<html><head><style type='text/css'>p { margin: 0; }</style></head><body><div style='font-family: times new roman,new york,times,serif; font-size: 12pt; color: #000000'><div style="font-family: Times; font-size: medium; background-color: rgb(255, 255, 255);"><span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><h2 style="white-space: normal; font-size: 17px; margin: 0pt;"><span id="docs-internal-guid-de770d74-befd-b396-a07b-8a9efac78c33" style="font-size: 16px;"><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><span style="vertical-align: baseline; white-space: pre-wrap;">CALL FOR PAPERS</span></p><br><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><span style="vertical-align: baseline; white-space: pre-wrap; font-weight: normal;"><font face="arial, helvetica, sans-serif"><font color="#000000">*</font><font color="#000000"> EXTENDED DEADLINE </font><font color="#00008b"><span class="Object" id="OBJ_PREFIX_DWT2584_com_zimbra_date" style="cursor: pointer;">19 JUNE</span> </font><font color="#000000"> 2016*</font></font></span></p><span style="font-weight: normal;"><font face="arial, helvetica, sans-serif"><br></font></span><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><span class="" id="OBJ_PREFIX_DWT53_com_zimbra_url" style="color: darkblue;"><span class="" id="OBJ_PREFIX_DWT51_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT262_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT498_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT514_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT763_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT638_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT945_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT133_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT84_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT53_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT148_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT51_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT429_com_zimbra_url"><span class="Object" id="OBJ_PREFIX_DWT2585_com_zimbra_url" style="cursor: pointer;"><a href="http://www2.eca.usp.br/sonologia" target="_blank" style="color: darkblue; text-decoration: none; cursor: pointer;"><span style="vertical-align: baseline; white-space: pre-wrap; font-weight: normal;"><font face="arial, helvetica, sans-serif">SONOLOGIA’16</font></span></a></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><span style="vertical-align: baseline; white-space: pre-wrap; font-weight: normal;"><font face="arial, helvetica, sans-serif">OUT-OF-PHASE</font></span></p><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><font face="arial, helvetica, sans-serif" style="font-weight: normal;"><span style="vertical-align: baseline; white-space: pre-wrap;">International sound studies conference </span><span style="vertical-align: baseline; white-space: pre-wrap;">organised by </span><span class="" id="OBJ_PREFIX_DWT54_com_zimbra_url" style="color: darkblue;"><span class="" id="OBJ_PREFIX_DWT52_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT263_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT499_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT515_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT764_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT639_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT946_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT134_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT85_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT54_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT149_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT52_com_zimbra_url"><span class="" id="OBJ_PREFIX_DWT430_com_zimbra_url"><span class="Object" id="OBJ_PREFIX_DWT2586_com_zimbra_url" style="cursor: pointer;"><a href="http://www2.eca.usp.br/nusom/node/22" target="_blank" style="color: darkblue; text-decoration: none; cursor: pointer;"><span style="vertical-align: baseline; white-space: pre-wrap;">NuSom – Research Centre on Sonology</span></a></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></font></p><p dir="ltr" style="margin-top: 0pt; margin-bottom: 0pt; line-height: 1.38;"><span style="vertical-align: baseline; white-space: pre-wrap; font-weight: normal;"><font face="arial, helvetica, sans-serif">22-25 November, 2016</font></span></p><span style="vertical-align: baseline; white-space: pre-wrap; font-weight: normal;"><font face="arial, helvetica, sans-serif">São Paulo</font></span></span><div style="font-size: 12pt; font-weight: normal;"><u><font face="arial, helvetica, sans-serif"><br></font></u></div><div style="font-size: 12pt; font-weight: normal;"><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">For the past few years, we have seen the development and appearance of research departments, books, journals and other forms of scholarship and institutional endeavours dedicated to what we now know as sound studies. This encompasses the study of warfare and politics of sound; cultural and technological critiques; sound art and associated praxis; urban phonography and acoustic ecology; sonic epistemologies; new musicology and historically situated reflections.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">In this sense, we feel that is high time to promote work done both nationally and in Latin America. In doing so, we hope to establish fruitful dialogues with researchers coming from other parts of the world, and create a platform for an interdisciplinary, deconstructive and archaeological approach that expands the discussion on the above thematics.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">The terminology of sound studies itself – ‘SONOLOGIA’ – here reflects the local academic culture and our interest in having in this event (besides the already above mentioned), researchers from different areas of study: music technology; anthropology; philosophy; gender studies; cultural, performance and media studies; experimental, popular and contemporary music.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><b><font face="arial, helvetica, sans-serif">Themes and topics</font></b></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">The ‘out of phase’ theme, while referring to a technical and theoretical jargon in sound, encompasses a strong metaphorical stance towards the need to incorporate views that are of out-of-sync or in opposite polarity regarding a possible familiarity in contemporary sonic theory and practice. Thus, we are inviting submissions that can refer to, but are not limited to, the following topics:</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><ul style="font-size: medium;"><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> postcolonial historiographies that counter euro-american narratives and describe the importance of other geographically situated musical/sonic practices, not only in the development of a regional experimental/contemporary music scene, but also in the wider history of such practices;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> practice-based artistic research and/or musicological reports of music, sound art (improvisation, composition, performance, installation, radio, field recording, performance, site-specific endeavours) or other post-medium/hybrid artwork;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> case studies that describe and reflect on the processes involved in the transfer of knowledge, technology and creative practices between different geographical realities (relating to music/sound);</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> critical insights into the politics of sound: demarcation and regulation of territories and communities, online and public activism, noise abatement, sonic warfare and torture;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> research projects or case studies that promote the accessibility of music technology software/hardware, through repurposing old/novel technologies or using open-source