<div dir="ltr"><div class="gmail_default" style="font-family:arial,helvetica,sans-serif"><br></div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">Autor de <i>Love Saves the Day: A History of American Dance Music Culture, 1970-1979</i> (<a href="https://goo.gl/WP6HBF">https://goo.gl/WP6HBF</a>) e de <i>Hold On to Your Dreams: Arthur Russel and the Downtown Music Scene, 1973-1992</i> (<a href="https://goo.gl/o2XWa6">https://goo.gl/o2XWa6</a>), Tim Lawrence anuncia a publicação de seu terceiro livro pela Duke University Press:<br><br><blockquote style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex" class="gmail_quote"><span class="" tabindex="0" id="fbPhotoSnowliftCaption"><span class="">I'm
now officially done with everything I need to do to send <i>Life and Death
on the NY Dance Floor, 1980-83</i>, through production. The final edit
should be ready to head to the printers on 10 August. As with <i>Love Saves
the Day</i> and <i>Hold On to Your Dreams</i>, it's been a privilege to work with
the team at Duke and in particular Ken Wissoker, Elizabeth Ault,
Danielle Houtz, Laura Sell, Michael McCullough, <span class="">Chad
Royal, Amy Buchanan, Natalie Smith, Patty Chase and Chris Robinson, who
have been as professional as they've been personable, and nothing if
not totally committed to coming out with the best possible books (the
flaws of their authors notwithstanding). Here's Natalie's front cover--a
design to capture the colour, the mayhem and the dynamism of the era...</span></span></span><br><span class="" tabindex="0" id="fbPhotoSnowliftCaption"><span class=""><span class=""></span></span></span></blockquote><span class="" tabindex="0" id="fbPhotoSnowliftCaption"><span class=""><span class=""><br><a href="https://goo.gl/l4m07R">https://goo.gl/l4m07R</a><br clear="all"></span></span></span></div><br>-- <br><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div>carlos palombini, ph.d. (dunelm)<br>professor de musicologia ufmg<br>professor colaborador ppgm-unirio<br><a href="http://www.proibidao.org" target="_blank">www.proibidao.org</a><br><a href="http://goo.gl/KMV98I" target="_blank">ufmg.academia.edu/CarlosPalombini</a><br></div><div><a href="http://www.researchgate.net/profile/Carlos_Palombini2" target="_blank">www.researchgate.net/profile/Carlos_Palombini2</a><br><a href="http://scholar.google.com.br/citations?user=YLmXN7AAAAAJ" target="_blank">scholar.google.com.br/citations?user=YLmXN7AAAAAJ</a><br></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div></div></div></div></div></div></div></div></div></div></div>
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