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<!--StartFragment--><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Prezados
membros da ANPPOM,</p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"> <o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Com
grande satisfação estamos lançando o volume 20, número 1, da OPUS. O download
da versão impressa completa, em pdf, está disponível no endereço <<a href="http://www.anppom.com.br/opus/pt-br/issues/20.1">http://www.anppom.com.br/opus/pt-br/issues/20.1</a>>.<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"> <o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Agradecemos
a todos os que participaram dessa edição: Autores, Conselho Editorial,
Avaliadores, Colaboradores, Diretoria da ANPPOM e a todos os que têm se
empenhado em divulgar nossa revista entre seus pares.<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p> </o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Neste
número 20-1, os artigos de submissão espontânea nos levam a flagrar evidências do alcance internacional atual da OPUS.<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p> </o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Nele,
a pesquisadora da Hochschule für Musik und Theater Rostock, Barbara Alge, em
seu artigo escrito em língua inglesa, debruça-se sobre influências e diálogos
da musicologia alemã com a obra de
Francisco Curt Lange. Escrito em português e em francês, o artigo de Carla
Bromberg volta-se à argumentação de Jean-Jacques Rousseau no
estabelecimento da Música enquanto área de conhecimento, no século XVIII.
Voltando-se a questões retóricas nos séculos XVII e XVIII, Mônica Lucas foca o
papel das escolas luteranas para o estabelecimento de preceptivas da <i>musica poetica</i>. Marcos Pupo Nogueira propõe a
análise de agrupamentos para uma compreensão formal, estrutural, rítmica e
textural de obras polifônicas do século XVI.<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p> </o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Em
seu artigo escrito em inglês, o musicólogo taiwanês <span lang="EN-US">Kheng K. Koay, professor </span>da
<span lang="EN-US">National Sun Yat-sen University,
analisa o </span><i>Quarteto
de cordas n. 2</i> de Joan Tower, elencando
elementos auxiliares a uma caracterização estilística da compositora.
Cristiano Oliveira e Daniel Wolff resgatam obras inéditas para violão de Carlos Alberto Pinto Fonseca. Raphael Sousa Santos e Liduino Pitombeira
externam o processo de aplicação do algoritmo de contraponto dissonante de
Tenney para a composição de duas obras de sua autoria. Rogério Costa
propõe uma aproximação entre a prática da livre improvisação e a noção de
ecologia sonora, percebendo a influência da primeira para as transformações
ocorridas na música dos séculos XX e XXI. Guilherme Araújo Freire volta-se ao experimentalismo nas doze
canções do disco <i>Grande Liquidação</i>,
de Tom Zé, confrontando a obra musical com o contexto social em que esteve
inserida no momento da composição. Ana Carolina Couto tece considerações a
respeito do ensino de música no contexto universitário brasileiro.<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p> </o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Na
seção de entrevistas, Maurício Ayer entrevista o compositor brasileiro radicado
na Espanha, Edson Zampronha, que comenta sobre sua poética musical, discorrendo
a propósito do relacionamento desta com a tradição e as inovações musicais. <o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><o:p> </o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Desejo
a todos uma prazerosa leitura!<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"> <o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Atenciosamente,<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt">Adriana
Lopes Moreira<o:p></o:p></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><br></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><br></p><p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt"><br></p>
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<div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Profa. Dra. Adriana Lopes Moreira<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Editora da Revista OPUS e demais publicações da ANPPOM, Gestão 2011-2015<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Vice coordenadora do PPGMUS-ECA-USP<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Departamento de Música CMU<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Escola de Comunicações e Artes ECA<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Universidade de São Paulo USP<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><font face="Calibri"><span style="font-size: 11px;">Tel. 55 11 30914680<o:p></o:p></span></font></div></div><div><div style="margin: 0cm 0cm 0.0001pt;"><a href="http://www3.eca.usp.br/?q=node/197" style="color: purple; font-size: 11px;"><font face="Calibri">http://www3.eca.usp.br/?q=node/197</font></a></div></div><br><br><br><br></div></div>
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