<p class="MsoNormal" style="margin-left: 35.4pt; text-indent: -35.4pt;"><span style="" lang="PT-BR">FWD cdmc - 46/2006</span></p>
<p class="MsoNormal"><span style="" lang="PT-BR"> </span></p>
<p class="MsoToc1"><span style="" lang="PT-BR">Centro de
Documentacao de Musica Contemporanea</span></p>
<p class="MsoToc1"><span style="">CDMC-Brasil/UNICAMP </span><span style="" lang="PT-BR"><a href="http://www.unicamp.br/cdmc/"><span style="" lang="EN-US">http://www.unicamp.br/cdmc/</span></a></span><span style=""><br>
(membro da IAMIC - The International Association of Music Information Centres)</span></p>
<p class="MsoNormal"><span style=""> </span></p>
<p class="MsoNormal"><span style="" lang="PT-BR">Diretora:
Profa. Dra. Lenita W. M. Nogueira</span></p>
<p class="MsoNormal"><span style="" lang="PT-BR"> </span></p>
<p class="MsoNormal"><span style="" lang="PT-BR">Producao e
Montagem do FWD cdmc: Denis Koishi (estagiario)</span></p>
<p class="MsoNormal"><span style="" lang="PT-BR"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoNormal"><span style="" lang="PT-BR"> </span></p>
<p class="MsoNormal"><span style="" lang="PT-BR">Noticias
somente em texto simples, sem figuras nem tabelas, enviar a:</span></p>
<p class="MsoNormal"><span style="" lang="PT-BR"><a href="mailto:cdmusica@unicamp.br">cdmusica@unicamp.br</a> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Para receber/cancelar o recebimento do FWD
cdmc enviar seu pedido a <a href="mailto:cdmusica@unicamp.br">cdmusica@unicamp.br</a>
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">CDMC-Brasil/Unicamp </span></p>
<p class="MsoNormal"><span lang="FR-CA">2006</span></p>
<p class="MsoNormal"><span lang="FR-CA">patrocinio</span></p>
<p class="MsoNormal"><span lang="FR-CA">P E T R O B R A S</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">************************************************************************</span></p>
<p class="MsoToc1" style=""><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA"><span class="MsoHyperlink"><span style=""><a href="#_Toc155150989">1 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>
BOLSAS: CAPES-CNPq-DAAD - Doutorado na Alemanha
(23/Fev/2007 - Brasilia, DF)</a><br style="">
<br style="">
</span></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><a href="#_Toc155150990">2 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CALL FOR PAPERS: "2007 Echo Conference: Music and
the Self" (01/Mar/2007 - Los Angeles, CA, EUA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150991">3 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CALL FOR PROPOSALS:
Electroacoustic Music Studies -"The 'Languages' of Electroacoustic
Music" (02/Jan/2007 - Leicester, REINO UNIDO)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150992">4 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CALL FOR SUBMISSIONS: "Music
of the Americas: A Transcontinental Conference" (07/Jan/2007 - Denton, TX,
EUA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150993">5 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CONCURSO: Professor Assistente
(Ritmica / Percussao Erudita), UNICAMP (02-26/Jan/2007 - Campians, SP, BRASIL)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150994">6 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CONCURSO: "Gianni Bergamo
Classic Music Award" (30/Abr/2007 - Lugano, SUICA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150995">7 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CONCURSO DE COMPOSICAO: Sayat
Nova 2006. HERNAN DARIO PALMIERI (ARGENTINA), 3o. Premio (17/Dez - Paris,
FRANCA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150996">8 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CONCURSO DE COMPOSICAO:
"Quinteto Amizade". NIKOLAI ALMEIDA BRUCHER, vencedor (17/Dez -
Brasilia, DF)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150997">9 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CONCURSO DE COMPOSICAO:
"Prof. IVAN SPASSOV" (31/Out/2007 - Plovdiv, BULGARIA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150998">10 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CURSOS: Accademia Superiore
"Citta della Musica e del Teatro" (2007 - Pescara, ITALIA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155150999">11 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>CURSO DE ESPECIALIZACAO: Educacao
pela Arte com Enfase em Inclusao, Universidade do Vale do Sapucai (01/Fev/2007
- Pouso Alegre, MG, BRASIL)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155151000">12 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>MASTERCLASSES: EDSON ELIAS (piano).
(Abr, Jul e Ago/2007 - Paris, Nancy, Courchevel, FRANCA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span class="MsoHyperlink"><span style="" lang="FR-CA"><br>
<a href="#_Toc155151001">13 -<span style="color: windowtext; text-decoration: none;" lang="EN-US"><span style=""> </span></span>ONLINE JOURNAL: "Gamut",
Music Theory Society of the Mid-Atlantic - http://newfoundpress.utk.edu/gamut
(Dez/2006 - Knoxville, TN, EUA)</a></span></span><span style=""></span></p>
<p class="MsoToc1" style=""><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150989"><span style="" lang="FR-CA"><span style="">1
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">BOLSAS: CAPES-CNPq-DAAD -
Doutorado na Alemanha (23/Fev/2007 - Brasilia, DF)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From:
[mailto:<a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlos palombini</span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: sexta-feira, 15 de dezembro de 2006
19:21</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [ANPPOM-L] bolsas CAPES-CNPq-DAAD
de doutorado na Alemanha</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">DOUTORADO NA ALEMANHA ABRE INSCRICOES</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Estao abertas, ate o dia 23 de fevereiro,
as inscricoes para bolsas de doutorado em instituicoes de ensino superior na
Alemanha. As bolsas sao oferecidas pela Capes, em parceria com o Conselho
Nacional de Desenvolvimento Cientifico e Tecnologico do Ministerio da Ciencia e
Tecnologia (CNPq/MCT) e o Servico Alemao de Intercambio Academico (DAAD). Ha
vagas para doutorado pleno e doutorado-sanduiche.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.capes.gov.br/capes/portal/conteudo/10/N01_15122006S.htm">http://www.capes.gov.br/capes/portal/conteudo/10/N01_15122006S.htm</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150990"><span style="" lang="FR-CA"><span style="">2
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CALL FOR PAPERS: "2007
Echo Conference: Music and the Self" (01/Mar/2007 - Los Angeles, CA, EUA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: <a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>
[mailto:<a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlos palombini</span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: quinta-feira, 21 de dezembro de 2006
15:04</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [ANPPOM-L] CFP: 2007 Echo
Conference: Music and the Self</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">CALL FOR PAPERS</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2007 Echo Conference: Music and the Self</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">June 1-2, 2007</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">University of California, Los Angeles</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Over the past two decades, music
scholarship has become increasingly interested in issues of gender, class,
race, sexuality and other aspects of identity. These new scholastic directions
have created exciting new avenues for scholars to examine the ways in which
music plays a role in both the formation and expression of personal
subjectivity. With this framework in mind, Echo: A Music-Centered Journal is
pleased to announce its second annual conference, "Music and the
Self", to be held at UCLA on June 1-2, 2007. Scholars from all areas of
music research are invited to submit proposals for papers on this theme;
proposals for pre-arranged panels are also welcome. Papers will each be twenty
minutes long (~2400 words) followed by ten minutes for discussion.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Individual presenters should submit an
abstract of 300 words or less, and should also include: 1) the paper title; 2)
the author's name and a brief biography (50-100 words); 3) institutional
affiliation and contact information; 4) audio-visual requirements. Panel chairs
should include all of the above for each member of the panel, as well as a separate,
more general description of the panel's overall theme (200-250 words).
