<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><div>Bom dia. Muito obrigado!</div><div>Abs,Mateus Berger Kuschick<br><br></div><div><br>Em 27/09/2014, às 08:11, "Martha Ulhôa" <<a href="mailto:mulhoa1@gmail.com">mulhoa1@gmail.com</a>> escreveu:<br><br></div><blockquote type="cite"><div><p dir="ltr">Quando Philip diz "popular music" ele quer dizer música que está na mídia e aí entra muito mais que "Ai, se eu te pego! "<br>
Recomendo. </p>
<p dir="ltr">Martha Ulhôa</p>
<div class="gmail_quote">---------- Mensagem encaminhada ----------<br>De: "Philip Tagg" <<a href="mailto:philtagg@gmail.com">philtagg@gmail.com</a>><br>Data: 25/09/2014 16:04<br>Assunto: Everyday Tonality II (notice of new book)<br>Para: <<a href="mailto:IASPMLIST@liverpool.ac.uk">IASPMLIST@liverpool.ac.uk</a>><br>Cc: <br><br type="attribution"><div dir="ltr"><div dir="ltr">Sorry to clutter up the inbox of anyone uninterested in the music part of popular music. Feel free to ignore this unless you'd like to know how music scholars might be able to clean up part of their contribution to the epistemic mess that is the IASPM rift between those who study ‘nothing but the music’ and those interested in ‘anything except the music’. <br><br>Previously, in <i>Music’s Meanings — a modern musicolgy for non-musos </i>(700 pp., 2013)—, I tried to explain how educated individuals without specialist training in music or musicology can (and should logically) include ‘the music’ in their discussion of music-related phenomena. <br><br>This time, in <i>Everyday Tonality II — towards a tonal theory of what most people hear</i> (just published), I address my fellow musos, criticising the ethnocentric and erratic confusion of conventional music theory. I suggest alternative approaches and a culturally less restrictive terminology that can make sense of the tonal aspects of the wide variety of musical styles that most people hear on a daily basis. <br><br>You can find out more about <i>Everyday Tonality II</i> (600 pp., a substantial expansion and radical revision of the 2009 edition, no longer available), including a summary of its chapters, a sample chapter, its table of contents, etc. at <a href="http://tagg.org/mmmsp/EverydayTonalityInfo.htm" target="_blank">http://tagg.org/mmmsp/EverydayTonalityInfo.htm</a>. You can also download the e-book for peanuts by visiting that page and clicking ‘Add to cart’.<br><br><i>Music’s Meanings</i> is still available as both e-book (also for peanuts) and in hard copy. Details are at <a href="http://tagg.org/mmmsp/NonMusoInfo.htm" target="_blank">http://tagg.org/mmmsp/NonMusoInfo.htm</a>.<br><br>Thank you for your attention and sincere apologies if this notice wasted your time.<br><br>Philip Tagg<br>(author)<br><a href="http://www.tagg.org" target="_blank">www.tagg.org</a><br><font><br>“If you don't stand for something you'll fall for anything.”<br>(Gil Scott Heron's grandma)</font></div>
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