platforms;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> discussions related to technical, social and poetic aspects regarding the role of technology in music and sound art production; </font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> inter or trans-disciplinary methodological papers that describe the study of sound/music and its pertinence to other fields;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> ethnographic inquiries that describe the national and institutional frameworks that support contemporary/experimental music and sound art making;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> expanded epistemic and multimodal accounts of knowing the world through feminist, queer, trans, race or(and) other non-normative/binary listening perspective(s);</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> inquiries that problematise discursive and practical tropes in contemporary sonic artworks that deal with place, nature and human/non-human entities;</font></li><li style="margin: 0px;"><font face="arial, helvetica, sans-serif"><span style="font-size: 12px;"></span> discussion(s) regarding the mediation of composers’/artists’ presence (authorial and physical) in making/presenting music or art;</font></li></ul><div style="font-size: medium; margin: 0px;"><b><font face="arial, helvetica, sans-serif">Individual papers and presentations</font></b></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">As stated above, we wish to bring a diverse of range of researchers, coming from different disciplines and locations in order to present original scholarship from a multi-vocal and global framework. All proposals will be submitted to a review process by an appointed scientific committee.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">Please submit your extended abstract (in English) of max. 1 page full and half (A4) and a short bio (50 words) no later than June 5th, 2016 by 11:59pm Pacific Standard Time (GMT -3) via <span style="color: darkblue;"><span class="" id="OBJ_PREFIX_DWT55_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT53_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT264_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT500_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT516_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT765_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT640_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT947_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT135_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT86_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT55_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT150_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT53_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT431_com_zimbra_email"><span class="Object" id="OBJ_PREFIX_DWT2587_com_zimbra_email" style="cursor: pointer;"><a href="mailto:sonologia@usp.br" target="_blank" style="color: darkblue; text-decoration: none; cursor: pointer;">sonologia@usp.br</a></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span>. Please allow 24-48 hours for confirmed reception.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">Selected presentations will need to submit camera-ready papers (in English) by October 16th with a provided (by us) ODT/ MS Word templates (up to 8 pages long in A4 format).</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">Selected submissions will be published in the conference proceedings, under an ISSN reference and archived using the OJS platform.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">After the conference, 12 papers will be considered for a special edition of Interference: A Journal of Audio Culture, guest-edited by Rui Chaves and Lílian Campesato.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif"><b>Format</b> </font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">We are open to different types of presentations, that reflect the critical and creative necessities of theoretical or practice-based research. The official language of the event is English, although simultaneous interpreting – regarding English to Portuguese – will be available to all. In certain cases, the presenters may request simultaneous interpreting for Portuguese to English.</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><b><font face="arial, helvetica, sans-serif">Important Dates</font></b></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif"> Submission: June 5, 2016 by 11:59pm Pacific Standard Time (GMT -3)</font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif"> Selected papers announcement: July 24, 2016</font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif"> Camera-ready paper/program note deadline: October 16</font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><font face="arial, helvetica, sans-serif">For any questions regarding the submission process, please contact us at <span style="color: darkblue;"><span class="" id="OBJ_PREFIX_DWT56_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT54_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT265_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT501_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT517_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT766_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT641_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT948_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT136_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT87_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT56_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT151_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT54_com_zimbra_email"><span class="" id="OBJ_PREFIX_DWT432_com_zimbra_email"><span class="Object" id="OBJ_PREFIX_DWT2588_com_zimbra_email" style="cursor: pointer;"><a href="mailto:sonologia@usp.br" target="_blank" style="color: darkblue; text-decoration: none; cursor: pointer;">sonologia@usp.br</a></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></font></div><div style="font-size: medium; margin: 0px; min-height: 12px;"><font face="arial, helvetica, sans-serif"><br></font></div><div style="font-size: medium; margin: 0px;"><span style="text-decoration: underline;"><span style="color: darkblue; text-decoration: none;"><span style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT57_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT55_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT266_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT502_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT518_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT767_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT642_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT949_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT137_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT88_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT57_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT152_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT55_com_zimbra_url" style="text-decoration: none;"><span class="" id="OBJ_PREFIX_DWT433_com_zimbra_url" style="text-decoration: none;"><span class="Object" id="OBJ_PREFIX_DWT2589_com_zimbra_url" style="text-decoration: none; cursor: pointer;"><font face="arial, helvetica, sans-serif" style="color: darkblue; text-decoration: none; cursor: pointer;"><a href="http://www2.eca.usp.br/sonologia" target="_blank" style="color: darkblue; text-decoration: none; cursor: pointer;">http://www2.eca.usp.br/sonologia</a></font></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div><div><span style="text-decoration: underline;"><span style="color: darkblue; text-decoration: none;"><span style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="" style="text-decoration: none;"><span class="Object" style="text-decoration: none; cursor: pointer;"><br></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div></div></h2></span></div></div></body></html>