<p>The Brahms Albumblatt that caused so much media fuss the other week 
was no world premiere. The piece had, in fact, known about for a couple 
of years and received its first known performance in Germany in 2011.</p>
<p>But the conductor Christopher Hogwood, who started the fuss, is 
continuing to assert ownership of the story.  Scholars are unhappy. He 
ought to back off.</p><a href="http://www.artsjournal.com/slippeddisc/2012/02/why-does-christopher-hogwood-keep-claiming-credit-for-a-discovery-that-is-not-his.html">http://www.artsjournal.com/slippeddisc/2012/02/why-does-christopher-hogwood-keep-claiming-credit-for-a-discovery-that-is-not-his.html</a><br clear="all">
<br>-- <br><div>carlos palombini<br></div><a href="http://www.researcherid.com/rid/F-7345-2011" target="_blank">www.researcherid.com/rid/F-7345-2011</a><br>