[ANPPOM-L] Mannes Institute on Chromaticism

[Marcos Virmond (ILSL)]

Aproveitando a linha:

Desculpem-me a pergunta, talvez rasa, mas estou terminando um DVD da 
orquestra que dirijo (Universidade do Sagrado Coração de Bauru) e pretendo 
incluir o Mourão para Cordas de Guerra-Peixe.

Com quem trato a questão de direitos autoriais?

Agradeço

Marcos



----- Original Message ----- 
From: "Carlos Palombini" <palombini em terra.com.br>
To: "anppom-l" <anppom-l em iar.unicamp.br>
Sent: Sunday, October 30, 2005 4:30 PM
Subject: [ANPPOM-L] Mannes Institute on Chromaticism


>
> ************************************************
> MANNES INSTITUTE FOR ADVANCED STUDIES IN MUSIC
> 2006 INSTITUTE ON CHROMATICISM - JUNE 22-25, 2006
> @ YALE UNIVERSITY, NEW HAVEN, CONNECTICUT
> ************************************************
> Wayne Alpern, Director
>
> The Mannes Institute will hold its sixth annual summer Institute on the
> topic of Chromaticism from June 22-25, 2006, hosted as a special event
> at Yale University in New Haven, Connecticut.
>
> The Institute is a premier professional think tank dedicated to communal
> inquiry at the highest level of scholarship. Forty-five outstanding
> musicologists and theorists from around the world selected by
> application gather in a collegial setting to explore a different subject
> each year in participatory workshops, plenary sessions, and special
> presentations emphasizing interactive dialogue and debate under the
> expert guidance of a rotating faculty of peers. This year we will
> explore in depth the complex and evolving topic of tonal chromaticism
> from a variety of scholarly perspectives.
>
> Details about the Mannes Institute and its new MUSICAL ESSAY AWARD are
> located on its website at www.mannes.edu/mi. Information will also be
> distributed at the national SMT and AMS meetings, and periodically
> posted on this list. Applications are accepted via the website only from
> January 1 to March 1, 2006. A brief description is provided below.
>
> MANNES INSTITUTE ON CHROMATICISM
> 2006 PROGRAM AND FACULTY
> ***************************************
> A. Morning Workshops
>
> EFFECTS OF CHROMATICISM
> Leader: Daniel Harrison (Yale University)
> An examination of the effects of chromaticism upon tonality through
> interaction with increased dissonance, modal and special-scale options,
> and rhetorical play with uncertain tonal centering in late 19th and
> 20th-century music.
>
> THE CHROMATIC MOMENT IN ENLIGHTENMENT THOUGHT
> Leader: Richard Kramer (City University of New York)
> An exploration of the idea of a chromatic Moment in 18th-century
> writings and compositions and how such a concept resonates within a
> larger aesthetic sphere of Enlightenment and post-Enlightenment thought.
>
> COPING WITH CHROMATICISM: FROM SCHENKER TO US
> Leader: Patrick McCreless (Yale University)
> An investigation of how select theorists over the past century have
> coped with chromaticism, focusing on unusually illuminating moments of
> analytical insight and the theorists’ reaction to their own chromatic
> encounters.
>
> B. Afternoon Workshops
>
> DISTINGUISHING CHROMATICISM
> Leader: David Kopp (Boston University)
> A deconstruction of binary distinctions and oppositions typically
> applied to theoretical explanations of chromaticism, their underlying
> value judgments, analytic impact, and alternative conclusions they 
> generate.
>
> ALTERNATIVES TO HARMONIC FUNDAMENTALISM
> Leader: Charles Smith (University at Buffalo)
> A consideration of alternatives to root-focused theories of harmonic
> structure and progression utilizing neo-Riemannian and transformational
> approaches to analyze late 19th-century chromaticism.
>
> CHROMATICISM AND MODE MIXTURE
> Leader: Deborah Stein (New England Conservatory)
> An assessment of the chromatic impact of simple and complex uses of
> mode, and its evolution from an elementary modulatory device into an
> agent in creating innovative chromatic tonal designs.
>
> C. Plenary Sessions
>
> THE HERMENEUTICS OF CHROMATICISM
> A roundtable discussion of the hermeneutical intersection between
> chromatic structure and musical meaning via special examples.
>
> DIATONIC TO 12-GAMUT SPACE: Multiple Distances, Multiple Containment
> SPECIAL GUEST: Gregory Proctor (Ohio State University)
>
> THE BOUNDARIES OF CHROMATICISM
> A collective navigation of the historical and stylistic boundaries of
> tonal chromaticism and the limits of chromatic theory.
>
> Each member of the Institute enrolls in one Morning and one Afternoon
> Workshop for the entire program and attends all plenary sessions. Each
> workshop of fifteen scholars meets for three 3-hour sessions. Prior
> preparation and active participation are essential. Communal meals, a
> reception, and a banquet are provided, and affordable housing is 
> available.
>
> We invite you to join your colleagues and share in this unique and
> transformative experience in collaborative learning. Please direct all
> inquiries to Wayne Alpern, Director, The Mannes Institute, at
> mannesinstitute em aol.com.
>
> *********************************************
> Wayne Alpern, Director
> The Mannes Institute
> www.mannes.edu/mi
> waynealp em aol.com
>
> -- 
> carlos palombini
> diretor
> centro de pesquisa em música contemporânea
> universidade federal de minas gerais
> cpmc-ufmg
> <palombini em terra.com.br>
>


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