[ANPPOM-L] FWD cdmc - 33/2006 -

Qua Set 6 14:46:15 BRT 2006

FWD cdmc - 33/2006

Centro de Documentacao de Musica Contemporanea
CDMC-Brasil/UNICAMP http://www.unicamp.br/cdmc/
(membro da IAMIC - The International Association of Music Information
Centres)

Diretor: Jorge Ruben Tapia

Edicao e Direcao: J. A. Mannis (orientador)

Producao e Montagem do FWD cdmc: Denis Koishi (estagiario)

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Noticias somente em texto simples, sem figuras nem tabelas, enviar a:
cdmusica em unicamp.br 

Para receber/cancelar o recebimento do FWD cdmc enviar seu pedido a
cdmusica em unicamp.br 

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CDMC-Brasil/Unicamp 
2006
patrocinio
P E T R O B R A S

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1 -	2o CONCURSO NACIONAL CLAUDIO SANTORO PARA JOVENS COMPOSITORES
(31/Jan/2007 - Rio de Janeiro, RJ)
2 -	QUEEN ELISABETH COMPETITION: PIANO 2007 (Deadline: 15/Jan/2007 -
Bruxelas, BELGICA)
3 -	SELECAO: MESTRADO e DOUTORADO UFRGS (Inscricoes: 06/Nov - Porto
Alegre, RS, BRASIL)
4 -	1er ENCUENTRO DE COMPOSITORES SIGLO XXI (21/Set, 20:00hs - Buenos
Aires, ARGENTINA)
5 -	NEWSLETTER: "Mundus Musicalis" Project (Set/2006 - Uniao Europeia)
6 -	MASTERCLASS: "Para pianistas e formacoes cameristicas com piano do
duo ao sexteto", Prof. FABIO LUZ (21-28/Out - Sao Paulo, SP)
7 -	LANCAMENTO de LIVRO: "Minhas Pobres Cancoes - Carlos Gomes", NIZA DE
CASTRO TANK, Algol Editora (11/Set, 21:00hs - Sao Paulo, SP)
8 -	CONCERTO: Quarteto de Cordas de Leipzig. Obra de STEVE REICH
(20-27/Set - Brasilia, DF; Sao Paulo, SP; Rio de Janeiro, RJ e Curitiba, PR,
BRASIL)
9 -	CONCERTO: DANIEL CAMPOS (clarinete) e ERNESTO HARTMANN (piano).
Obras de RANDOLF MIGUEL, VILLANI CORTES, GUERRA-PEIXE (14/Set, 19:00hs -
Sala Baden Powell, Rio de Janeiro, RJ)
10 -	CONCERTO: CARLOS ALEIXO (viola) e CENIRA SCHREIBER (piano). (10/Set,
11:00hs - Belo Horizonte, MG, BRASIL)
11 -	CONCERTO: PAULO GAZZANEO (piano), LILIANA CHIRIAC (violino) e
EDUARDO BELLO (violoncelo). Obras de GNATTALI e PIAZZOLA (16/Set, 21:00hs -
Braganca Paulista, SP, BRASIL)
12 -	CURSO: "A Filosofia de Adorno: Para Alem da Musica", Prof. VLADIMIR
SAFATLE (05/Set-03/Out - Centro Universitario Maria Antonia, Sao Paulo, SP)
13 -	COMPOSITION COMPETITION FOR YOUNG COMPOSERS (30/Set - La Valleta,
MALTA)
14 -	CONCOURS INTERNATIONAL DU FESTIVAL PABLO CASALS DE PRADES -
COMPOSITION MUSICALE (15/Nov/2006 - Prades, FRANCA)
15 -	RECITAL: PAULO MANDARINO (tenor) e LIDIA BAZARIAN (piano). Obra de
BRITTEN (13/Set, 20:30hs - SESC Vila Mariana, Sao Paulo, SP)
16 -	MASTERCLASS: Profa. ZELIA CHUEKE (piano). (15/Set - Porto Alegre,
RS, BRASIL)
17 -	RESENHA: NOVA BIOGRAFIA DE STRAVINSKY, New York Review of Books
(Set/2006 - Nova Iorque, EUA)
18 -	CONCERTO: "La fuerza narrativa: Borges y la musica de Buenos Aires".
Obras de GINASTERA, URTEAGA, PIAZZOLLA, TIENSSUU, TERZIAN, BINELLI (14/Set,
20:00hs - La Plata, ARGENTINA)
19 -	CALL FOR PROPOSALS: 5th Biennial International Conference on Music
Since 1900 (05-07/Jul/2007 - York, REINO UNIDO)

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1 - 	2o CONCURSO NACIONAL CLAUDIO SANTORO PARA JOVENS COMPOSITORES
(31/Jan/2007 - Rio de Janeiro, RJ)

******************************************** 

De: Cida Fernandes [mailto:cidaclf em globo.com] 
Enviada em: segunda-feira, 4 de setembro de 2006 11:31
Assunto: Orquestra Petrobras Sinfonica e Academia Brasileira de musica

Orquestra Petrobras Sinfonica e Academia Brasileira de Musica

lancam o 

II CONCURSO NACIONAL CLAUDIO SANTORO PARA JOVENS COMPOSITORES

Para homenagear os 20 anos da Orquestra Petrobras Sinfonica que serao
completados em 2007 e incentivar a criacao musical, a Academia Brasileira de
Musica lanca a segunda edicao do Concurso Claudio Santoro Para Jovens
Compositores.