Submissions may be sent electronically to echoconf at <a href="http://ucla.edu">ucla.edu</a> (please put
"Echo Conference Submission" in the subject line). Alternately, print
submissions may be sent to:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Echo: A Music-Centered Journal</span></p>
<p class="MsoNormal"><span lang="FR-CA">Attn: Kelsey Cowger</span></p>
<p class="MsoNormal"><span lang="FR-CA">Department of Musicology</span></p>
<p class="MsoNormal"><span lang="FR-CA">University of California, Los Angeles</span></p>
<p class="MsoNormal"><span lang="FR-CA">Box 951623</span></p>
<p class="MsoNormal"><span lang="FR-CA">Los Angeles, CA 90095-1623</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Submissions are due March 1st, 2007.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Echo: A Music-Centered Journal is an
interdisciplinary, peer- reviewed journal created and edited by graduate
students in the Department of Musicology at the University of California, Los
Angeles. Since our first issue in fall of 1999, we have published biannually
and welcome submissions and project proposals throughout the year. Echo is an
entirely web-based journal, and can be accessed free of charge by any online
visitor. All issues can be found at</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.echo.ucla.edu">http://www.echo.ucla.edu</a>. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150991"><span style="" lang="FR-CA"><span style="">3
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CALL FOR PROPOSALS:
Electroacoustic Music Studies -"The 'Languages' of Electroacoustic
Music" (02/Jan/2007 - Leicester, REINO UNIDO)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: Elizabeth Hinkle
<<a href="mailto:ehinkle@UNT.EDU">ehinkle@UNT.EDU</a>></span></p>
<p class="MsoNormal"><span lang="FR-CA">Date: December 21, 2006 3:11:40 PM
GMT-04:00</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [<a href="mailto:IAWMLIST@UNT.EDU">IAWMLIST@UNT.EDU</a>] Fwd: Final call
EMS07</span></p>
<p class="MsoNormal"><span lang="FR-CA">Reply-To: Elizabeth Hinkle
<<a href="mailto:ehinkle@UNT.EDU">ehinkle@UNT.EDU</a>></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">CALL FOR PROPOSALS</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Electroacoustic Music Studies Network (EMS)</span></p>
<p class="MsoNormal"><span lang="FR-CA">International Conference Series - 4th
Conference 'EMS07' June 12-15 2007, De Montfort University, Leicester, UK</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">"The EMS Network has been organised to
fill an important gap in terms of electroacoustic music, namely focusing on the
better understanding of the various manifestations of electroacoustic music.
Areas related to the study of electroacoustic music range from the
musicological to more interdisciplinary approaches, from studies concerning the
impact of technology on musical creativity to the investigation of the
ubiquitous nature of electroacoustic sounds today. The choice of the word,
'network' is of fundamental importance as one of our goals is to make relevant
initiatives more widely available." (<a href="http://www.ems-network.org">www.ems-network.org</a>)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">EMS07 - Electroacoustic Music Studies -
Conference Theme:</span></p>
<p class="MsoNormal"><span lang="FR-CA">The 'languages' of electroacoustic music</span></p>
<p class="MsoNormal"><span lang="FR-CA">Conference Committee</span></p>
<p class="MsoNormal"><span lang="FR-CA">Marc BATTIER (MINT-OMF, Universite de
Paris-Sorbonne)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Simon EMMERSON (MTI, De Montfort
University, UK) Leigh LANDY (MTI, De Montfort University, UK)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Daniel TERUGGI (INA/GRM, Paris)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">12-15 June, 2007 - De Montfort University,
Leicester, UK</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The EMS conference is organised yearly
through the initiative of the Electroacoustic Music Studies Network, an
international team which aims to encourage reflection on the better
understanding of electroacoustic music and its genesis, appearance and development
over the span of a century.<span style=""> </span>The
organisers are all engaged in the key areas of debate and actively seeking the
development of solutions. The first conference, in October 2003, was a result
of the initiatives of De Montfort University (UK), the University of
Paris-Sorbonne (France), and INA/GRM (France).<span style="">
</span>It took place at the Georges-Pompidou Centre in Paris, within the
auspices of IRCAM's Resonances 2003 festival. The second conference took place
in October 2005 in Montreal in collaboration with Concordia and McGill
Universities and the Universite de Montreal. The third takes place in October
2006 Beijing, China in cooperation with the Electronic Music Association of
China's (EMAC) MusicAcoustica 2006 Festival.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">As of 2006, thanks to a collaboration with
ISAST (International Society for the Arts, Sciences and technology) and OLATS
(Observatoire Leonardo des Arts et Technosciences), a Leonardo-EMS prize will
be given to a selected communication of an early career researcher for
publication of the paper in Leonardo (MIT Press).</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The 4th Conference will start on the
evening of Tuesday 12th June 2007 (registration will be from 18.00, welcome and
opening concert at 20.00) and conclude in the late afternoon of Friday 15th
June. The conference will be preceded by a one day workshop (free to
participants), 'New Protocols in Electroacoustic Music Analysis' on Tuesday
12th June 09.30-18.15 (see details below).</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Organisation of the EMS07 Conference</span></p>
<p class="MsoNormal"><span lang="FR-CA">Music, Technology and Innovation Research
Centre, De Montfort University (UK) in collaboration with members of the EMS
Network.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The theme of EMS07 is:</span></p>
<p class="MsoNormal"><span lang="FR-CA">The 'languages' of electroacoustic music</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">While the theme of EMS06 (Beijing)
concentrated on a crucial aspect of language, namely terminology and attendant
questions of translation and local knowledges, EMS07 (Leicester) aims to look
at some perennial questions of language and analysis with respect to the
electroacoustic field. Are there parallels with how language works or is this
an unhelpful metaphor? There have been many different approaches to analysing
works in an attempt to find out 'rules' (a 'syntax') common to a composer,
genre or culture.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">In 2007 it will be twenty-one years since
the publication of The Language of Electroacoustic Music (edited by Simon
Emmerson) (Macmillan (UK) & Harwood Academic (USA), 1986). This brought
together writings on a cluster of ideas around electroacoustic music 'language'
- such as spectromorphology, sound symbolism, soundscape-landscape, 'abstract
and abstracted' syntax, and the influence of (then recent) developments in
computer technology on language. Have any of these strands 'come of age' in the
intervening years? Much has challenged many of the definitions and assumptions
of the 1980s: hybridisation with other musics (techno, non-western) and new
technologies (audio-visual); new listening habits, venues and media of
dissemination and exchange; the identity of the work itself may be open form,
fluid, real-time. And then there are the increasingly blurred distinctions of
composer and performer, venue and studio, 'live' and 'machine', performance and
installation. Finally the emerging and emergent properties of the internet as
both source and site of new developments. But are these developing new
