[ANPPOM-L] New Book in musical semiotics: " Music and the Arts"

Ter Ago 15 19:51:50 BRT 2006

Dear friends at Musikeion,

This week I got my copy of the latest book of the Acta Semiotica Fennica
series. It is a lengthy edition, in two volumes, 912 pages! This new
important item in our area of musical semiotics is titled " Music and the
Arts" and features papers of the 7th International Congress on Musical
Signification, held in Imatra, Finland, June 10-15, 2001.

I was one of the participants and volume 1 brings my article: "On the
intersemiosis between music and dance in the Kathak tradition of India" (see
page 333). This is a paper reflecting my findings in fieldwork in India
during 2000-2001. The edition was done carefully and I received from the
editors my blueprint in New Delhi (I was again fieldworking), January this
year, and worked with Paul and Richard a few details. The publishing result
is perfect!

The congress was a great success, almost 150 papers, with a variety of
themes, methodologies and high level discussions. The just published volumes
must also be so.

Thanks to Eero Tarasti and associated editors Paul Forsell and Richard
Littlefield for this new important publication.

Cheers!
Martinez

P.S. Below I compiled all authors and titles published in the two volumes.
Have fun!

-- 
Prof. Dr. José Luiz Martinez
Departamento de Linguagens do Corpo
Faculdade de Comunicação e Filosofia - PUC-SP

Rede Interdisciplinar de Semiótica da Música
http://www.pucsp.br/pos/cos/rism

Musikeion - fórum sobre signficação musical
http://listas.pucsp.br/mailman/listinfo/musikeion
http://listas.pucsp.br/pipermail/musikeion/

Music and the Arts

Proceedings from ICMS 7
Edited by Eero Tarasti
Associate Editors 
Paul Forsell 
Richard Littlefield

Acta Semiotica Fennica XXIII
Approaches to Musical Semiotics 10
Finnish Network University of Semiotics, Imatra
International Semiotics Institute, Imatra
Semiotic Society of Finland, Helsinki
2006 

http://www.isisemiotics.fi/
Telephone orders +358 5 681 6639
Fax orders +3585681 6628
E-mail ordersmaija.rossi em isisemiotics.fi

Preface by Eero Tarasti

Contents

VOLUME I 

THEORY 

Eero Tarasti - Introduction to a philosophy of music

Raymond Manelle - Semiotics threatens no one

Marta Grabocz - Strategies of binary opposition in musical topics of the
17th to 20th centuries

Mieczyslaw Tomaszewski - The musical work within the space of culture

Raymond Monelle - Narrative as polychronic synthesis

Robert S. Hatten & Charls Pearson - Aspect in music

Mark Reybrouck - The listener as an adaptive device: An ecological and
biosemiotical approach to musical semantics

Lewis Rowell - Musical "icons" and the semiotics offami1iarity

Christine Esclapez - L'interpretation musicale: Entre plein et vide

Christian Hauer - Pourquoi l'hermeneutique? - Les lieux originels du sens

Antonio Lai - A relativistic approach to genesis, evolution and crisis in
tonal harmony

Paulo C. Chagas - Game and dialogue: Playing with machinery

Sergio Balderrabano - Preliminary bases for the study of gesture in tonal
harmony

Marina Ritzarev - Vladimir Propp's theory of the fairy tale: Its relation to
sonata form

Juha Torvinen - Intentionality, non-intentionality and musical experience,
as viewed in the light of Lauri Rauhala's phenomenological analysis of mind

Pentti Maattiinen - Art and interpretation in Peircean semiotics

Juha Ojala - Peirce's ten classes of signs and spatiality in semiosis

Lauri Vakeva - What can a philosophy of music education gain from naturalist
pragmatism?

Kai Lassfolk - Analysing music notation for a computer implementation

INTERRELATIONS OF ARTS

Siglind Bruhn - La danse des morts - a folk tradition religiously
contextualized

Elaine Chew - Paintings, poems, and pieces: On Wang Lisan's Impressions of
'aintings by Higashiyama Kaii

Beat A. Follmi - Le mouvement de la couleur

Eila Tarasti - Music: The art of light and shadow; or, How clarity appears
in tones

Mireille Henninger-Vial - M usique, arts, et archetypes

Laurence Le Diagon-Jacquir - La Totentanz de Liszt : Essai d' Analyse
comparee d'apres Panofsky

Darius Kucinskas - Genesis of the art of Ciurlionis: Sound - color - word

Rimtautas Kasponis - La perspective de la recherche sur l'oeuvre de M. K.
Ciurlionis

Roberto Kolb Neuhaus - From drums and feathers to hllipil and sombrero

Jose Luiz Martinez - On the intersemiosis between music and dance in the
Kathak tradition of India

Teresa Malecka - From image to sound: Inspiration, transposition,
interpretation in Musorgsky's Pictllres at an Exhibition

Jeremie Noyer - "Seeing music and hearing pictures": The Fantasia legacy

Julia Shpinitskaya - The graphic notation of Erik Bergman as an individual
style factor

Jan Kenneth Weckman - Iconicity and the painted object of art

Pierre Giraud - Musique -litterature - intersemiosicitc

Katarina Gligorijevic and Andrew Covert - Narrative purity in Danish cinema
and lo-fi music

J. Scott Goble - Cultural iconicities and indexicalities: Parallel patterns
of cognition in "music" and "visual arts"

AESTHETICS 

Joseph-Franfois Kremer - Les survivances du sens (b)

Dario Martinelli - More or less music: Towards a zoosemiotic definition of
musical phenomena

MacieJ Jablonski - The concept of truth in music: Theoretical considerations

Fatima Festic - The lack of music: A symptom or a condition?

