<div dir="ltr"><div class="gmail_default" style="font-family:arial,helvetica,sans-serif"><div>(EDMC scholars may be interested in this call for papers, which invites audio rather than written submissions).</div>
<div><span style="font-family:arial;font-size:10pt"><br>
</span></div></div><span style="font-family:arial;font-size:10pt">CFP: IJ 7/1 (2017) Practice-Led and Practice-Based Popular Music Studies</span>
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<a href="http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856" target="_blank">http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856</a><br>
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Popular music studies is routinely presented in the form of visual
media, as writing and notation, despite music being fundamentally aural
and oral. Art music, by contrast, presents new musical creations as
research, using sound to explore new research ideas.
However, few opportunities arise for popular music scholars similarly
to present recordings as research. This special issue invites
researchers, composers, performers and producers to present research in
the form of audio recordings. It may be that the research
output in this case is the sound artifact submitted (practice-based
research), or that the research is focused in the main on the recording
(practice-led research). Submissions are therefore expected to be in the
form of oral/aural culture as well as related
to oral/aural cultures. <br>
<br>
Themes may be focused upon, but are not restricted to: <br>
• New developments in musical or sonic expression<br>
• The use of a creative sound recording in an answer to specific research questions<br>
• Music focused on an exploration of ritual<br>
• Explorations of modes of listening, including deep listening or trance<br>
• Research that examines phenomenology or embodiment<br>
• Studies focused on elements of the art of record production<br>
• Creative approaches to sound studies, ecomusicology or acoustic ecologies<br>
• Ethnographic material<br>
• Gender, sexuality or identity politics<br>
• Popular music and its relationship to public policy or politics<br>
• Spiritualities, philosophy or aesthetics<br>
• Electronic Dance Music and its Cultures<br>
<br>
This call is not intended for work that is led by spoken word, nor it is
it intended that the research is merely presented in an audio format.
Rather, the aim is that that music/sound itself answers relevant
research questions. It is expected that the work
will be written and produced specifically for this call for papers.
Practice alone is not eligible, there must be a convincing rationale
that explains what makes this work research, including a discussion of
research aims, context and methodology. To this
end, an audio recording will be accompanied by a short (around 2000
words) written piece or a video (up to ten minutes long).
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Submissions may be individual or collaborations between for example a
researcher and an artist, musician or producer. Submissions must be
between 2 and 10 minutes long, and the musical content should be of a
professional, publishable standard. All submissions
will be published online in IASPM Journal, following the usual practice
of double blind review.
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<br>
Authors are encouraged to submit a 300-word abstract including an
indicative title and references, showing engagement with relevant
literature and other outputs, by 15 September 2016 to the Lead Editor
for this issue, Dr Rupert Till:
<a href="mailto:r.till@hud.ac.uk" target="_blank">r.till@hud.ac.uk</a><br>
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The deadline for submission is 9 November 2016<br>
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The full Call for Papers can be downloaded from this link:<br>
<a href="http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856" target="_blank">http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856</a><br>
<br>
---<br>
Prof Hillegonda C Rietveld, PhD, SFHEA<br>
Director of Postgraduate Research<br>
School of Arts and Creative Industries<br>
London South Bank University<br>
<br>
<a href="http://uk.linkedin.com/in/hillegonda" target="_blank">http://uk.linkedin.com/in/hillegonda</a><br>
<a href="https://dj.dancecult.net/index.php/dancecult/issue/view/82" target="_blank">https://dj.dancecult.net/index.php/dancecult/issue/view/82</a><br>
<a href="mailto:editor@iaspmjournal.net" target="_blank">editor@iaspmjournal.net</a></div></div></div></span><br>-- <br><div class="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div>carlos palombini, ph.d. (dunelm)<br>professor de musicologia ufmg<br>professor colaborador ppgm-unirio<br><a href="http://www.proibidao.org" target="_blank">www.proibidao.org</a><br><a href="http://goo.gl/KMV98I" target="_blank">ufmg.academia.edu/CarlosPalombini</a><br></div><div><a href="http://www.researchgate.net/profile/Carlos_Palombini2" target="_blank">www.researchgate.net/profile/Carlos_Palombini2</a><br><a href="http://scholar.google.com.br/citations?user=YLmXN7AAAAAJ" target="_blank">scholar.google.com.br/citations?user=YLmXN7AAAAAJ</a><br></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div></div></div></div></div></div></div></div></div></div></div>
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