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</o:shapelayout></xml><![endif]--></head><body lang=PT-BR link=blue vlink=purple><div class=WordSection1><p class=MsoNormal style='background:white'><b><span style='font-size:10.0pt;font-family:"Arial","sans-serif";color:#80735D'>Para quem se interessa por pesquisa em performance, há um artigo simples e interessante de Jean SULEM que além de renomado violista é professor na Escole de Ponts et Chaussées e líder de pesquisa geotécnica no Laboratorio Navier. <o:p></o:p></span></b></p><p class=MsoNormal style='background:white'><b><span style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#80735D'><o:p> </o:p></span></b></p><p class=MsoNormal style='background:white'><b><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#80735D'>Jean</span></b><span lang=FR style='font-size:10.0pt;font-family:"Georgia","serif";color:black'> </span><b><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#80735D;text-transform:uppercase'>SULEM</span></b><span lang=FR style='font-size:10.0pt;font-family:"Georgia","serif";color:black'><o:p></o:p></span></p><p class=MsoNormal style='background:white'><b><span lang=FR style='font-size:16.5pt;font-family:"Arial","sans-serif";color:#312233'><a href="http://larevue.conservatoiredeparis.fr/index.php?id=550">Recherche scientifique et interprétation musicale</a><o:p></o:p></span></b></p><p class=MsoNormal style='text-align:justify;line-height:13.5pt;background:white'><span lang=FR style='font-size:9.0pt;font-family:"Georgia","serif";color:black'> </span><b><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:white;text-transform:uppercase'>TRACT<o:p></o:p></span></b></p><p class=MsoNormal style='text-align:justify;line-height:13.5pt;background:white'><b><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:black'>Dans cet article, nous explorons les similitudes pouvant exister entre la démarche du chercheur scientifique et celle du musicien interprète. Si tous les deux développent des approches rigoureuses et exigeantes, des points communs peuvent également être trouvés quant au rôle de la sensibilité, de l’intuition, de la créativité et de l’imagination, et aussi, grâce à l’acquisition de connaissances préalables solides, dans cette capacité à apprécier l’originalité d’un résultat scientifique ou d’un contenu musical.<o:p></o:p></span></b></p><div style='mso-element:para-border-div;border:none;border-bottom:solid windowtext 1.5pt;padding:0cm 0cm 1.0pt 0cm'><p class=MsoNormal style='border:none;padding:0cm'><span lang=FR><o:p> </o:p></span></p><p class=MsoNormal style='border:none;padding:0cm'><span lang=FR><o:p> </o:p></span></p></div><p class=MsoNormal><span lang=FR><o:p> </o:p></span></p><h2 style='margin-top:0cm;background:white'><span lang=FR style='font-size:12.0pt;font-family:"Arial","sans-serif";color:#313233;text-transform:uppercase;font-weight:normal'><o:p> </o:p></span></h2><p class=MsoNormal style='background:white'><b><span style='font-size:10.0pt;font-family:"Arial","sans-serif";color:#80735D'>E o Conservatório de Paris promove um Seminário sobre a pesquisa em artes abrangendo musica e artes cênicas.<o:p></o:p></span></b></p><p class=MsoNormal><o:p> </o:p></p><h2 style='margin-top:0cm;background:white'><span lang=FR style='font-weight:normal'><a href="http://larevue.conservatoiredeparis.fr/index.php?id=234#article236"><span style='font-size:12.0pt;font-family:"Arial","sans-serif";text-transform:uppercase'>SÉMINAIRE DOCTORAL - LA RECHERCHE DE L’ARTISTE</span></a></span><span lang=FR style='font-size:12.0pt;font-family:"Arial","sans-serif";color:#313233;text-transform:uppercase;font-weight:normal'><o:p></o:p></span></h2><p class=MsoNormal><span lang=FR><o:p> </o:p></span></p><h4 style='mso-margin-top-alt:0cm;margin-right:0cm;margin-bottom:7.5pt;margin-left:0cm;background:white;display:inline-block;orphans: auto;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px'><span lang=FR style='font-size:8.5pt;font-family:"Arial","sans-serif";color:#9E0C15'>jeudi 21 février 2013<o:p></o:p></span></h4><p class=MsoNormal style='background:white'><span style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'><img border=0 width=200 height=301 id="Imagem_x0020_1" src="cid:image001.jpg@01CE11AC.8C5B8BE0" alt="http://larevue.conservatoiredeparis.fr/docannexe/file/567/_dsc5201.jpg"></span><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'><br><br><o:p></o:p></span></p><p style='margin:0cm;margin-bottom:.0001pt;text-align:justify;line-height:13.5pt;background:white'><em><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'>Ferrante Ferranti</span></em><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'><o:p></o:p></span></p><p style='margin:0cm;margin-bottom:.0001pt;text-align:justify;line-height:13.5pt;background:white'><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'>Le séminaire doctoral du Conservatoire de Paris, ouvert à tous, propose à nouveau cette année à de grands solistes et chercheurs internationaux une tribune de libre expression pour présenter au plus large public le contexte de leurs travaux de recherche et l'expérience vivante qu'ils ont su en tirer pour leur propre activité artistique.<br> <o:p></o:p></span></p><p style='margin:0cm;margin-bottom:.0001pt;line-height:13.5pt;background:white'><strong><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'>Jeudi 21 février à 14 h</span></strong><span lang=FR style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#313233'><br>Conservatoire de Paris, Salle d’orgue<br>Christophe Ghristi, dramaturge<br><br><strong><span style='font-family:"Arial","sans-serif"'>Vendredi 29 mars à 14 h</span></strong><br>Conservatoire de Paris, Salon Vinteuil<br>Jean-François Madeuf, trompette naturelle<br><br><strong><span style='font-family:"Arial","sans-serif"'>Mardi 23 avril à 14 h</span></strong><br>Conservatoire de Paris, Salon Vinteuil<br>Séance proposée par les élèves de 3e cycle supérieur-doctorat<o:p></o:p></span></p><p class=MsoNormal><span lang=FR><o:p> </o:p></span></p><p class=MsoNormal><span lang=FR><o:p> </o:p></span></p></div></body></html>