Francesco Spampinato - L'imaginaire aquatique dans la musique de Claude
Debussy

VOLUME II 

LANGUAGE 

Gino Stefani and Stefania Guerra Lisi - La musique baroque dans la Globa/ite
des langages

Rosa Stella Cassotti - Musical composition as a "dialogical" text: Leonard
B. Meyer and Mikhail M. Bakhtin

Maria Dolores Chavez Garcia - Dialogism in two Mexican free-jazz groups:
Poiesis of the artistic musical text

Judith Cohen - The signification of the bergamasca

Dicky Gilbers and Maartje Schrellder - The structural resemblance of music
and language

Maartje Schrellder and Dicky Gilbers - Phrasing in language and music

Berangere Mauduit - Hypotyposis and the semio-rhetorical approach to
figurativity in musical overtures

CLASSICAL STYLE AND ROMANTICISM

Eero Tarasti . - The irony of Romanticism

Claudia Colombati - L'individu et la Nature dans l'imaginaire musical
romantique

Robert S. Hatten - Beyond topics: Interpreting the last movement of
Beethoven's Op 132

Zsuzsanna Domokos - The musical meaning of the Praeilidilim in Beethoven's
Missa solemnis

Kazimierz Morski - Pianistische und Sinfonische Dichtung als Begriffe eines
Verhaltnisses zwischen rom anti scher Symbolik und Kompositionsstruktur

Eero Tarasti - Brahms and the "lyric I": A hermeneutic sign analysis

Mathieu Schneider - Construction epique et fuite romanesque dans Une vie de
heros de Richard Strauss

Susanna Valimaki - Music of absence and melancholy: Chopin, Brahms, Sibelius

20TH CENTURY 

Regina Chlopicka - Extra-musical inspiration in the early works of Krzysztof
Penderecki

Elena Dubinets - The notation of contemporary music as a dynamic semiotic
system

Yayoi Uno Everett - Poetics of intercultural synthesis in postwar art music

Ross Feller - Iconic resemblance in Brian Ferneyhough's Trittico per Gertmde
Stein 

Rita Honti - Bartok's harmonic language

Viktoria Kravchenko - The symbolic structure of Alexander Scriabin's
"Mystery"

Genevieve Mathon - Plurilinguisme et traduction dans la musique vocale
contemporaine

Evan Rothstein - I ves, Schoenberg, and Schenker: Developing variation seen
through the prism of an American experience

THE VOCAL: OPERA AND THEATER

Erkki Pekkila - The Kalevala on screen; Music, National Romanticism, and the
framing of an early Finnish folklore film

Susana G. Aktories and Ruben Lopez Cano - On interpreting the song "No
piense Menguilla ya": Intersemiotic functions and semiotic layers

Julien Ferrando - L' ars rhetorica musica/is en Avignon au temps des papes
en Avignon

Uri Golomb - The effect of theories of musical signification on performance

Loreta de Stasio - The Commedia dell'arte in Puccini's opera, Gianni
Schicchi: Forms and functions

Eva Maria Jensen - Rued Langgaard's opera Antichrist and Luca Signorelli's
fresco in Orvieto: The metaphysical connection

Heloisa de ArauJo Duarte Valente - The song that refuses to die: The nomadic
tango

Tatjana Markovic - Early Serbian opera: Between east and west

Thierry Poirot - Musique et phonosymbolique dans Ie Ring de Richard Wagner

Edith Zack - On problems of communication and the process of maturation in
Richard Strauss's Salome

Liisamaija Hautsalo - Kaija Saariaho's opera L 'amour de loin: Themes,
stylistic features, and the idea of foreignness

Sanna Iitti - Witnessing a court of love: En ce dous temps in BN MS français
146 and the musical delicacies of a lai

Carmen Fernandez Amat - The semanticity of music: Symbolic relationships and
contrasts in the prelude to Sergei Prokofiev's opera, L 'amour des trois
oranges

Ivana Perkovic - The classification of signs in Serbian Orthodox Church
music

Carlo Bosi - Modal usage in fifteenth-century secular polyphony

Iciar Nadal Garcia - Semio-motivic structures between libretto and music in
Puccini's Gianni Schicchi

Music and the Arts

Proceedings from ICMS 7
Edited by Eero Tarasti
Associate Editors 
Paul Forsell 
Richard Littlefield

Acta Semiotica Fennica XXIII
Approaches to Musical Semiotics 10
Finnish Network University of Semiotics, Imatra
International Semiotics Institute, Imatra
Semiotic Society of Finland, Helsinki
2006 

http://www.isisemiotics.fi/
Telephone orders +358 5 681 6639
Fax orders +3585681 6628
E-mail ordersmaija.rossi em isisemiotics.fi 