[ANPPOM-L] Oxford Journals Database / Early Music ToC

Sex Ago 12 13:14:56 BRT 2005

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*************************Announcement***************************

Early Music -- Table of Contents Alert

A new issue of Early Music
has been made available:

August 2005; Vol. 33, No. 3

URL: http://em.oxfordjournals.org/content/vol33/issue3/index.dtl?etoc

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EDITORIAL
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  Editorial

	Tess Knighton
	Early Music 2005 33:369-370.
	http://em.oxfordjournals.org/cgi/content/full/33/3/369?etoc

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ARTICLES
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  Visual and poetic allegory in Bellerofonte Castaldi's extraordinary
  Capricci a due stromenti

	David Dolata
	Early Music 2005 33:371-392.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/371?etoc

  Point/counterpoint: Vicentino's musical rebuttal to Lusitano

	Timothy R. McKinney
	Early Music 2005 33:393-412.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/393?etoc

  Attributions to Giovanni Rovetta

	Jonathan Drennan
	Early Music 2005 33:413-424.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/413?etoc

  Musical offerings in the Renaissance

	Rob C. Wegman
	Early Music 2005 33:425-438.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/425?etoc

  Don Juan de Austria and the Venetian music trade

	Michael J. Levin and Steven Zohn
	Early Music 2005 33:439-448.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/439?etoc

  The Hanover orchestral repertory, 1672-1714: significant source
  discoveries

	Erik Albertyn
	Early Music 2005 33:449-472.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/449?etoc

  Performance practice of recitativo secco in the first half of the 18th
  century: A contribution to the debate over the interpretation of
  recitative, particularly in Handel's operas

	Dieter Gutknecht
	Early Music 2005 33:473-494.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/473?etoc

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PERFORMING MATTERS
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  Treble or soprano? Performing Tallis

	Peter Phillips
	Early Music 2005 33:495-502.
	http://em.oxfordjournals.org/cgi/content/abstract/33/3/495?etoc

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BOOK REVIEWS
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  The birth of the orchestra: John Spitzer and Neal Zaslaw, The birth of the
  orchestra: history of an institution, 1650-1815 (Oxford: Oxford University
  Press, 2004), {pound}95/$175

	Peter Holman
	Early Music 2005 33:503-505.
	http://em.oxfordjournals.org/cgi/content/full/33/3/503?etoc

  The one-to-a-part concerto: Richard Maunder, The scoring of Baroque
  concertos (Woodbridge: The Boydell Press, 2004), {pound}50/$85

	Andrew Manze
	Early Music 2005 33:506-508.
	http://em.oxfordjournals.org/cgi/content/full/33/3/506?etoc

  A story of 'A': Bruce Haynes, A history of performing pitch: the story of
  'A' (Lanham: Scarecrow Press, 2002), $80/{pound}61

	Andrew Johnstone
	Early Music 2005 33:508-509.
	http://em.oxfordjournals.org/cgi/content/full/33/3/508?etoc

  Conservation versus use: Robert Barclay, The preservation and use of
  historic musical instruments: display case or concert hall? (London:
  Earthscan, 2004), {pound}35

	Jeremy Montagu
	Early Music 2005 33:510-511.
	http://em.oxfordjournals.org/cgi/content/full/33/3/510?etoc

  The south German violin: Thomas Drescher, Spielmannische Tradition und
  hofische Virtuositat: Studien zu Voraussetzungen, Repertoire und
  Gestaltung von Violinsonaten des deutschsprachigen Sudens im spaten 17.
  Jahrhundert (Tutzing: Hans Schneider, 2004), {euro}75

	Tassilo Erhardt
	Early Music 2005 33:511-513.
	http://em.oxfordjournals.org/cgi/content/full/33/3/511?etoc

  'The cradle of music in Ireland': Barra Boydell, A history of music at
  Christ Church Cathedral, Dublin (Woodbridge: Boydell & Brewer, 2004),
  {pound}45

	Rachel Cowgill
	Early Music 2005 33:514-515.
	http://em.oxfordjournals.org/cgi/content/full/33/3/514?etoc

  Couperin in context: David Tunley, Francois Couperin and 'the perfection
  of music' (Aldershot: Ashgate, 2004), {pound}45

	Graham Sadler
	Early Music 2005 33:516-518.
	http://em.oxfordjournals.org/cgi/content/full/33/3/516?etoc

  Concerts in English society: Concert life in 18th-century Britain, ed.
  Susan Wollenberg and Simon McVeigh (Aldershot: Ashgate, 2004),
  {pound}52.50

	Barra Boydell
	Early Music 2005 33:518-520.
	http://em.oxfordjournals.org/cgi/content/full/33/3/518?etoc

  Sammartini revisited: Giovanni Battista Sammartini and his musical
  environment, ed. Anna Cattoretti (Turnhout: Brepols, 2004), {euro}150

	Michael Talbot
	Early Music 2005 33:520-522.
	http://em.oxfordjournals.org/cgi/content/full/33/3/520?etoc

