[FWD cdmc] - 01/2007 -
FWD cdmc
fwd.cdmc em gmail.com
Sex Jan 5 14:28:10 BRST 2007
FWD cdmc - 01/2007
Centro de Documentacao de Musica Contemporanea
CDMC-Brasil/UNICAMP http://www.unicamp.br/cdmc/
(membro da IAMIC - The International Association of Music Information
Centres)
Diretora: Profa. Dra. Lenita W. M. Nogueira
Producao e Montagem do FWD cdmc: Denis Koishi (estagiario)
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CDMC-Brasil/Unicamp
2006
patrocinio
P E T R O B R A S
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1 - AWARD: IASPM Book Award, 2007 Edition (NOMINATIONS 31/Mar -
Cidade do Mexico, MEXICO) <#_Toc155764404>
2 - CALL FOR PAPERS: 2007 Royal Musical Association Annual
Conference (31/Jan - Londres, REINO UNIDO) <#_Toc155764405>
3 - CALL FOR PARTICIPATION: 7th International Conference on New
Interfaces for Musical Expression (16/Abr - Nova Iorque, EUA)<#_Toc155764406>
4 - CALL FOR SUBMISSIONS:Pauline Alderman Award 2007 (15/Fev -
Greensboro, NC, EUA) <#_Toc155764407>
5 - CALL FOR SUBMISSIONS: Mannes Institute Musical Essay Award 2007
(01/Jan-01/Mar - Nova Iorque, EUA) <#_Toc155764408>
6 - CHAMADA PARA PUBLICACAO: Revista Art& (28/Fev - Sao Paulo,
SP)<#_Toc155764409>
7 - COLOQUIO: CDMC, 30 ans de musique contemporaine en France
(11-13/Jan - Paris, FRANCA) <#_Toc155764410>
8 - FESTIVAL: 3o. Festival Nacional de Violao do Piaui (INSCRICOES
25/Jan - Teresina, PI, BRASIL) <#_Toc155764411>
9 - FESTIVAL: Bang on a Can Summer Music Festival (DEADLINE 16/Jan -
North Adams, MA, EUA) <#_Toc155764412>
10 - NOTICIA: PAC (Programa de Acao Cultural) contempla projetos do
pianista Antonio Eduardo (04/Jan - Sao Paulo, SP) <#_Toc155764413>
11 - RESIDENCE PROGRAM: Gibraltar Point International Artist Residency
Program (DEADLINE 21/Fev - Toronto, CANADA) <#_Toc155764414>
12 - RESULTADOS: 5o. Concurso de Piano Maria Teresa Madeira
(12/Dez/2006 - Rio de Janeiro, RJ) <#_Toc155764415>
13 - SEMINARIO: XV Seminario de Violao Souza Lima (01-04/Fev - Sao
Paulo, SP) <#_Toc155764416>
14 - WORKSHOP FOR COMPOSERS: 9th Making New Waves Festival (DEADLINE
15/Jan - Trafo, HUNGRIA) <#_Toc155764417>
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1 - AWARD: IASPM Book Award, 2007 Edition (NOMINATIONS 31/Mar -
Cidade do Mexico, MEXICO)
********************************************
De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de mulhoa em unirio.br
Enviada em: sexta-feira, 29 de dezembro de 2006 18:17
Assunto: [ANPPOM-L] Premio IASPM 2007 para livro sobre musica popular em
ingles e espanhol ou portugues
IASPM Book Award, 2007 Edition
A public award will be given by IASPM for two outstanding *first* books on
popular music, one in English, the other either in Spanish or Portuguese, at
the 2007 Mexico City IASPM conference.
Nominations are invited from IASPM members of books they consider to be
possible contenders for such an award. Authors nominated should preferably
already be members of IASPM, or should become members of IASPM after being
nominated, in order to be eligible.
Authors may either self-nominate, or other members may nominate authors and
books they regard worth considering for the award.
Books nominated must have been already published and be on the market since
January 1st 2005, until December 31st 2006, and a copy of the book must be
sent by the publisher to each of the three members of the judging panel (see
below), before March 31st 2007.
The judging panel consists of Vanessa Knights (UK - chair), Vincenzo Perna
(Italy), and Juan Pablo Gonzalez (Chile).
Nominations can be sent by email in the first instance to Vanessa Knights
(V.N.M.Knights em newcastle.ac.uk).
Addresses:
Dr Vanessa Knights
School of Modern Languages
Newcastle University
Newcastle upon Tyne
NE1 7RU
U.K.
Vincenzo Perna
C/o EDT
Via Pianezza 17
10149 Torino
Italy
Juan Pablo Gonzalez
Instituto de Musica
Universidad Catolica de Chile
Av. Jaime Guzman 3300
Santiago 6650008
CHILE
Martha Tupinamba de Ulhoa
Instituto Villa Lobos
Programa de Pos-Graduacao em Musica
UNIRIO
tel-fax 55-21-2287 3775
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2 - CALL FOR PAPERS: 2007 Royal Musical Association Annual
Conference (31/Jan - Londres, REINO UNIDO)
********************************************
De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de palombini
Enviada em: quarta-feira, 3 de janeiro de 2007 14:42
Assunto: [ANPPOM-L] CFP: musicology and recordings
CHARM/RMA ANNUAL CONFERENCE ON 'MUSICOLOGY AND RECORDINGS'
(ROYAL HOLLOWAY, UNIVERSITY OF LONDON, 13-15 SEPTEMBER 2007)
The 2007 Royal Musical Association Annual Conference will be hosted by CHARM
(the AHRC Research Centre for the History and Analysis of Recorded Music),
at the Egham campus of Royal Holloway, University of London.
