<html><head></head><body><div style="color:#000; background-color:#fff; font-family:HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif;font-size:13px"><div id="yui_3_16_0_1_1455191933786_65303" dir="ltr"><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65311" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65313" class="">O Centro para a Música Ibérica e Latino-Americana da Universidade da Califórnia em Riverside tem o prazer de anunciar os resultados do Premio Otto Mayer-Serra para os melhores trabalhos sobre música ibérica e latino-americana, em musicologia e etnomusicologia. Este concurso anual celebra a memória do musicólogo Espanhol-Mexicano Otto Mayer-Serra (1904-1968) e busca continuar sua tradição de pesquisa de ponta. O Concurso Otto Mayer-Serra aceita a inscrição de trabalhos em Espanhol e Portugues. O primeiro prêmio é no valor de US$2.000 e o segundo prêmio é de US$1.000. Quando justificada, há uma Menção Honrosa. Os artigos ganhadores são publicados no periódico avaliado por pares Diagonal: Revista de Música Ibero-Americana <</span><a href="http://escholarship.org/uc/diagonal" rel="noreferrer" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65315" class="">http://escholarship.org/uc/<wbr id="yui_3_16_0_1_1455191933786_65317" class="">diagonal</a><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65319" class="">></span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65321" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65323" class="">Informações sobre o concurso de 2016 estará disponível brevemente.</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65325" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65327" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65329" class="">Resultados do Prêmio Otto Mayer-Serra 2015</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65331" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65333" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65335" class="">Primeiro Prêmio</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65337" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65339" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65341" class="">José Manuel Izquierdo König (Cambridge University): “El Militar Retirado de Pedro Jiménez de Abrill (Arequipa, 1784-Sucre, 1856): una tonadilla inédita en el Perú independiente.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65343" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65345" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65347" class="">Segundo Prêmio</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65349" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65351" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65353" class="">Ling Fung Chan (University of Florida): “Reconsiderar los elementos goyescos para la evolución de El Corregidor y la Molinera y El Sombrero de Tres Picos por Manuel de Falla.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65355" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65357" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65359" class="">Menção Honrosa</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65361" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65363" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65365" class="">César D. Favila (University of Chicago): “Esposo de Paula, Ya, Jesús”: los contextos sacros y sociales de algunos villancicos de monjas novahispanas.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65367" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65369" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65371" class="">O Centro para a Música Ibérica e Latino-Americana agradece o elevado número de pesquisadores que enviaram seus trabalhos para o concurso deste ano e aguarda com antecipação as futuras contribuições. O CILAM agradece especialmente o trabalho da banda de jurados:</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65373" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65375" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65377" class="">Carol Hess (University of California, Davis)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65379" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65381" class="">Maria Alice Volpe (Universidade Federal do Rio de Janeiro)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65383" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65385" class="">Víctor Rondón (Universidad de Chile)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65387" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65389" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65391" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65393" class="">Walter Aaron Clark</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65395" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65397" class="">Professor of Musicology</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65399" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65401" class="">Director, Center for Iberian and Latin American Music</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65403" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65405" class="">University of California, Riverside</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65407" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65409" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65411" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65413" class="">============</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65415" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65417" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65419" class="">The Center for Iberian and Latin American Music at the University of California, Riverside, is pleased to announce the results of the 2015 Otto Mayer-Serra Competition, for the best essays on Iberian and Latin American Music, in either historical musicology or ethnomusicology. This annual competition honors the memory of the Spanish-Mexican musicologist Otto Mayer-Serra (1904-68) and seeks to continue his legacy of groundbreaking research. The OMS competition accepts submissions in Spanish or Portuguese. The first-prize award is for $2000, and second prize, $1000. When warranted, there is also an Honorable Mention. Winning articles will be published in the peer-reviewed online journal Diagonal: An Ibero-American Music Review <</span><a href="http://escholarship.org/uc/diagonal" rel="noreferrer" target="_blank" style="color: rgb(17, 85, 204); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65421" class="">http://escholarship.org/uc/<wbr id="yui_3_16_0_1_1455191933786_65423" class="">diagonal</a><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65425" class="">> Information about the 2016 competition will soon be available.</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65427" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65429" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65431" class="">2015 Otto Mayer-Serra Competition Results</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65433" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65435" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65437" class="">First Prize</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65439" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65441" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65443" class="">José Manuel Izquierdo König (Cambridge University): “El Militar Retirado de Pedro Jiménez de Abrill (Arequipa, 1784-Sucre, 1856): una tonadilla inédita en el Perú independiente.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65445" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65447" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65449" class="">Second Prize</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65451" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65453" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65455" class="">Ling Fung Chan (University of Florida): “Reconsiderar los elementos goyescos para la evolución de El Corregidor y la Molinera y El Sombrero de Tres Picos por Manuel de Falla.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65457" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65459" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65461" class="">Honorable Mention</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65463" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65465" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65467" class="">César D. Favila (University of Chicago): “Esposo de Paula, Ya, Jesús”: los contextos sacros y sociales de algunos villancicos de monjas novahispanas.”</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65469" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65471" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65473" class="">The Center for Iberian and Latin American Music is grateful to the record number of scholars who submitted essays to this year’s competition and looks forward to future contributions. It especially wishes to thank the distinguished panel of judges who reviewed the submissions:</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65475" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65477" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65479" class="">Carol Hess, chair (University of California, Davis)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65481" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65483" class="">Maria Alice Volpe (Universidade Federal do Rio de Janeiro)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65485" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65487" class="">Víctor Rondón (Universidad de Chile)</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65489" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65491" class=""><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65493" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65495" class="">Walter Aaron Clark</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65497" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65499" class="">Professor of Musicology</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65501" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65503" class="">Director, Center for Iberian and Latin American Music</span><br style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65505" class=""><span style="color: rgb(34, 34, 34); font-family: arial, sans-serif;" id="yui_3_16_0_1_1455191933786_65507" class="">University of California, Riverside</span><br></div></div></body></html>