of
Washington)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Jerry G. Ianni (Laguardia Community College, CUNY)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Ellen Koskoff (Eastman School of
Music)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>David
Locke (Tufts University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Irna Priore (University of North Carolina Greensboro)</FONT><FONT
size=3 face=Times> </FONT><BR><FONT size=3 face=Arial>Jay Rahn (York
University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Ramon Satyendra (University of Michigan)</FONT><FONT size=3
face=Times> </FONT><BR><FONT size=3 face=Arial>Sumarsam (Wesleyan
University)</FONT><FONT size=3 face=Times> </FONT><BR><FONT size=3
face=Arial>Dmitri Tymoczko (Princeton University)</FONT><FONT size=3 face=Times>
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