The conference theme is 'Musicology and recordings', and we intend this in
the broadest possible sense. For most people in today's world 'music' means
'recorded music': through records, broadcasts, and the internet,
technologies of reproduction have not only led to the emergence of new
musical genres but also transformed performance and composition in existing
genres, as well as fundamentally reshaping the production, dissemination,
consumption, and business of music. At the same time the use of recordings
has become an increasingly significant part of both research into and the
teaching of all kinds of music. We hope that proposals will reflect work
being carried out in the widest variety of musical traditions, cultural
contexts, or methodological approaches. The keynote lecture will be given by
Robert Philip (Open University).
Submissions are invited for individual papers (30 minutes including
discussion), themed sessions (three/four speakers, 90/120 minutes), and
round tables (90/120 minutes). Abstracts (200 words for individual papers,
or 600 words submitted by the proposed convenor for sessions and
roundtables) should be emailed no later than ***31 JANUARY 2007*** to the
CHARM Coordinator, Carol Chan (carol.chan em rhul.ac.uk). The programme
committee will make a final decision on abstracts by 1 March 2007, and
contributors will be notified as soon as possible thereafter.
Further information will be posted on the conference website (
http://www.charm.rhul.ac.uk/content/events/2007conference.html) as it
becomes available. For other queries, please contact Carol Chan in the first
instance.
To find out more about CHARM, please visit our website (www.charm.rhul.ac.uk)
and see the 2006 CHARM newsletter available at:
http://www.charm.rhul.ac.uk/content/resources/2006newsletter.pdf
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3 - CALL FOR PARTICIPATION: 7th International Conference on New
Interfaces for Musical Expression (16/Abr - Nova Iorque, EUA)
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From: Harvestworks News <news em harvestworks.org>
Date: December 29, 2006 4:10:14 PM GMT-04:00
Subject: NIME 2007 Call For Participation
Reply-To: info em harvestworks.org
NIME 2007 CALL FOR PARTICIPATION
On behalf of the NIME07 Committee, we would like to invite you to be part of
the 7th International Conference on New Interfaces for Musical Expression
(NIME), organized by Harvestworks and New York University's (NYU) Music
Technology Program in partnership with LEMUR and the NYU
InteractiveTelecommunications Program (ITP).
We encourage contributions of the following kinds:
* Papers (full-length, short-length, posters)
* Demos
* Live Performances
* Installations
Complete submission guidelines are now available at
http://www.nime.org/2007.
IMPORTANT DATES
Submission deadlines
Installations and Performances
- January 31st 2007: Papers/posters, Demos, Live Performances, Installations
Notification of acceptance
- March 9th 2007: Papers/posters, Demos, Live Performances, Installations
Registration deadlines
- April 16th 2007: Early Registration (reduced fee)
Final text submission deadline
- April 16th 2007: Complete Camera-ready Papers and Abstracts
PAPERS/POSTERS
We invite the submission of papers on topics related to new interfaces for
music performance including, but not restricted to
* Novel controllers and interfaces for musical expression
* Novel controllers for collaborative performance
* Novel musical instruments
* Augmented/hyper instruments
* Interfaces for dance and physical expression
* Interactive sound and multimedia installations
* Interactive sonification
* Sensor and actuator technologies
* Haptic and force feedback devices
* Interface protocols and data formats
* Gesture and music
* Robotics and music
* Perceptual & cognitive issues
* Interactivity design and software tools
* Musical mapping strategies
* Performance analysis and machine learning
* Performance rendering and generative algorithms
* Experiences with novel interfaces in education and entertainment
* Experiences with novel interfaces in live performance and composition
* Surveys of past work and stimulating ideas for future research
* Historical studies in twentieth-century instrument design
* Reports on students projects in the framework of NIME related courses
* Artistic, cultural, and social impact of NIME technology
Accepted presentation types are:
- Full Paper (6 pages in proceedings, longer oral presentation)
- Short Paper (4 pages in proceedings, shorter oral presentation)
- Poster (2 or 4 pages in proceedings, poster presentation)
DEMOS
Demo Sessions are an opportunity to support and discuss realized or
partially realized work with conference attendees, in an informal,
discursive way. Demos of technologies and applications that address the
topics listed above will be considered for selection.
Demonstrations are designed to give exhibitors an opportunity to show
material that benefits from having a physical presence at the conference. It
is important that there be a realized, demonstrable, working component to
all submissions to this category. This is not to say that Demos cannot be
sketches or further ideas or future plans for the project - but an activity,
process, action or actionable form of the concept must exist as part of the
Demo proposed.
