[ANPPOM-L] 10o. Simposio Brasileiro de Computação e Música

Mauricio Alves Loureiro loureiro.mauricio em uol.com.br
Ter Jul 5 16:42:52 BRT 2005


Caros amigos da ANPPOM,

Solicito aqueles atuantes na área de Computação Musical, Música
Eletroacústica e Música e Tecnologia que divulguem esta chamada de trabalhos
(abaixo) para o 10o. Simposio Brasileiro de Computação e Música a ser
realizado em Belo Horizonte, em outubro de 2005. Lembro que a data de
submissão de artigos completos já venceu em 17 de junho e que o Simpósio
está aceitando até 8 de agosto submissões de artigos menores (4 páginas) e
posters (2 págias).



                     Call for Posters and Short Papers

                The 10th Brazilian Symposium on Computer Music

                  X Simpósio Brasileiro de Computação Musical

                        http://www.cefala.org/sbcm2005

                 Belo Horizonte, Brazil, October 3-5, 2005


You can't miss the 10th SBCM which will be one of the best of the series,
featuring great tutorials, keynotes, and panels with world-renowned
researchers in the field of Computer Music.
You can't also miss the opportunity to present your work in the
symposium. Submission for short papers and posters are open until
August 8th (hard deadline).

Posters and Short Papers
========================

Posters and short papers should describe ongoing research efforts,
experience
reports, accounts of completed projects, innovative ideas, or revolutionary
proposals for the future. They can address any area related to the field of
Computer Music, creativity is welcome!

Short papers must be at most 4 pages long and poster proposals must be at
most
2 pages long; both will be published in the conference proceedings.

Short papers will be presented at the conference orally in sessions of
approximately 15 minutes. Posters will first be presented in flash talks of
approximately 3 minutes and later exhibited in longer poster sessions when
symposium participants will have the opportunity to chat face to face with
poster authors.

The Symposium
=============

The Brazilian symposia on computer music have consolidated the position of
the
country in the field. The 10th Brazilian Symposium on Computer Music will be
held in Belo Horizonte, a beautiful city with a great music scene. The
symposium is organized by the Computer Music special interest group of the
Brazilian Computer Society (SBC).

This will be a unique opportunity to visit Minas Gerais, a beautiful area
in the heart of Latin America. In addition to the traditional main
papers track, the symposium will also host concerts, music papers, posters,
and invited talks on topics at the cutting edge of computer music science
and
technology.  Computer scientists and musicians interested in the interplay
between computer technology and music are invited to submit their work.


Topics of Interest
==================

The topics of this symposium include, but are not limited to:

o Acoustics, Diffusion, Sonorization
o Artificial Intelligence
o Artificial Life and Evolutionary Music Systems
o Audio Hardware Design
o Audio Digital Signal Processing
o Computer-Aided Music Analysis
o Computer-Aided Musical Education
o Computer-Aided Musicology
o Distributed Music
o Internet and Web Applications
o Music and Audio in Multimedia Systems and Applications
o Music Data Structures and Representation
o Music Information Retrieval
o Music Notation, Printing, and Optical Recognition
o Quality of Service for Audio
o Psychoacoustics and Cognitive Modeling
o Real-time Interactive Systems
o Software Systems and Languages for Composition
o Sound Synthesis


Organization
============

General Chairs:          Hugo Bastos de Paula (PUC-Minas, Brazil)
                          Maurício Loureiro (CEFALA/UFMG, Brazil)
Technical Papers Chair:  Fabio Kon (IME/USP, Brazil)
Music Papers Chair:      Jônatas Manzolli (Unicamp, Brazil)
Posters Chair:           Regis Rossi Faria (LSI/USP, Brazil)
Concerts Chair:          Sérgio Freire (UFMG, Brazil)
Proceedings Editor:      Hani C. Yehia (UFMG, Brazil)


Technical Papers Program Committee
==================================

Adolfo Maia Jr. (Unicamp, Brazil)      Lelio Camilleri (U. Firenze, Italy)
Aluizio Arcela (UNB, Brazil)           Luis Jure (U. Republica, Uruguay)
Andrew Horner (HKUST, Hong Kong)       Marcelo Queiroz (USP, Brazil)
Chris Chafe (Stanford U., USA)         Marcelo Soares Pimenta (UFRGS,
Brazil)
Edilson Ferneda (UCB, Brazil)          Marcelo Wanderley (McGill U., Canada)
Eduardo Reck Miranda (U. Plymouth, UK) Márcio Brandão (UnB, Brazil)
Emilios Cambouropoulos (AUTH, Greece)  Matthew Wright, (UC Berkeley/Stanford
U., USA)
Fabio Kon (USP, Brazil) (chair)        Maurício Loureiro (UFMG, Brazil)
Flavio S. C. Silva (USP, Brazil)       Oscar Pablo di Liscia (UNQ,
Argentina)
François Déchelle (IRCAM, France)      Palle Dahlstedt (Chalmers U.
Technology, Sweden)
Furio Damiani (Unicamp, Brazil)        Peter Beyls (Hogeschool Gent,
Belgium)
Geber Ramalho (UFPE, Brazil)           Petri Toiviainen (U. Jyvaskyla,
Finland)
Gérard Assayag (IRCAM, France)         Roger Dannenberg (CMU, USA)
Hani C. Yehia (UFMG, Brazil)           Rosa Maria Vicari (UFRGS, Brazil)
Henkjan Honing (U. Amsterdam)          Sever Tipei (U. Illinois
Urbana-Champaign, USA)
Ian Whalley (U. Waikato, New Zealand)  Victor Lazzarini (NUI, Ireland)
Jürgen Bräuninger (U. KwaZulu-Natal, South Africa)

Music Papers Program Committee
==============================

Carlos Palombini (UFMG, Brazil)      Mikhail Malt (IRCAM, France)
Didier Guigue (UFPB, Brazil)         Ricardo dal Farra (U. Tres de Febrero,
Argentina)
Fernando Iazzetta (USP, Brazil)      Robert Willey (University of Louisiana,
USA)
Garnett Guy (U. Illinois UC, USA)    Rodolfo Caesar (UFRJ, Brazil)
Heinrich K. Taube (U. Illinois, USA) Sílvio Ferraz (Unicamp, Brazil)


Submissions and Formatting
==========================

Short papers and posters can be submitted via the JEMS online system
(https://submissoes.sbc.org.br/home.cgi?c=156). Short papers, up to 4 pages
long, are supposed to describe ongoing research efforts, experience reports,
or inovative ideas. Posters will be selected based on 2-page extended
abstracts and are meant to describe unfinished ongoing work, descriptions of
technical or musical achievements, etc. Accepted papers and posters will be
published in the conference proceedings. Papers can be written in English
(preferred), Portuguese, or Spanish and must conform to the SBC style
(http://gsd.ime.usp.br/sbcm/templates). Submissions should be preferably in
PDF (with Type 1, vectorial fonts) or Postscript. For other
formats please inquire.


Deadlines
=========

August     8      Poster and short paper submissions due
August    20      notification of acceptance
September  2      Camera-ready version due
October  3-5      SBCM'2005


More Information
================

For further information, please visit the symposium home page at
http://www.cefala.org/sbcm2005. For questions regarding short papers and
posters contact Regis Faria (regis at lsi.usp.br) or Fabio Kon (kon at
ime.usp.br). For other inquiries contact the symposium general organizers
Hugo
de Paula (hugo at pucminas.br) or Maurício Loureiro (mauricioloureiro at
ufmg.br).







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