'languages'? Do these new musics 'express' anything new?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Keynote speakers</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Denis Smalley (City University, London)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Katharine Norman (Pender Island, BC)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Topics and keywords for paper proposals
EMS07 (Leicester)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">None of these is exclusive, any may be
combined, others added. Critiques of the terminology, categories and
assumptions made in this list will be perfectly acceptable.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Analysis:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What types of discourse are relevant to
electroacoustic works?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What analytical methods are currently
being developed?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Can one adapt existent analytical methods
of music to elec¬troacoustic works, many of which involve no prescriptive
notation?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- How can we further develop the field of
study of electroacoustic musics?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Transcription and representation of sound,
new audio-visual tools:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- How are analytical tools being produced
and disseminated in the community?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What means are available for
communicating the sonic form through symbolic and graphic representations?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Does the study of electroacoustic musics
require specifically designed tools or can it take advantage of methods
conceived for other musics?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Taxonomy, terminology - 'meaningful' units
of music description:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What systems of classification are in use
or should be developed?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- How can we become more consistent in our
use of terminology in a field as dynamic as electroacoustic music?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Real-time music making:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- How can live performance/composition
strategies be analysed?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What is 'live' electronic music?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Performance, presentation, dissemination:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What is the 'work'?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- New presentation spaces, technologies.</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Internet communities, group compositions
and performances.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Listening, Intention-Reception:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Issues of perception and interpretation.</span></p>
<p class="MsoNormal"><span lang="FR-CA">- How do the composer's intentions relate
to what is perceived?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Semiotics/semiology, 'meaning':</span></p>
<p class="MsoNormal"><span lang="FR-CA">- What (and how) do different
electroacoustic music genres express?</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Soundscape, sound ecology:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Analytical tools for the understanding of
soundscapes.</span></p>
<p class="MsoNormal"><span lang="FR-CA">- New approaches to sound ecology,
sonification, sound environment.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Genres/styles, 'languages':</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Questions of unity, diversity, plurality,
multicultural resources, polystyle, hybridisation, 'local music'</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Gender issues:</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Have gender balances shifted in the last
twenty one years?</span></p>
<p class="MsoNormal"><span lang="FR-CA">- The relationship of technology and
electroacoustic music to gender.</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Unrecognised contributions: revising
history.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Furthermore …</span></p>
<p class="MsoNormal"><span lang="FR-CA">Proposals concerning any other themes
related to electroacoustic music studies, such as sources and resources are
most welcome.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Guidelines for submission of proposals for
presentations</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The duration of each paper will be 20
minutes (not including the question period of about 10 minutes).<span style=""> </span>The papers will be given in English or
French. Multimedia support will be provided in the form of video projector (for
laptops), overhead projector, CD and DVD player, internet access and stereo
sound system.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Submissions are to be made electronically
to <a href="mailto:info@ems-network.org">info@ems-network.org</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">A submission must consist of -</span></p>
<p class="MsoNormal"><span lang="FR-CA">- The paper proposal abstract (in English
or French, 1,000 words maximum), headed with your name, organisation affiliation
(if any), contact address, telephone, and preferred e-mail address;</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Curriculum vitae (including a list of
publications);</span></p>
<p class="MsoNormal"><span lang="FR-CA">- Brief biography (150 words maximum).</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The abstract should be ready for
publication if the proposal is accepted.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">A programme containing the paper abstracts
will be available in advance on the EMS website and distributed at the
conference.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Submissions from research students and
early career postdoctoral researchers are particularly encouraged.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Dates</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Deadline for receipt of proposal for
presentation: Tuesday 2 January 2007</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Paper acceptance decisions will be emailed
to applicants on Saturday 13th January.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The full conference programme will be
available late January 2007.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Publication</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Accepted papers will be published on the
Electro-Acoustic Music Studies Network website <a href="http://www.ems-network.org">www.ems-network.org</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Pre-conference workshop - free to all
conference participants</span></p>
<p class="MsoNormal"><span lang="FR-CA">Tuesday 12th June 2007 09.30-18.15</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">'New Protocols in Electroacoustic Music
Analysis'</span></p>
<p class="MsoNormal"><span lang="FR-CA">(This workshop is funded by an ICT-Network
award)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Within the area of electroacoustic music
analysis we are seeing new, highly dynamic approaches being developed using ICT
that aid in the greater understanding of musical content and intention. These
include: interactive analytical tools; use of multimedia/hypermedia in analysis
and presentation of analytical results; documentation of non-prescriptive
notated composition; the intention/reception approach - triangulation; and
computational approaches to electroacoustic music analysis. This workshop will
allow participants the opportunity to be have hands-on access to some of the
tools being developed. A round-table discussion with the invited specialists