Demos must include a 2 page poster to be displayed at the Demo Sessions and
included in the printed proceedings. The poster should address the
scientific/technical aspects of the project, acquired experiences and/or the
context of the development.
For those submitting papers, we will provide the possibility of scheduling
demo presentations within the dedicated Demo Sessions. The submission
procedure will allow that a Demo option be chosen for any Paper submission.
An accepted paper will not guarantee an accepted demo.
Accepted presentation types are:
- Demo (Demonstration space plus 2 pages in proceedings)
LIVE PERFORMANCES
A series of three evening concerts as well as 'NIME-at-night' events at
clubs will be organized during the conference to highlight creative use of
interactive instrument technology and performance systems. One of the
evening concerts will feature commissioned performers playing work from
their repertoire as well as pieces submitted through the Live Performances
call.
We welcome proposals for performances to be featured in the NIME 07
concerts.
Accepted presentation types are:
- Concert Performance (Performance slot plus program note in proceedings)
- Club Performance (Performance slot plus program note in proceedings)
- New Work for Commissioned Performer (Performance by commissioned performer
plus program note in proceedings)
INSTALLATIONS
The NIME Installations category is intended to address submissions that deal
with the subjects listed above, but are intended for public-space or art
gallery contexts. Accepted Installations will be shown for the full 3 days
of the conference, beginning on the morning on Thursday, June 7th and ending
in the evening on Saturday June 9th.
The Installations venue for NIME 2007 will also be open to the general
public. Installation submissions will be judge by artistic merit,
interactivity, relevance to NIME, innovation, exhibition history experience
and practicality criteria. A one-paragraph description of the Installation
project must be submitted with other required materials, and will be
included in the conference proceedings.
Accepted submissions to the Installation category will be exhibited in an
environment appropriate to a public-space and gallery context. NIME 2007 is
obtaining special facilities in New York City, near other conference events
for exhibition of accepted Installation projects.
Please check the NIME site in November for floor plan details and photos of
the space. The number of accepted submission will be partially subject to
available space.
Accepted presentation types are:
- Installations (Installation space plus brief description in proceedings)
SPECIAL FOCUS ON ROBOTICS AND MUSIC
NIME07 will include a number of events specially focused on robotics and
music. These will include a keynote speaker from the field of robotics and
music, a special workshop on the subject and a concert series the weekend
before NIME07.
Therefore, we are especially inviting submissions in all categories in the
area of Robotics and Music. Special consideration will be given to competent
submissions in this area.
VENDOR BOOTHS
For presentations of commercial products and companies not associated with a
conference submission, there will be exhibit booths. Please contact Jennifer
Stock at vendors em nime2007.org.
WORKSHOPS, SPECIAL SESSION AND AS SOCIATED EVENTS
June 6, morning:
* Workshop on Music and Robotics
Details on how to participate in the Music and Robotics workshop to come.
June 7-9:
* NIME 2007
May 31st to June 10th:
* New York Electronic Arts Festival
NIME 07 organized site visits, additional workshops and off-concerts
including jam sessions are planned.
Harvestworks is a nonprofit Digital Media Arts Center that provides
resources for artists to learn digital tools and exhibit experimental work
created with digital technologies. Our programs are made possible with funds
from mediaThe foundation, New York State Council on the Arts, the National
Endowment for the Arts, the NYC Dept. of Cultural Affairs, Materials for the
Arts, The Experimental TV Center, the Mary Flagler Cary Trust, the Aaron
Copland Fund, The Greenwall Foundation, the Jerome Foundation, Foundation
for Contemporary Performance Arts, JP Morgan Chase Foundation and the Rodney
White Foundation.
HARVESTWORKS Digital Media Arts Center
596 Broadway, Suite 602 (at Houston St)
New York, NY 10012
Tel: 212-431-1130
http://www.harvestworks.org
Subway: F/V Broadway/Lafayette, 6 Bleeker, W/R Prince
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4 - CALL FOR SUBMISSIONS: Pauline Alderman Award 2007 (15/Fev -
Greensboro, NC, EUA)
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De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de palombini
Enviada em: terca-feira, 2 de janeiro de 2007 15:52
Assunto: [ANPPOM-L] Call for submissions: Pauline Alderman Award
CALL FOR SUBMISSIONS:PAULINE ALDERMAN AWARD FOR 2007
The International Alliance for Women in Music is pleased to announce the
2007 competition for the Pauline Alderman Award for outstanding scholarship
on women in music. Works published during the calendar year 2006 will be
considered for cash prizes in the following categories:
1) An outstanding book-length monograph about women in music, including
biography, history, analysis, and critical interpretation, in any academic
format (e.g., book, dissertation, or thesis);
2) An outstanding journal article or essay treating an aspect of women in
music; and
3) An outstanding bibliographic study, research tool, or reference work
about women in music.
Any individual or organization may submit items for consideration by sending
a letter of nomination with the nominated work, postmarked no later than
February 15, 2007.Send letters and publications to:
Elizabeth L. Keathley, Chair
Pauline Alderman Award Committee, IAWM
School of Music, University of North Carolina, Greensboro
P.O. Box 26170, Greensboro, NC27402-6170
The letter of nomination should state the name and contact information of
the author(s) and the title and publication data of the work
nominated.Inthe case of an article in an online journal, the letter of
nomination may be
e-mailed to elkeathl at uncg.edu, with "Pauline Alderman Nomination" in the
subject line.The e-mail should include author's name and title, as above,
and the URL of the article.
