<div dir="ltr"><div class="gmail_default" style="font-family:arial,helvetica,sans-serif"><br clear="all"></div><div class="gmail_default" style="font-family:arial,helvetica,sans-serif">Está disponível o caderno de resumos da terceira conferência internacional KISMIF (Keep it Simple, Make it Fast!), ocorrida no Porto em julho deste ano.<br><br>We are delighted to meet you all at the third KISMIF
International Conference ‘Keep It Simple, Make It Fast!’ (KISMIF)
International Conference, here at Porto, this year dedicated to the
theme ‘DIY Cultures, Spaces and Places’. This initiative follows the
great success of the two first KISMIF Conference editions (held in 2014
and 2015), seeking to voice the will of the many researchers who have
sought to promote an annual scientific meeting for the discussion of
underground music scenes and do-it-yourself culture at the highest level
. The KISMIF Conference 2016 is once again focused on underground
music, directing its attention this time towards the analysis of DIY
cultures’ relationship to space and places. Thus, we challenge students,
junior and senior teachers/researchers, as well as artists and
activists, to come to the KISMIF International Conference and present
works which explore the potential of the theoretical and analytical
development of the intersection of music scenes, DIY culture and space
under a multidimensional and multifaceted vision. We hope with this to
enrich the underground scenes and DIY cultures analysis by producing
innovative social theory on various spheres and levels, as well as
focusing on the role of DIY culture in late modernity.<br><br>Indeed, the
role of music and DIY cultures is once more an important question –
taking place in a world of piecemealed yet ever-present change. The
space, spaces, places, borders, zones of DIY music scenes are critical
variables in approaching contemporary cultures, their sounds, their
practices (artistic, cultural, economic and social), their actors and
their contexts. From a postcolonial and glocalized perspective, it is
important to consider the changes in artistic and musical practices with
an underground and/or oppositional nature in order to draw symbolic
boundaries between their operating modalities and those of advanced
capitalism. Territorialization and deterritorialization are indelible
marks of the artistic and musical scenes in the present; they are
related to immediate cosmopolitanisms, to conflicting diasporas, new
power relations, gender and ethnicity. As in previous KISMIF
Conferences, it is our intention to welcome reflexive contributions
which consider the plurality that DIY cultural practices demonstrate in
various cultural, artistic and creative fields and to move beyond music
in considering artistic fields like film and video, graffiti and street
art, the theatre and the performing arts, literature and poetry, radio,
programming and editing, graphic design, illustration, cartoon and
comics, as well as others.</div><br><a href="https://www.academia.edu/27769705">https://www.academia.edu/27769705</a><br><br>-- <br><div class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div>carlos palombini, ph.d. (dunelm)<br>professor de musicologia ufmg<br>professor colaborador ppgm-unirio<br><a href="http://www.proibidao.org" target="_blank">www.proibidao.org</a><br><a href="http://goo.gl/KMV98I" target="_blank">ufmg.academia.edu/CarlosPalombini</a><br></div><div><a href="http://www.researchgate.net/profile/Carlos_Palombini2" target="_blank">www.researchgate.net/profile/Carlos_Palombini2</a><br><a href="http://scholar.google.com.br/citations?user=YLmXN7AAAAAJ" target="_blank">scholar.google.com.br/citations?user=YLmXN7AAAAAJ</a><br></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div></div></div></div></div></div></div></div></div></div></div>
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