(one or more representing each of the fields mentioned above) would be held to
investigate where we think we are in terms of electroacoustic music analytical
methods and where we think we should be going.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Timetable:</span></p>
<p class="MsoNormal"><span lang="FR-CA">09.30-10.00 Registration for those
attending the workshop;</span></p>
<p class="MsoNormal"><span lang="FR-CA">10.00-13.30 Invited guests introduce their
ICT-based methods;</span></p>
<p class="MsoNormal"><span lang="FR-CA">14.30-16.30 Parallel hands-on demos of all
systems;</span></p>
<p class="MsoNormal"><span lang="FR-CA">16.45-18.15 Round table discussion with
participant feedback.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Invited guest presenters:</span></p>
<p class="MsoNormal"><span lang="FR-CA">Prof. Michael Clark (Huddersfield) -
interactive composition/Sybil software</span></p>
<p class="MsoNormal"><span lang="FR-CA">Prof. Barry Truax (Simon Fraser University)
- production documentation/hypermedia publications</span></p>
<p class="MsoNormal"><span lang="FR-CA">Prof. Eduardo Miranda (Plymouth University)
- computational analysis</span></p>
<p class="MsoNormal"><span lang="FR-CA">Yann Geslin (INA/GRM-Paris) -
multimedia/Acousmographe system</span></p>
<p class="MsoNormal"><span lang="FR-CA">Dr. Pierre Couprie (MINT/Sorbonne &
MTI/DMU + online publication - Musimediane) - hypermedia publication of
analytical results</span></p>
<p class="MsoNormal"><span lang="FR-CA">Dr. Kate Stevens (MARCS/Univ. of Western
Sydney) intention/reception from a music psychology point of view - new
ICT-based metrics</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Registration for this workshop will be part
of the registration for the EMS07 conference. Details will be available from
January 2007.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Simon Emmerson</span></p>
<p class="MsoNormal"><span lang="FR-CA">Professor of Music, Technology and
Innovation</span></p>
<p class="MsoNormal"><span lang="FR-CA">Faculty of Humanities</span></p>
<p class="MsoNormal"><span lang="FR-CA">De Montfort University</span></p>
<p class="MsoNormal"><span lang="FR-CA">Leicester LE1 9BH</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Tel. 0116-207-8238</span></p>
<p class="MsoNormal"><span lang="FR-CA">email: <a href="mailto:S.Emmerson@dmu.ac.uk">S.Emmerson@dmu.ac.uk</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.mti.dmu.ac.uk/">http://www.mti.dmu.ac.uk/</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150992"><span style="" lang="FR-CA"><span style="">4
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CALL FOR SUBMISSIONS:
"Music of the Americas: A Transcontinental Conference" (07/Jan/2007 -
Denton, TX, EUA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From:
[mailto:<a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlo palombini</span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: terca-feira, 26 de dezembro de 2006
15:55</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [ANPPOM-L] CFP: Music of the
Americas: A Transcontinental Conference</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">FINAL CALL FOR SUBMISSIONS</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Music of the Americas: A Transcontinental
Conference</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">February 24, 2007</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">University of North Texas, Denton, TX</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">J. Peter Burkholder, Keynote Speaker</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The Graduate Association of Musicologists
und Theorists (GAMuT) of the<span style=""> </span>University
of North Texas College of Music invites submissions for "Music of the
Americas: A Transcontinental Conference," a forum for graduate students,
which will be held on February 24, 2007 in Denton, Texas.<span style=""> </span>J. Peter Burkholder of Indiana University
will be the keynote speaker.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Graduate students in the areas of music
theory, music history, and ethnomusicology are encouraged to submit proposals
for papers that address music within the context of one or both American
continents.<span style=""> </span>While all submissions are
welcome, special consideration will be given to those papers that explore
historiography, the role of music in national projects, and/or the musical
construction or projection of self-image in the Americas.<span style=""> </span>Paper presentations will be twenty minutes
long followed by ten minutes of discussion.<span style="">
</span>Proposals for other kinds of sessions are welcome. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Please submit a proposal abstract of 300
words or less, along with the paper title, author's name, school affiliation,
degree program, and contact information (phone and e-mail required), to one of
the following addresses: </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">UNT College of Music</span></p>
<p class="MsoNormal"><span lang="FR-CA">attn: Jackson Ross Best, Jr.</span></p>
<p class="MsoNormal"><span lang="FR-CA">PO Box 311367</span></p>
<p class="MsoNormal"><span lang="FR-CA">Denton, TX 76203-1367</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">E-mail: Gamut at <a href="http://music.unt.edu">music.unt.edu</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">All submissions must be received by no
later than January 7, 2007.<span style=""> </span>No materials
will be returned. Proposals need to represent the thesis and content of the
paper as clearly and thoroughly as possible.<span style="">
</span>Please e-mail Randy Kinnett, Program Coordinator, at <frk0004 at
<a href="http://unt.edu">unt.edu</a>> with any questions. For more information about GAMuT, please visit our
website </span></p>
<p class="MsoNormal"><span lang="FR-CA">(<a href="https://web3.unt.edu/the/gamut.php?gamut=index">https://web3.unt.edu/the/gamut.php?gamut=index</a>).</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150993"><span style="" lang="FR-CA"><span style="">5
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CONCURSO: Professor Assistente
(Ritmica / Percussao Erudita), UNICAMP (02-26/Jan/2007 - Campians, SP, BRASIL)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: <a href="mailto:usuarios-bounces@iar.unicamp.br">usuarios-bounces@iar.unicamp.br</a>
[mailto:<a href="mailto:usuarios-bounces@iar.unicamp.br">usuarios-bounces@iar.unicamp.br</a>] On Behalf Of Departamento de Musica</span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: quarta-feira, 20 de dezembro de 2006
16:10</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [Usuarios] Processo Seletivo
URGENTE!</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">PROCESSO SELETIVO PARA CONTRATACAO
EMERGENCIAL DE DOCENTE</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">JUNTO AO DEPARTAMENTO DE MUSICA/IA/UNICAMP</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">O Departamento de Musica do Instituto de
Artes da Universidade Estadual de Campinas - UNICAMP torna publico que estarao
abertas no periodo de 02 a 26/01/2007 o Processo Seletivo para Provimento de
Funcao de Professor Assistente, categoria MA-I, nivel A, em Regime RTC, na
Carreira do Magisterio Artistico, nas areas de Fundamentos Teoricos da Artes e
Praticas Interpretativas, nas disciplinas: MU-058 - Ritmica I; MU-059- Ritmica
II; MU-060 - Ritmica III; MU-061 - Ritmica IV; MU-062 - Ritmica V; MU-063 -
Ritmica VI e MU-192- Percussao Erudita I; MU-292 -<span style=""> </span>Percussao Erudita II; MU-392 - Percussao
Erudita III; MU-492 - Percussao Erudita IV;<span style="">
</span>MU-592 - Percussao Erudita V;<span style="">
</span>MU-692 - Percussao Erudita VI;<span style="">
</span>MU-792 - Percussao Erudita VII;<span style="">
</span>MU-892 - Percussao Erudita VIII, de acordo com a Resolucao GR no.