Items will be evaluated for quality and significance of research, clarity,
persuasiveness, and utility as a model for future scholarship.
Awards will be announced at the annual Congress of the IAWM (
www.iawmcongress.org).Please include a postage-paid, self-add ressed mailer
if you wish to have your submission returned.
The Pauline Alderman Award was founded in 1985 by the International Congress
on Women in Music to honor the memory of pioneering musicologist Pauline
Alderman, Ph.D. (1893-1983), founder and chair of the Music History
Department of the University of Southern California.Recipients of the
Alderman Award include some of the most distinguished names in feminist
musicology:for a complete list, see www.iawm.org
For questions, contact Dr. Elizabeth Keathley, (336) 334-5911; elkeathl at
uncg.edu.
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5 - CALL FOR SUBMISSIONS: Mannes Institute Musical Essay Award 2007
(01/Jan-01/Mar - Nova Iorque, EUA)
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De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de palombini
Enviada em: terca-feira, 2 de janeiro de 2007 15:50
Assunto: [ANPPOM-L] Schoenberg essay award
SCHOENBERG ESSAY AWARD
THE MANNES INSTITUTE
Wayne Alpern, Director
Submissions are now being accepted from January 1 to March 1, 2007 for the
prestigious MANNES INSTITUTE MUSICAL ESSAY AWARD. Each year the Institute
honors an essay on the topic of its forthcoming summer program. The topic
for 2007 is Arnold Schoenberg and His Legacy. The winner will receive a cash
prize of $250 plus automatic admission to the SCHOENBERG INSTITUTE from June
24-27, 2007 at Mannes College of Music in New York City to present the
winning essay as a speech before the members of the Institute. Further
information regarding the Musical Essay Award and the 2007 Mannes Institute
on Schoenberg is available on the Institute's website at www.mannes.edu/mi.
The essay should be approximately fifteen minutes in duration. Please note
this award is NOT for a scholarly paper comparable to an article in an
academic journal, or even an analytic presentation at a traditional
conference. The style is informal, reflective, and discursive in the genre
of a personal essay, with an emphasis on imagination and wit, charm of
diction, ingenuity and erudition, insight and sincerity, creativity and
sophistication, oratorical flair, and the belletristic quality of the prose
itself.
The essay may relate to the overall topic of Schoenberg in any way. It may
be philosophical, poetic, personal, humorous, historical, metaphorical,
theoretical, or whimsical. Above all, it must engage readers and listeners
in a compelling, entertaining, thoughtful, sensitive, aesthetic, and
provoking manner.
The essay may have intellectual and musical content, references, and allusio
ns, but should contain no footnotes, bibliography, or analytic examples.
Winning essays may be considered for publication in a forthcoming periodical
entitled "The Musical Essayist."
Scholars from around the world are welcome to apply. Graduate students not
otherwise eligible to attend the Institute, junior and midlevel scholars
less likely to be admitted, and established scholars other than those on
this year's faculty are all eligible to win the award. Essays may be
submitted electronically as a pdf file or MS Word document to
mannesinstitute at aol.com, or by mail to the address indicated below. The
decision is rendered by a committee consisting of the Institute co-chairs
and director with faculty recommendations.
Wayne Alpern, Director
The Mannes Institute
150 West 85th Street
New York, NY 10024 USA
www.mannes.edu/mi
mannesinstitute at aol.com
(212) 877-8350
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6 - CHAMADA PARA PUBLICACAO: Revista Art& (28/Fev - Sao Paulo, SP)
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De: Editor - Revista Digital Art& [mailto:editor em revista.art.br]
Enviada em: terca-feira, 2 de janeiro de 2007 21:55
Assunto: CHAMADA DE TRABALHOS
CHAMADA PARA PUBLICACAO
Revista Art& - ISSN 1806-2962
A Revista Digital Art& abre, a partir de 01 de novembro de 2006, edital de
CHAMADA PARA PUBLICACAO para o Numero VII, a ser lancado em abril de 2007. O
encerramento de recebimento de trabalhos para o numero VII sera em 28 de
fevereiro de 2007 e os trabalhos recebidos depois desta data serao
automaticamente classificados para o numero seguinte (outubro de 2007).
A Art& uma publicacao digital, indexada, semestral, destinada a divulgacao
cientifica de pesquisas e projetos em Ensino de Arte, que conta com o apoio
e colaboracao de varios e reconhecidos profissionais da area, abrangendo
suas mais variadas formas. cujo objetivo principal e publicar trabalhos que
possam contribuir com o debate acerca de temas voltados para as questoes das
Artes em geral e, em especial, as questoes relativas ao Ensino de Arte.
Destina-se tambem a publicacao de entrevistas, traducoes, resenhas e
trabalhos de divulgacao cientifica de interesse da area, em todas as suas
manifestacoes. Seus editores sao profissionais de atuacao comprovada em
diversas areas artisticas e seu conselho academico e formado por
profissionais de formacao e atuacao comprovadas nas areas a que se dispoem a
colaborar.
