<p><strong>Call for Papers: (Issue 4)</strong></p>
<p>Deadline for Abstracts: April 16th 2012<br>
Submit Abstracts to: <a href="mailto:editor@interferencejournal.com">editor@interferencejournal.com</a><br>
<a href="http://www.interferencejournal.com/submission-guidelines">Submission Guidelines</a></p>
<p>Interference: A Journal of Audio Culture has three issues currently
in various stages of completion since its establishment in 2010. This
includes our inaugural issue, An Ear Alone is not a Being, currently
online, A Sonic Geography, available in Spring 2012 and Noise Please,
our third issue currently in progress and due for publication in Autumn
2012. At this moment in time we would like to take the opportunity to
thank everybody who has helped us so far: contributors, editorial board,
advisory panel, referees and academic institutions CTVR, Trinity
College Dublin and The Graduate School of Creative Arts and Media
(Gradcam) for their ongoing support. The inauguration of an academic
journal through an open access model is a collective project built on
free labour, and can’t be sustained without the ongoing collaboration
and generosity of a broad community.</p>
<p>While still a relatively new discursive platform, Interference would
like to take the opportunity in our fourth call for papers to invite
submissions for a more open call, stepping momentarily outside the
strong thematics that have shaped our previous three publications. At
this crucial stage, we, as a community, wish to reflect on the breadth
of disciplinary orientations and perspectives that populate audio
cultures, a theoretical and practical richness that continues to strike
us with each successive call we circulate.</p>
<p>We use this call to encourage contributions that are metacritical of
audio cultures, in it’s epistemic, theoretical and methodological
orientations, and invite papers that approach sound studies from a
multitude of perspectives. This might address the growing currency of
sonic methodologies such as soundwalking, deep listening and field
recording in qualitative research, or alternatively, explore the
application and recombination of frameworks informing diffuse areas such
as media theory, sociology, philosophy, anthropology, musicology and
performance to the audible as a cultural trope. In every instance we aim
to contribute to the development of a disciplinary field that is
working to establish a set of common territories, vocabularies and
frames of practice.</p>
<p>Interference balances its content between academic and practice based
research and therefore accepts proposals for both academic papers and
accounts of practice based research.</p>
<p>Deadline for Abstracts: April 16th 2012<br>
Submit Abstracts to: <a href="mailto:editor@interferencejournal.com">editor@interferencejournal.com</a><br>
Submission Guidelines: <a href="http://www.interferencejournal.com/submission-guidelines">http://www.interferencejournal.com/submission-guidelines</a></p>-- <br><div>carlos palombini<br></div><a href="http://www.researcherid.com/rid/F-7345-2011" target="_blank">www.researcherid.com/rid/F-7345-2011</a><br>