48/2003.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">O processo seletivo de que trata o presente
edital far-se-a consoante com os seguintes objetivos:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">1) A contratacao emergencial vigorara de
marco a junho de 2007;</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2) Requisitos minimos exigidos:
Profissional atuante na area, comprovado. Dar-se-a preferencia a candidatos com
experiencia de ensino. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">3) A Comissao examinadora podera optar por
uma pre-selecao, baseada exclusivamente no curriculum vitae, caso o numero de
inscritos seja elevado.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">4) Constara das seguintes provas: a)
Analise de curriculum vitae; b) Prova Pratica de Percussao Erudita: duas pecas
de livre escolha de curta duracao em combinacoes instrumentais distintas
(maximo de 20 minutos); c) Prova didatica sobre ritmica: tema "Ensino de
leitura basica de ritmica" (maximo de 45 minutos); d) Entrevista.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">5) As inscricoes deverao ser feitas na
Secretaria do Departamento de Musica do Instituto de Artes da UNICAMP, sito a
rua Elis Regina, 50 - Cidade Universitaria "Zeferino Vaz" - Barao
Geraldo - Campinas - Sao Paulo, das 9 as 16h, de segunda a sexta-feira, dentro
do prazo indicado, por meio de requerimento contendo nome, idade, filiacao,
naturalidade, estado civil, domicilio e profissao dirigido ao Chefe do
Departamento de Musica do Instituto de Artes, acompanhado dos seguintes
documentos: a) documentos de identificacao (RG, CPF e Titulo de Eleitor); b)
comprovacao dos titulos academicos ou profissionais pertinentes a area, dos quais
e portador; c) quatro exemplares do curriculum vitae contendo as atividades
realizadas, em que sejam comprovados os trabalhos publicados, atividades
profissionais e demais informacoes que permitam cabal avaliacao dos meritos do
candidato.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">6) As provas realizar-se-ao nos dias 31 de
Janeiro e 1o. de Fevereiro de 2007, no Departamento de Musica do Instituto de
Artes da UNICAMP. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Quaisquer outras informacoes poderao ser
obtidas na Secretaria do Departamento de Musica do Instituto de Artes da
UNICAMP.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Luiza<span style=""> </span></span></p>
<p class="MsoNormal"><span lang="FR-CA">Dept. de Musica<span style=""> </span></span></p>
<p class="MsoNormal"><span lang="FR-CA">IA - UNICAMP<span style=""> </span></span></p>
<p class="MsoNormal"><span lang="FR-CA">3521-7485<span style=""> </span></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150994"><span style="" lang="FR-CA"><span style="">6
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CONCURSO: "Gianni Bergamo
Classic Music Award" (30/Abr/2007 - Lugano, SUICA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: Info GIANNI BERGAMO AWARD </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: Friday, November 17, 2006 8:09 AM</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: Competition for Composers</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Besides sponsoring initiatives in
humanitarian, scientific, medical and ecological fields, the Foundation for
public utility ACCENTUS supports cultural projects in particular.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The GIANNI BERGAMO CLASSIC MUSIC AWARD was
created within this Foundation with the aim of discovering and encouraging new
young talent in the different sectors of classical music.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Maestro Gianni Bergamo wished to start this
Competition hoping that it will become a reference point and a solid support
for talented young musicians from all over the world.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The Competition will cyclically take place
in the following fields: composition, instrument/voice and chamber music. The
winners of the competition for composers - whose winning pieces will be
performed in a concert by the ensemble recherche - will be given the task of
composing the compulsory pieces for the next instrumental and chamber music
competitions.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">For 2007, the GIANNI BERGAMO CLASSIC MUSIC
AWARD</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">announces a competition for composition
with 3 prizes of Euro 13'000.- each.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Deadline for application: 30 April 2007.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">For detailed information about the terms of
participation, visit the website</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.giannibergamoaward.ch">www.giannibergamoaward.ch</a> or contact
directly:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">GIANNI BERGAMO CLASSIC MUSIC AWARD</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Competition Office</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">c/o Conservatorio della Svizzera italiana</span></p>
<p class="MsoNormal"><span lang="FR-CA">via Soldino 9</span></p>
<p class="MsoNormal"><span lang="FR-CA">CH-6900 Lugano (Svizzera)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Tel. +41 (0)91 930 40 44</span></p>
<p class="MsoNormal"><span lang="FR-CA">Fax +41 (0)91 930 40 41</span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="mailto:info@giannibergamo.ch">info@giannibergamo.ch</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150995"><span style="" lang="FR-CA"><span style="">7
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</span></span></span><span lang="FR-CA">CONCURSO DE COMPOSICAO: Sayat
Nova 2006. HERNAN DARIO PALMIERI (ARGENTINA), 3o. Premio (17/Dez - Paris, FRANCA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: christian erbsloh
[mailto:<a href="mailto:christianerbsloh@yahoo.fr">christianerbsloh@yahoo.fr</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: domingo, 17 de dezembro de 2006 10:51</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: palmares concours international de
composition musicale Sayat Nova 2006</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Je vous prie de bien vouloir trouver
ci-joint des informations relatives au palmares du concours international de
composition musicale Sayat Nova 2006 organise par l'Union Generale Armenienne
de Bienfaisance, Section France.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Ce concours, coordonne par Christian Erbsloh,
a vu trois laureats recompenses : </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">1er PRIX (2 500E) : Artur AKSHELYAN, 22
ans, Armenie,<span style=""> </span>pour Pray</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2e PRIX (1 500E) : Gregoire LORIEUX, 30
ans, France, pour<span style=""> </span>Memoire Plein Etoile</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">3e PRIX (1 000E) : Hernan Dario PALMIERI,
28 ans, Argentine,<span style=""> </span>pour Suite Armenienne</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Le Jury etait compose de Marie-Madeleine
KRYNEN, Paul MEFANO, Alexandros MARKEAS, Vahan MARDIROSSIAN et Jean-Pierre
NERGARARIAN.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Les oeuvres laureates ont ete enregistrees
par l'Orchestre de Chambre de la Diaspora Armenienne (OCDA-Paris)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">La ceremonie de remise des Prix a eu lieu
le 9 Decembre 2006, dans les salons du Grand Hotel Intercontinental de Paris,
dans le cadre des celebrations du centenaire de l'Union Generale Armenienne de
Bienfaisance.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Vous pourrez trouver l'ensemble des informations
relatives a ce concours sous l'adresse suivante :</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://sayatnova2006.ocda.eu">http://sayatnova2006.ocda.eu</a></span></p>
<p class="MsoNormal"><span lang="FR-CA">ainsi que sur : </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.ugab.info/100/SayatNova2006.html">http://www.ugab.info/100/SayatNova2006.html</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Christian ERBSLOH</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">PS.: n'hesitez pas a me contacter si vous desirez
des informations complementaires :</span></p>
<p class="MsoNormal"><span lang="FR-CA">+33 (0)6 16 91 04 45</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150996"><span style="" lang="FR-CA"><span style="">8
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CONCURSO DE COMPOSICAO:
"Quinteto Amizade". NIKOLAI ALMEIDA BRUCHER, vencedor (17/Dez -
Brasilia, DF)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: Quinteto Amizade
[mailto:<a href="mailto:quinteto.amizade@gmail.com">quinteto.amizade@gmail.com</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: domingo, 17 de dezembro de 2006 12:47</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: Resultado do Concurso de