Serao aceitos trabalhos para avaliacao nas seguintes categorias:
- Artigo Cientifico: Entendido como o relato completo de um trabalho
experimental e baseado na premissa de que os resultados sao obtidos
posteriormente a um planejamento da pesquisa e redigido conforme as
instrucoes aos autores.
- Relato de Caso: Contempla todas as areas das artes e, principalmente, deve
conter uma abordagem critica do evento relatado.
- Artigo de Revisao: Destinados a apresentacao do progresso em uma area
especifica dentre as abrangidas pelas artes em geral, contendo uma visao
critica do autor.
- Traducoes de artigos e trabalhos em outro idioma, desde que devidamente
autorizada pelo autor original. A autorizacao deve ser comprovada por
escrito.
- Resumos Estendidos de trabalhos apresentados em eventos cientificos ou de
teses e dissertacoes de trabalhos experimentais.
Solicita-se que os artigos sejam produzidos com conteudos atualizados e
informativos, evitando a producao de textos "empolados", com vocabulario
excessivamente especializado, glossario, informacoes ja conhecidas, chavoes
politico-partidarios etc. Recomenda-se tambem que os autores evitem
reproduzir longos trechos de monografias, dissertacoes e teses. Quando o
autor julgar relevante esse tipo de publicacao devera adapta-la seguindo as
normas da revista (ANEXAS).
Caso o numero de trabalhos enviados para a edicao ultrapasse o numero maximo
de artigos para uma publicacao, o restante sera arquivado e publicado nas
edicoes posteriores. A selecao sera feita por indicacao do conselho.
Para participar da selecao para esta edicao, os trabalhos devem ser
encaminhados para o endereco abaixo, ou por e-mail para
editor em revista.art.br, seguindo as NORMAS DE PUBLICACAO (ANEXAS).
OBS: So serao avaliados os trabalhos que cumprirem as normas corretamente.
Atenciosamente,
Revista Digital Art& - ISSN 1806-2962
http://www.revista.art.br
Rua Conselheiro Brotero, 686/32
Higienopolis - Sao Paulo - SP
CEP 01231-010
Fone: [19] 9714.7551
e-mail - editor em revista.art.br
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7 - COLOQUIO: CDMC, 30 ans de musique contemporaine en France
(11-13/Jan - Paris, FRANCA)
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De: http://sebrnger.club.fr/Main.html
Colloque du CDMC : Trente ans de musique contemporaine en France
12 janvier 2007 [Paris]
Thematique : Musique et Technologies
CDMC : 30 ans de musique contemporaine - realite de l'utopie
11, 12 et 13 Janvier
Centre de Documentation de la Musique Contemporaine (CDMC),
16 place de la Fontaine aux Lions 75019 Paris
www.cdmc.asso.fr
* Jeudi 11 janvier
10h : Creation et diffusion
avec Alain Surrans, Marie Noelle Rio, Marianne Lyon, Jean-Loup Graton et
Malika Combes
14h : Musique et Dramaturgie
avec Pierre-Albert Castanet, Pierre Jodlowsky, Catherine Heyden, Claire
Renard, Carmelo Agnello, Patrick Marcland et Esteban Buch
* Vendredi 12 janvier
9h30 : Musique et technologies
avec Jean Marc Chouvel, Roberto Barbanti, Martin Laliberte, Guilhem Souryi,
Anne Veitl, Francois Bayle, James Giroudon, Sebastien Beranger et Pierre
Couprie
14h30 : Esthetique et Modernite
avec Laurent Feneyrou, Hugues Dufourt, Carmen Pardo, Beatrice
Ramaut-Chevassus et Makis Solomos
* Samedi 13 janvier : Journee Musique et politique avec Francois, Konrad
Boehmer, Christian Bethune, Laurent Feneyrou, Charles Alunni, Bastien Gallet
et Peter Szendy
Concert a 20 heures : Ensemble Multilaterale
Berio, Globokar, Maderna, Robin, Roinseul, Schuehmacher
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8 - FESTIVAL: 3o. Festival Nacional de Violao do Piaui (INSCRICOES
25/Jan - Teresina, PI, BRASIL)
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III FESTIVAL NACIONAL DE VIOLAO DO PIAUI - (III FENAVIPI)
Realizacao: Oficina da Palavara Empreendimentos Culturais e Jornal O Dia
Coordenacao: Erisvaldo Borges - Supervisao: Cineas Santos.
O numero de inscritos estara limitado a 120, sendo estes selecionados
mediante analise curricular e ordem de chegada. A inscricao, que sera
gratuita, sera feita mediante a apresentacao de fotocopia da carteira de
identidade e breve Curriculo.
Durante o 3o. FESTIVAL NACIONAL DE VIOLAO DO PIAUI, sera realizado III
CONCURSO NACIONAL DE INTERPRETACAO VIOLONISTICA, onde serao premiados, em
dinheiro, os tres primeiros colocados. A premiacao sera a seguinte: 1o.
Colocado: R$ 2.000,00 (dois mil reais) - PREMIO TURIBIO SANTOS, 2o.