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MUSIC REVIEWS
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  The arcane colours of Fayrfax: Robert Fayrfax, Masses Tecum principium and
  O quam glorifica, ed. Roger Bray, Early English Church Music, xlv (London:
  Stainer & Bell for The British Academy, 2004), {pound}55

	John Milsom
	Early Music 2005 33:523-524.
	http://em.oxfordjournals.org/cgi/content/full/33/3/523?etoc

  A pastoral and 'the Scottish play': Music for Macbeth, ed. Amanda Eubanks
  Winkler, Recent Researches in the Music of the Baroque Era, cxxxiii
  (Middleton WI: A-R Editions, 2004), {pound}68 * Maurice Greene, Phoebe: a
  pastoral opera, ed. H. Diack Johnstone, Musica Britannica, lxxxii (London:
  Stainer & Bell, 2004), {pound}79

	Mark Humphreys
	Early Music 2005 33:524-526.
	http://em.oxfordjournals.org/cgi/content/full/33/3/524?etoc

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RECORDING REVIEWS
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  Visions of the Middle Ages

	Ivan Moody
	Early Music 2005 33:527-528.
	http://em.oxfordjournals.org/cgi/content/full/33/3/527?etoc

  Phantasms sweet

	Lucy Robinson
	Early Music 2005 33:528-530.
	http://em.oxfordjournals.org/cgi/content/full/33/3/528?etoc

  Harpsichord music from England and Germany

	John Kitchen
	Early Music 2005 33:530-532.
	http://em.oxfordjournals.org/cgi/content/full/33/3/530?etoc

  The recorder across Europe

	Francis Knights
	Early Music 2005 33:532-533.
	http://em.oxfordjournals.org/cgi/content/full/33/3/532?etoc

  Baroque voices and violins

	Elizabeth Roche
	Early Music 2005 33:533-535.
	http://em.oxfordjournals.org/cgi/content/full/33/3/533?etoc

  The artful harpsichord

	David Ledbetter
	Early Music 2005 33:535-536.
	http://em.oxfordjournals.org/cgi/content/full/33/3/535?etoc

  Vivaldi in madness and mirth

	Michael Talbot
	Early Music 2005 33:536-538.
	http://em.oxfordjournals.org/cgi/content/full/33/3/536?etoc

  The sweet sound of cultures clashing

	Joyce Lindorff
	Early Music 2005 33:538-539.
	http://em.oxfordjournals.org/cgi/content/full/33/3/538?etoc

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REPORTS
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  Seeking early English keyboards

	Richard Turbet
	Early Music 2005 33:541-543.
	http://em.oxfordjournals.org/cgi/content/full/33/3/541?etoc

  Questions of copyright

	Tess Knighton
	Early Music 2005 33:543-544.
	http://em.oxfordjournals.org/cgi/content/full/33/3/543?etoc

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CORRESPONDENCE
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  Tempering Bach's temperament

	David Ponsford
	Early Music 2005 33:545.
	http://em.oxfordjournals.org/cgi/content/full/33/3/545?etoc

	Daniel Jencka
	Early Music 2005 33:545.
	http://em.oxfordjournals.org/cgi/content/full/33/3/545-a?etoc

	Richard Maunder
	Early Music 2005 33:545-546.
	http://em.oxfordjournals.org/cgi/content/full/33/3/545-b?etoc

	Carl Sloan
	Early Music 2005 33:546.
	http://em.oxfordjournals.org/cgi/content/full/33/3/546?etoc

	Mark Lindley
	Early Music 2005 33:546.
	http://em.oxfordjournals.org/cgi/content/full/33/3/546-a?etoc

  Correspondence

	Kenneth Mobbs, Alexander Mackenzie of Ord, and Stuart Isacoff
	Early Music 2005 33:546-547.
	http://em.oxfordjournals.org/cgi/content/full/33/3/546-b?etoc

	Early Music 2005 33:547-548.
	http://em.oxfordjournals.org/cgi/content/full/33/3/547?etoc

  Copyright issues

	Lionel Sawkins
	Early Music 2005 33:548-549.
	http://em.oxfordjournals.org/cgi/content/full/33/3/548?etoc

  More on the clarinet in England

	Albert Rice
	Early Music 2005 33:549.
	http://em.oxfordjournals.org/cgi/content/full/33/3/549?etoc

  The little-known Francesco Scarlatti

	Roberto Pagano
	Early Music 2005 33:549-550.
	http://em.oxfordjournals.org/cgi/content/full/33/3/549-a?etoc

  Lassus and the wild beasts

	Richard Rastall
	Early Music 2005 33:550.
	http://em.oxfordjournals.org/cgi/content/full/33/3/550-a?etoc

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ABSTRACTS
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  Abstracts

	Early Music 2005 33:550-552.
	http://em.oxfordjournals.org/cgi/content/full/33/3/550?etoc

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ADVERTISERS' INDEX
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  Advertisers' Index

	Early Music 2005 33:553-554.
	http://em.oxfordjournals.org/cgi/reprint/33/3/553?etoc

-- 
carlos palombini
diretor
centro de pesquisa em música contemporânea
universidade federal de minas gerais
cpmc-ufmg
<palombini em terra.com.br>