Composicao Quinteto Amizade 2006</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">O Quinteto Amizade tem alegria de anunciar
a seguinte premiacao de seu concurso de composicao 2006:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Vencedor: "Vibracoes Variantes"
de Nikolai Almeida Brucher</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Mencao honrosa para 3 musicas:</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Plisse" de Helio Bacelar Viana</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Mais em Brasa" de Claudia
Castelo Branco</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Irura" de Vicente Jose
Malheiros da Fonseca</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">O recital de premiacao sera confirmado em
breve, previsto para a segunda quinzena de fevereiro (depois do carnaval). </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">As composicoes foram muito variadas no
estilo e nas exigencias tecnicas. Por isso, o grupo preferiu tomar tempo,
ponderar e divulgar o resultado apos o consenso. O fator predominante na
decisao foi a viabilidade de execucao somada as qualidades artisticas. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Todas as partituras serao doadas as
universidade de Brasilia e da Oradea (Romenia). As partes, em apenas uma via,
irao para Oradea, onde ha maior oportunidade de divulgacao internacional.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Parabens a todos os participantes! O
Quinteto Amizade esta aberto a novas propostas e sugestoes para as proximas
temporadas. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Quinteto AMIZADE,</span></p>
<p class="MsoNormal"><span lang="FR-CA">Zoltan Paulini.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Informacoes completas em:</span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://concurso.MusicaErudita.com">http://concurso.MusicaErudita.com</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Dear Composers,</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The Quinteto Amizade announces the result
of the composition competition:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Winner: "Vibracoes Variantes" of
Nikolai Almeida Brucher</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Honor mention to 3 pieces:</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Plisse" of Helio Bacelar Viana
</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Mais em Brasa" of Claudia Castelo
Branco</span></p>
<p class="MsoNormal"><span lang="FR-CA">* "Irura'" of Vicente Jose'
Malheiros da Fonseca</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The concert will be confirmed soon,
scheduled for the end of February 2007.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The works were quite different in style and
technical requirements, so the ensemble has decided to take time, weigh up and
announce the result after consensus. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">All scores will be donated to the
universities of Brasilia and Oradea (Romenia), where there is more opportunity
for international promotion.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Congratulations for all participants! The
Quintet AMIZADE always welcomes new suggestions and proposals for next seasons.
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Quinteto AMIZADE,</span></p>
<p class="MsoNormal"><span lang="FR-CA">Zoltan Paulini.</span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://competition.MusicaErudita.com">http://competition.MusicaErudita.com</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150997"><span style="" lang="FR-CA"><span style="">9
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;">
</span></span></span><span lang="FR-CA">CONCURSO DE COMPOSICAO: "Prof.
IVAN SPASSOV" (31/Out/2007 - Plovdiv, BULGARIA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: Vasilka Spassova
[mailto:<a href="mailto:spassov@mail.com">spassov@mail.com</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: sexta-feira, 29 de dezembro de 2006
07:01</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: conkurs</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">"Prof. IVAN SPASSOV" FOUNDATION</span></p>
<p class="MsoNormal"><span lang="FR-CA">PLOVDIV</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Academy of Music, Dance and Fine Arts</span></p>
<p class="MsoNormal"><span lang="FR-CA">Bulgaria, Plovdiv - 4000;<span style=""> </span>T. Samodumov Str. 2</span></p>
<p class="MsoNormal"><span lang="FR-CA">phone:+359/32/628 311, fax:+359/32/631 668</span></p>
<p class="MsoNormal"><span lang="FR-CA">e-mail: <a href="mailto:spassov@mail.com">spassov@mail.com</a>;
<a href="http://www.ivanspassov.hit.bg">www.ivanspassov.hit.bg</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The Composition Competition in the name of
the eminent Bulgarian composer and conductor Prof. Ivan Spassov will take place
in Plovdiv from November, 23 - 25, 2007 under the honorary patronage of the
Minister of Culture.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">REGULATIONS</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><span style=""> </span>I.
Participation Requirements</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">1. Candidates with no restriction of age
and nationality can apply for the competition.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2. The competition is being held in two
categories:</span></p>
<p class="MsoNormal"><span lang="FR-CA">Category A: Symphonic composition - in
multiple movements (symphony, instrumental concerto, etc.) or in one movement
(fantasy, overture, etc.)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Category B: Vocal composition - for a male
or female voice with accompaniment (piano, another instrument or chamber
formation).</span></p>
<p class="MsoNormal"><span lang="FR-CA">NB!: The duration of each composition - up
to 30 minutes.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">3. Each candidate can submit up to two
compositions in one and the same category or one composition in each category.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">4. The candidates should send not later
than October 31, 2007 (according to the postmark) the following materials
together in a package:</span></p>
<p class="MsoNormal"><span lang="FR-CA">a) the competition composition(s) and the
CD recording(s) in a sealed envelope </span></p>
<p class="MsoNormal"><span lang="FR-CA">b) a sealed non-transparent envelope in
which had been placed a piece of paper with the candidate's name</span></p>
<p class="MsoNormal"><span lang="FR-CA">c) a sealed envelope containing an
application form (after the enclosed pattern) and a document for prepaid
participation fee at the amount of 50<span style=""> </span>E
to the bank account:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Foundation "Prof. Ivan Spassov"</span></p>
<p class="MsoNormal"><span lang="FR-CA">HEBROSBANK, Plovdiv, Bulgaria</span></p>
<p class="MsoNormal"><span lang="FR-CA">SWIFT BIC Code ACBPBG2P</span></p>
<p class="MsoNormal"><span lang="FR-CA">BAE Code ACBP7527</span></p>
<p class="MsoNormal"><span lang="FR-CA">IBAN BG41 ACBP 7527 1454 6885 11<span style=""> </span>( E)</span></p>
<p class="MsoNormal"><span lang="FR-CA">IBAN BG33 ACBP 7527 1454 6885 10<span style=""> </span>($)</span></p>
<p class="MsoNormal"><span lang="FR-CA">Via: DEUTSCHE BANK, COMMERZBANK, BANK
AUSTRIA</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">5. The competition is anonymous.</span></p>
<p class="MsoNormal"><span lang="FR-CA">On the envelopes and on the musical scores
of the compositions there must not be any marks revealing the anonimity.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">6. The package with the materials
(described in item 4) should be sent to the following address:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Attn. Mr. Svetoslav Karagenov</span></p>
<p class="MsoNormal"><span lang="FR-CA">- for the Composition Competition</span></p>
<p class="MsoNormal"><span lang="FR-CA">Academy of Music, Dance and Fine Arts</span></p>
<p class="MsoNormal"><span lang="FR-CA">2, Todor Samodoumov str.</span></p>
<p class="MsoNormal"><span lang="FR-CA">4000 Plovdiv, BULGARIA</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">The Executive Committee does not take upon
the commitment to send back the submitted materials by the candidates.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">In case the candidate renounces
participation in the competition, the participation fee is not refundable.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">II. The Jury: </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">1. The submitted compositions will be
appraised by a jury of prominent Bulgarian composers.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2. The Jury will keep strictly to the
Regulations approved by the Executive Committee.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">3. The Jury is entitled not to award all