Colocado: R$ 1.500,00 (mil e quinhentos reais) - PREMIO RAPHAEL RABELLO, 3o.
Colocado: R$ 1.000,00 (mil reais) - PREMIO BADEN POWELL
As inscricoes poderao ser feitas pessoalmente ou por carta registrada, ate o
dia 25 de janeiro de 2007, no seguinte endereco: OFICINA DA PALAVRA - Rua
Benjamin Constant, No. 1.400, CEP: 64280-010, Centro, Teresina-PI.
Contato: erisvaldoborges em uol.com.br - (86) 3222-7251.
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9 - FESTIVAL: Bang on a Can Summer Music Festival (DEADLINE 16/Jan
- North Adams, MA, EUA)
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De: www.bangonacan.org
Bang on a Can Summer Music Festival 9-29 July 2007, USA
Deadline: 16 January 2007
July 9-29, 2007
Residency Program for composers and performers
The Bang on a Can Summer Music Festival at Mass MoCA (the Massachusetts
Museum of Contemporary Art) is dedicated entirely to adventurous
contemporary music. We will write it. We will perform it. We will think
about it and we will talk about it. We will spend three weeks immersed in
recent music that has changed the world. Available studies include Balinese
music workshops, improvisation, as well as performance coaching, master
classes, music business seminars and more. Composers will have their works
performed. Players will perform publicly in ensembles sitting alongside
their teachers. There are daily performances in the museum galleries, free
and open to the public. And the residency concludes with a six-hour blow-out
Marathon Concert featuring performances by the student/faculty ensembles.
The faculty includes some of the most innovative musicians of our time.
These are musicians who have dedicated their lives to commissioning,
rehearsing, recording and performing music beyond the cutting edge. Our
special guest artist for 2007 is Don Byron. He will join us for the last
week of the festival.
The Bang on a Can Summer Music Festival will take place July 9 through July
29, 2007 at MASS MoCA, located in North Adams, Massachusetts. MASS MoCA
presents exhibitions and performances by renowned artists and cultural
institutions, but it also is a place where the process of creativity is
explored; rehearsals, art fabrication shops, and production studios are open
to public view. Bang on a Can has found a home at MASS MoCA for the Bang on
a Can Summer Music Festival and is thrilled to work with them in building a
bridge between the arts.
The Bang on a Can Summer Music Festival is made possible in part with public
funds from the National Endowment for the Arts and by the generous support
of the ASCAP Foundation Irving Caesar Fund, LEF Foundation, Andrew W. Mellon
Foundation, and NIB Foundation.
Additional funds for the residency of the Bang on a Can All-Stars have been
provided by Chamber Music America with support from the Helen F. Whitaker
Fund and the Chamber Music America Residency Endowment Fund. Bang on a Can
is a member of Chamber Music America.
Details:
Email: info em bangonacan.org
Web: www.bangonacan.org
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10 - NOTICIA: PAC (Programa de Acao Cultural) contempla projetos do
pianista Antonio Eduardo (04/Jan - Sao Paulo, SP)
********************************************
De: ANTONIO EDUARDO [mailto:anted em iron.com.br]
Enviada em: quinta-feira, 4 de janeiro de 2007 13:44
Assunto: Fw: da areia tambem se ve o mar
Quinta-Feira, 4 de Janeiro de 2007, 08:40
PAC contempla projetos do pianista Antonio Eduardo
Da Reportagem
Divulgador da musica contemporanea brasileira na Europa, o pianista santista
Antonio Eduardo teve dois projetos itinerantes contemplados no Programa de
Acao Cultural (PAC), da Secretaria de Estado da Cultura. Um destaca a
vanguardista obra de Gilberto Mendes, o outro presta homenagem ao centenario
de morte do instrumentista e compositor Patapio Silva, comemorados em 2007.
Os dois projetos, de R$ 20 mil cada um, incluem apresentacoes no interior e
na Capital. "O Sentido da Transmodernidade na Musica para Piano de Gilberto
Mendes sera levado em principio para Sao Paulo, onde havera duas
apresentacoes e palestras, e para Sao Joao da Boa Vista. Ha possibilidade de
traze-lo tambem a Santos, mas isso depende do agendamento da Cooperativa de
Musica Brasileira", diz Antonio Eduardo.
No segundo projeto, A Musica Brasileira para Piano e Flauta, o pianista
divide a apresentacao com o flautista paulistano Aldo Barbieri. "O objetivo
e divulgar e lembrar os 100 anos da morte de Patapio Silva. Alem das obras
do compositor, serao interpretadas pecas de Gilberto Mendes, Camargo
Guarnieri e Villa-Lobos. Estao definidas apresentacoes em Santos, no Sesc, e
em Sao Paulo, no Instituto de Artes".
Se 2006 foi um ano morno em termos de trabalho, segundo avaliacao de Antonio
Eduardo, o novo ano promete muita atividade. "Atuei mais na pesquisa e no
ensino, mas a partir de outubro comecaram os compromissos. Realizei
concertos em Brasilia, no Rio, na Sala Cecilia Meireles, e em Goias, onde
apresentei musica-teatro a partir do poema Escorbuto, de Flavio Amoreira,
onde pude trabalhar a gestualidade da musica contemporanea".
Neste mes, o pianista viaja para a Belgica, onde vai divulgar a Colecao
Antonio Eduardo, lancada pela Editora Avk, de Bruxelas, responsavel pela
edicao das obras de Gilberto Mendes.
E em marco sai seu quarto CD: Da Areia Tambem se Ve o Mar, que reune obras
de varios compositores brasileiros, como Eduardo Avellar, Marcelo Dino e
Gilberto Mendes, e belgas, entre eles Frank Agsterribe. "O album foi gravado
em dezembro de 2005 e desde entao venho batalhando para arrumar patrocinio".
Antonio Eduardo e um divulgador das obras de compositores contemporaneos e
admirador do trabalho de Mendes. Pesquisando a obra do compositor santista,
para dissertacao de mestrado, o pianista descobriu duas pecas ainda
ineditas. "As duas sao dos anos 50 - Fuga Dupla e uma sonata, que nunca foi
tocada. Espero ter a oportunidade de fazer a estreia mundial em Santos"
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11 - RESIDENCE PROGRAM: Gibraltar Point International Artist Residency
Program (DEADLINE 21/Fev - Toronto, CANADA)
********************************************
Gibraltar Point International Artist Residency Program
01-30 June 2007, Canada
Deadline 21 February 2007
ABOUT THE GIBRALTAR POINT INTERNATIONAL ARTIST RESIDENCY PROGRAM
The Gibraltar Point Residency transcends political, aesthetic and geographic
boundaries, welcomes diversity and provides a spawning ground for unique
cultural alliances. The program is open to Canadian and international
artists who are engaged in the development or creation of work. Emerging,
mid-career and established professional artists are invited to apply.
Participants in the residency program receive accommodation, a private work
studio and all meals at no cost. Travel and material costs are the
responsibility of participating artists.
The residency program aims to further the professional development of
artists by: enabling the creation and production of new work; fostering an
exchange of ideas and influences; encouraging the sharing of expertise;
inspiring new works of art and creative collaborations; and building
relationships between artists working in different media. The program is
designed and managed by Artscape and takes place for a single 30-day term
each calendar year at the Gibraltar Point Centre for the Arts on Toronto
Island.
Details:
Email: residency em torontoartscape.on.ca
Web: www.torontoartscape.on.ca/gpiarp
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12 - RESULTADOS: 5o. Concurso de Piano Maria Teresa Madeira (12/Dez/2006
- Rio de Janeiro, RJ)
********************************************
De: Maria Teresa Madeira Concurso <contato em concursomariateresamadeira.com.br>
Em: Jan 1 (4 days ago)
RESULTADOS DO V CONCURSO DE PIANO MARIA TERESA MADEIRA
(www.concursomariateresamadeira.com.br)
Resultados V Concurso Nacional de Piano Maria Teresa Madeira
As provas foram realizadas no Conservatorio Brasileiro de Musica, Rio de
Janeiro, no dia 12 de dezembro de 2006.
I turno
1o..lugar e Premio Melhor Musica Brasileira: Isabella Marina Kumagai de
Oliveira
2o.. Lugar: Joao Pedro Araujo Duarte Ferreira
3o.. Lugar: Natalia Martins Barroso Garcia
Mencao-honrosa: Phelipe Martins da Silva
III turno
2o.. Lugar: Erico Tourinho Bonfim
3o.. Lugar: Pedro Luiz Taam Santos Ferreira
O 1o.. Lugar nao foi concedido
V turno
1o.. Lugar: Leandro Martins Turano
3o.. Lugar: Ederson Jose Urias Fernandes da Silva
O 2o.. Lugar nao foi concedido
Nao houve candidatos no II turno
Nenhuma premiacao foi concedida ao IV turno.
********************************************
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13 - SEMINARIO: XV Seminario de Violao Souza Lima (01-04/Fev - Sao Paulo,
SP)
********************************************
De: hpviolao em uol.com.br [mailto:hpviolao em uol.com.br]
Enviada em: quinta-feira, 4 de janeiro de 2007 09:54
Assunto: Fw: XV Seminario de Violao Souza Lima.programacao.doc
XV Seminario de Violao Souza Lima
Coordenacao artistica: Henrique Pinto
Coordenacao Geral: Antonio Mario da Silva Cunha
1 a 4 de fevereiro de 2.007
Professores de violao
* Henrique Pinto
* Paulo Martelli
* Douglas Lora
Palestras:
* Camilo Carrara - musica japonesa - sua linguagem e a tecnica para seus
arranjos (palestra-recital)
* Paulo Martelli - principios basicos para um estudo eficiente
* Wilson Molinari - Dilermando Reis - sua vida e obra (palestra-recital)
Masterclass:
* Fabio Zanon
Recitais:
* Paulo Martelli (violao de 11 cordas)
* Amadeu Rosa
* Fabio Lima
* Quarteto TAU
* Andre Simao
* Joao Arisk
* Felipe Aranha
* Franciel Monteiro
* Duo: Priedols-Kacelnik
Informacoes
Rua Jose Maria Lisboa, 745 - Sao Paulo - SP - CEP: 01423-001
Fone: (11) 3884-9149 .