the announced prizes.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">4. The decisions of the Jury are final and
not subject to appeal.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">III. Prizes: </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">1. The prizes for each of the categories
are:</span></p>
<p class="MsoNormal"><span lang="FR-CA">First Prize:<span style=""> </span>500<span style="">
</span>E</span></p>
<p class="MsoNormal"><span lang="FR-CA">Second Prize:<span style=""> </span>350<span style=""> </span>E</span></p>
<p class="MsoNormal"><span lang="FR-CA">Third Prize:<span style=""> </span>200<span style="">
</span>E</span></p>
<p class="MsoNormal"><span lang="FR-CA">The Special Prize of the Municipality
Council Pazardzhik</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">2. Some other prizes (of foundations,
private persons etc.) can be awarded by the decision of the Jury.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">3. The Executive Committee subserves for
the performance of the prize compositions as well as for their inclusion within
the programme of the Festival "Winter Musical Evenings Prof. Ivan
Spassov",<span style=""> </span>Pazardzhik.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sample<span style="">
</span>APPLICATION FORM</span></p>
<p class="MsoNormal"><span lang="FR-CA">for participation in the Fourth </span></p>
<p class="MsoNormal"><span lang="FR-CA">International Competition for Composers</span></p>
<p class="MsoNormal"><span lang="FR-CA">"Prof. Ivan Spassov"</span></p>
<p class="MsoNormal"><span lang="FR-CA">November 23-25, 2007,</span></p>
<p class="MsoNormal"><span lang="FR-CA">Plovdiv</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(first name, middle name, family name)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(date and place of birth)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(nationality)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(correspondence address)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(telephone)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(fax)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><span style=""> </span>(e-mail)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">I accept the conditions in the Regulations
of the competition.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(date)<span style="">
</span>(signature)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150998"><span style="" lang="FR-CA"><span style="">10
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"> </span></span>
</span><span lang="FR-CA">CURSOS: Accademia Superiore "Citta della Musica e del
Teatro" (2007 - Pescara, ITALIA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: Fabio Luz
[mailto:<a href="mailto:fabioluz@aliceposta.it">fabioluz@aliceposta.it</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: sexta-feira, 22 de dezembro de 2006
13:31</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: chamada para inscricoes - regul.
em port.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">ACCADEMIA SUPERIORE "Citta della
Musica e del Teatro"</span></p>
<p class="MsoNormal"><span lang="FR-CA"><span style=""> </span>Pescara - anno accademico 2007</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.cittadellamusicaedelteatro.com">www.cittadellamusicaedelteatro.com</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Direttore artistico : Franco Mezzena
(<a href="http://www.mezzena.com">www.mezzena.com</a>)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Accademia Internazionale di Alto
Perfezionamento e Post Laurea per pianisti e formazioni con pianoforte dal duo
al sestetto in corsi triennali, annuali, monografici e seminari.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Coordinatore pianistico :<span style=""> </span>Fabio Luz (www.fabioluz.eu)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">(Traducao do regulamento:)</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Os participantes terao ocasiao de enfrentar
leituras de obras classicas, modernas e contemporaneas do repertorio italiano,
europeu e panamericano, a fim de ampliar seus recursos tecnico-esteticos
inerentes ao instrumento e potencializar suas possibilidades no campo
profissional concertistico e academico.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Aberto as formacoes do duo ao sexteto, o
curso de piano em formacoes de camera assume amplitude e polivalencia sui
generis, gracas a colaboracao de varios docentes, de diversos instrumentos, de
canto, inclusive de composicao e regencia. Todos aqueles regularmente inscritos
a um curso instrumental serao orientados tanto individualmente quanto nos grupos
escolhidos de acordo com o programa experimental personalizado para o proprio
aperfeicoamento e o eventual interesse em participar de festivais, concursos
internacionais, etc. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Programa para admissao aos cursos trienal e
anual:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">* Uma Sonata de um dos seguintes autores:
Clementi, Beethoven, Haydn, Mozart, Schubert</span></p>
<p class="MsoNormal"><span lang="FR-CA">* Uma obra importante de autor romantico ou
pos-romantico (duracao minima: 10')</span></p>
<p class="MsoNormal"><span lang="FR-CA">* Uma obra de livre escolha, composta
depois de 1904</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Programa trienal:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Para cada ano de curso, do aperfeicoamento
a pos-graduacao, serao definidos programas especificos que compreenderao todo o
repertorio de D. Scarlatti e J.S. Bach aos nossos dias; levando em conta as
tendencias, potencialidades e os objetivos de cada aluno, no interesse de uma
formacao profissional a mais ampla possivel. Tais programas serao levados a
efeito atraves da preparacao no ano academico de pelo menos um Recital (de no
minimo 1 hora de duracao), um concerto para piano e orquestra e uma atuacao em
musica de camera.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">O ano academico podera ser articulado em
quatro fases (ou stages de tres dias) bimestrais ou em duas fases (ou stages de
sete dias) semestrais, cada uma motivada a obtencao de um numero
pre-estabelecido de creditos. A primeira fase sera imediatamente consequente a
admissao, ocasiao na qual sera dada possibilidade aos candidatos eventualmente
nao admitidos de frequentar os cursos em qualidade de ouvintes ate a fase
sucessiva, quando poderao re-apresentar-se para admissao. Tanto os exames de
admissao quanto os de fim-de-ano serao abertos ao publico. Como complemento da
atividade didatica, solistas e formacoes cameristicas serao oportunamente
convidados a tomar parte em concertos e acontecimentos propostos pela Escola. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Programa anual, monografias e seminarios:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">serao definidos segundo as proprias
tendencias, potencialidades e objetivos de cada aluno, e irao tratar com
particular interesse do repertorio pianistico do inicio do sec. XX ate os
nossos dias, tendo sempre conclusao com pelo menos uma performance publica. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Relativamente a monografias e seminarios, a
admissao podera ser pedida por simples forma escrita, acompanhada de curriculum
vitae e carta de apresentacao. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155150999"><span style="" lang="FR-CA"><span style="">11
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"> </span></span>
</span><span lang="FR-CA">CURSO DE ESPECIALIZACAO: Educacao pela Arte com Enfase em Inclusao,
Universidade do Vale do Sapucai (01/Fev/2007 - Pouso Alegre, MG, BRASIL)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: antonio celso ribeiro
[mailto:<a href="mailto:antoniocelsoribeiro@oi.com.br">antoniocelsoribeiro@oi.com.br</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: sexta-feira, 15 de dezembro de 2006
20:31</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: curso de lato sensu em educacao
pela arte com enfase em inclusao</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">A UNIVERSIDADE DO VALE DO SAPUCAI SITUADA
EM POUSO ALEGRE, MG ABRE INSCRICOES PARA SEU CURSO DE ESPECIALIZACAO EM
EDUCACAO PELA ARTE COM ENFASE EM INCLUSAO (LATO SENSU) </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Publico alvo:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Para profissionais de nivel superior,
docentes e graduados e licenciados da area de educacao artistica, musica,
teatro, cinema, fotografia, video, design, artes visuais, comunicacao, e
publicidade. Pesquisadores e educadores da area de ciencias humanas,
interessados em aprofundar compreensao dos conceitos teoricos e praticos na
area das Artes Visuais e Sonora. Este curso direciona-se tambem para
professores do Ensino Fundamental e Medio, educadores que trabalham com inclusao
ou em escolas de educacao especial, graduados na area de Humanas e tecnologos
em Artes Plasticas e Musica, com enfase na metodologia do ensino da arte.
Poderao participar ainda profissionais de outras areas que lidem com educacao
informal nas areas de saude ou social, como professores e profissionais da area
de Letras, Danca, Psicologia, Enfermagem, Fisioterapia, e etc.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">OBJETIVO: Capacitar e qualificar
profissionais com formacao de nivel superior para uma atuacao aprimorada no
ambito da educacao pela arte, formando educadores e professores aptos a
trabalharem com educacao inclusiva, procurando levar os formandos a ultrapassar
o antigo paradigma de uma educacao centrada exclusivamente nos conhecimentos,
substituindo-o pelo paradigma objetivado nas capacidades e competencias.</span></p>
<p class="MsoNormal"><span lang="FR-CA">Unidades de Ensino: I Metodologia do Ensino
e da Pesquisa, II Artes Visuais, III Artes Sonoras, * Unidade especial:
Monografia e Estagio.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Vagas: Serao oferecidas 40 (quarenta)
vagas. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Carga horaria: 480 horas-aula.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">As inscricoes e matriculas serao realizadas
na Secretaria de Pos-graduacao da UNIVAS ate o dia 01/02/2007. Falar com
Fabiana (35) 3449-2117</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Av. Prefeito Tuany Toledo, 470, Bairro
Fatima I, Pouso Alegre, CEP 37550-000.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Tempo de realizacao: 15 meses, com 32
finais de semanas, com recesso nos periodos de ferias dos docentes.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Horario de realizacao do curso: As
sextas-feiras, de 19h as 22h30 e aos sabados de 7:30 h as 12:00 e das 13:30 h
as 17:00 h a cada 15 dias. </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155151000"><span style="" lang="FR-CA"><span style="">12
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"> </span></span>
</span><span lang="FR-CA">MASTERCLASSES: EDSON ELIAS (piano). (Abr, Jul e Ago/2007 - Paris,
Nancy, Courchevel, FRANCA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: edson elias
[mailto:<a href="mailto:edson_elias@hotmail.com">edson_elias@hotmail.com</a>] </span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: sabado, 16 de dezembro de 2006 23:04</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: FW:</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Prochains stages en France</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Next masterclasses in France</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">du 7 au 15 avril 2007 - PARIS - Stage de Paques
- contactez-moi SVP pour avoir les details.</span></p>
<p class="MsoNormal"><span lang="FR-CA">From April 7 to 15, 2007, Easter
Masterclass in Paris. Please contact me for further information:
<a href="mailto:edson_elias@hotmail.com">edson_elias@hotmail.com</a> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">du 15 au 25 juillet 2007 - Stage de NANCY </span></p>
<p class="MsoNormal"><span lang="FR-CA">From July 15 to 25, 2007 - NANCY
Masterclass Contact: <a href="http://www.rmlor.com/">http://www.rmlor.com/</a> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">du 31 juillet au 11 aout 2007 - Stage de
COURCHEVEL </span></p>
<p class="MsoNormal"><span lang="FR-CA">From July 31st to August 11, 2007 -
COURCHEVEL Masterclass. Contact: <a href="http://www.festivalmusicalp.com">http://www.festivalmusicalp.com</a> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoToc1" style=""><span lang="FR-CA">********************************************</span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************<br style="">
<br style="">
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<h1 style="margin-left: 30.6pt; text-indent: -21.6pt;"><a name="_Toc155151001"><span style="" lang="FR-CA"><span style="">13
- <span style="font-family: "Times New Roman"; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"> </span></span>
</span><span lang="FR-CA">ONLINE JOURNAL: "Gamut", Music Theory Society of the
Mid-Atlantic - http://newfoundpress.utk.edu/gamut (Dez/2006 - Knoxville, TN,
EUA)</span></a></h1>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">********************************************
</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">From: <a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>
[mailto:<a href="mailto:anppom-l-bounces@iar.unicamp.br">anppom-l-bounces@iar.unicamp.br</a>] On Behalf Of carlos palombini</span></p>
<p class="MsoNormal"><span lang="FR-CA">Sent: segunda-feira, 18 de dezembro de 2006
16:57</span></p>
<p class="MsoNormal"><span lang="FR-CA">Subject: [ANPPOM-L] new online music-theory
journal</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">It is my pleasure to announce the launch of
a new online music-theory journal, Gamut, of the Music Theory Society of the
Mid-Atlantic.<span style=""> </span>Please click on the
following link for more information.</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://newfoundpress.utk.edu/gamut">http://newfoundpress.utk.edu/gamut</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Philip Ewell, Ph.D.</span></p>
<p class="MsoNormal"><span lang="FR-CA">Editor, Gamut</span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA">Assistant Professor</span></p>
<p class="MsoNormal"><span lang="FR-CA">University of Tennessee</span></p>
<p class="MsoNormal"><span lang="FR-CA">School of Music</span></p>
<p class="MsoNormal"><span lang="FR-CA">1741 Volunteer Blvd</span></p>
<p class="MsoNormal"><span lang="FR-CA">Knoxville TN 37996</span></p>
<p class="MsoNormal"><span lang="FR-CA"><a href="http://www.philipewell.com">www.philipewell.com</a></span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>
<p class="MsoNormal"><span lang="FR-CA"> </span></p>