E-mail: souzalima em souzalima.com.br
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14 - WORKSHOP FOR COMPOSERS: 9th Making New Waves Festival (DEADLINE
15/Jan - Trafo, HUNGRIA)
********************************************
De: http://www.iamic.net/node/216
The 9th Making New Waves Festival invites participation to workshops for
composers between the 16th and the 18th of February, 2007 at Trafo in
Budapest, Hungary.
I. 'resonances'
composition workshop led by: MAE (former Marteen Artenea Ensemble) and
Yannis Kyriakides - composer
Date: 16-18 February 2007
Place: Trafo - House for Contemporary Art
The 9th Making New Waves Festival invites participation to a three-day long
workshop for composers between the 16th and the 18th of February, 2007 at
Trafo (www.trafo.hu) in Budapest, Hungary. Selected compositions will be
rehearsed publicly by MAE and possibly performed at the closing concert (18
February) of the festival in Trafo.
MAE will give a concert on the 15th February, 2007 as part of the festival
programme with a title of 'sound basics', which starting point has been
'Still Lives', a piece by Alvin Lucier. In 'sound basics' the MAE delves
into the world of pure sound and live electronics. The focal point of this
concert will be the nature of sound and how we perceive it. It explores the
relation between the ensemble and live electronic media. The traditional
function of music with acoustic instruments will be stripped down and
moulded into any sound whatsoever through the medium of amplification and
computer processing.
The applicants are asked to send a 3-5 minute piece for the following
ensemble: doublebass, trombone, violin, recorder (blockflote) or
bass-recorder and voice (Alto). The pieces should possibly (but not
obligatorily) deal with musical space and/or electronic feedback technics.
Composers and musicians wishing to improvise with laptops are also invited
to participate actively at the workshop. The composers of the chosen pieces
must be present at the workshops anyway their compositions will not be
rehearsed and performed. Travel and accommodation expenses has to be covered
by the applicants themselves.
The application should contain a short CV and the score. To pieces using
electronics the composer should attach the technical descreption and a CD
containing sound material and/or software. Laptop performers should apply
with an idea and a plan for their work together with a CD containing sound
material and/or software. Applications must be sent to Andras Halmos
(secretary of Trafo - House of Contemporary Arts; andras em trafo.hu) to the
following address: Trafo - House for Contemporary Arts, Budapest, Liliom u.
41., 1094 HUNGARY. We prefer that you send your applications, scores in an
electronic format if possible!
Applications have to arrive by 15th of January 2007.
The application fee is 10 EUR that is to be payed either personally at Trafo
or through bank to the following bank account:
Trafo - House of Contemporary Arts, Budapest, Liliom u. 41., 1094 HUNGARY
account No: 10560000-06259401-22010107
iban: hu 30
swift: aebbhuhb
At the bank transmission please note: MNW-MAE Workshop.
At some cases the Festival can ensure scholarships for the application fee.
All applicants will be informed about the results and the scholarships
through email by 30th of January 30.
II. fluxus, freedom, new music improvisation workshop
led by: Johannes Kretz (A) - composer. laptop performer & Florian Hoelscher
(D) - pianist
Date: 17-18 February 2007
Place: Trafo - House for Contemporary Art
The 9th Making New Waves Festival invites participation to a two-day long
creative workshop between the 17th and 18the of February, 2007 at Trafo (
www.trafo.hu) in Budapest, Hungary.
The topic of the workshop is performance in the widest sense, involving
works by Ken Friedman, Earl Brown, Cornelius Cardew, Roman
Haubenstock-Ramati, Anestis Logothetis and others, as well as on the
participants fantasy and imagination. A catalogue of 500 possible fluxus
actions as well as graphical scores by the Austrian composers Roman
Haubenstock-Ramati and Anestis Logothetis will serve as a stimulus to
develop an artistic collaboration between the participants. The aim is to
develop a common performance of musical actions reflecting and questioning
the concert situation,partly in an dadaist fashion, but also by highlighting
the original aspect of music performance being a deep human ritual. The
means of electronic music will be used to create a space for these actions
and to establish sound and music out of the natural noises of performing,
breathing, moving.
At the end of the workshop the participants will perform at the closing
concert (18 February) of the festival in Trafo.
Everybody interested in creation of improvised music and art with or without
experience in electronic music is invited to participate actively at the
workshop.
Applications with a short CV should be sent to Julia Horvath (secretary of
Making New Waves) by email: julia70 em freemail.hu by 5 Februar 2007. The
application fee is 10 EUR that is to be payed through bank to the following
bank account:
Trafo - House of Contemporary Arts, Budapest, Liliom u. 41., 1094 HUNGARY
account No.: 10560000-06259401-22010107
iban: hu 30
swift: aebbhuhb
At the bank transmission please note: MNW-Fluxus Workshop.
At some cases the Festival can ensure scholarships for the application fee.
All applicants will be informed about the results and the scholarships
through email by February 13. Travel and accommodation expenses must be
covered by the applicants themselves.
www.makingnewwaves.hu
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