Ate o dia 31 de janeiro de 2007, compositores com idade maxima de 40 anos
poderao entregar suas obras - um TE DEUM ou um Salmo para orquestra
sinfonica e coro.

O juri de selecao e classificacao sera composto pelo Diretor Artistico e
Regente Titular da Orquestra Sinfonica Petrobras Pro Musica, Isaac
Karabtchevsky, e por membros da Academia Brasileira de Musica

Alem da editoracao e gravacao da obra os vencedores receberao premios em
dinheiro. Para o primeiro colocado R$10.000,00 e para o segundo R$5.000,00.

As obras passarao a integrar o Banco de Partituras de Musica Brasileira da
ABM

Maiores informacoes pelo telefone (21) 2221-0277 e 2292-5845

A Academia Brasileira de Musica fica na Rua da Lapa, 120 - Centro. Rio de
Janeiro -RJ - CEP: 20021- 180

O EDITAL

1 - Dos candidatos:

1.1 - O concurso esta aberto a compositores brasileiros ou naturalizados com
idade maxima de 40 anos, completados ate o dia 31 de janeiro de 2007.

2 - Da inscricao:

2.1 - O prazo de inscricao vai da data de publicacao deste edital ate o dia
31 de janeiro de 2007. 

2.2 - No ato da inscricao, o candidato devera entregar:

a) duas copias legiveis da peca, em manuscrito ou digitalizadas, assinadas
com pseudonimo, alem de fazer constar o nome da obra; 

b) um envelope lacrado, sobrescritado com o nome da obra e o pseudonimo do
autor, contendo xerox do documento de identidade, curriculo, foto artistica
e dados completos (nome, endereco, telefone, CEP, e-mail etc).

2.3 - Cada candidato podera inscrever somente uma obra

2.4 - Caso o material seja entregue em CD ou disquete, o programa a ser
utilizado devera ser o FINALE - ultima versao -.

2.5 - O material devera ser entregue, diretamente ou por via postal
registrada, na sede da Academia Brasileira de Musica, Rua da Lapa, 120/12o.
andar - Centro - Rio de Janeiro - CEP 20021-180, entre os dias 01/07/2003 e
31/04/2004.

2.6 - Para efeito de inscricao valera a data da postagem.

3 - Da obra:

3.1 - A obra devera ser um TE DEUM ou um SALMO (a escolha do candidato) em
homenagem aos 20 anos da Orquestra Petrobras Sinfonica. Devera ser inedita,
composta para orquestra sinfonica e coro, com duracao de 15 a 20 minutos,
com solistas ad libtum, e sem utilizacao de recursos eletroacusticos, para a
seguinte formacao orquestral: 1 flautim, 2 flautas, 2 oboes , 1 corne
ingles, 2 clarinetes, 1 clarone, 3 fagotes, 5 trompas, 3 trompetes, 3
trombones, tuba, timpanos, 3 percussionistas, harpa e cordas completas; coro
entre 60 e 80 vozes.

3.2 - O candidato devera utilizar todos os naipes da orquestra (madeiras,
metais, percussao e cordas), no todo ou em parte. O uso da harpa e
facultativo.

3.3 - Se escolhido um Te Deum, o texto devera ser em latim e/ou portugues.
Se escolhido um SALMO, o texto devera ser em latim ou portugues, ou hebraico
ou grego, podendo, se o candidato quiser, realizar uma mistura desses
idiomas

4 - Da Premiacao:

4.1 - No dia 31 de maio de 2007 serao divulgados os nomes dos dois (2)
candidatos classificados para a etapa final, a partir da analise das pecas
por uma comissao julgadora.

4.2 - A ordem de classificacao final somente sera conhecida apos a execucao
publica das obras classificadas, em concerto a ser realizado na Temporada
2007, na Sala Cecilia Meireles, quando serao executadas pela ORQUESTRA
PETROBRAS SINFONICA. 

4.3 - Os vencedores receberao os seguintes premios:
a) Primeiro Premio: Premio Claudio Santoro, no valor de: R$ 10.000,00;
b) Segundo Premio: R$ 5.000,00;
c) As obras premiadas serao editoradas pela Academia Brasileira de Musica,
passando a integrar o Banco de Partituras de Musica Brasileira da
instituicao;
d) As obras serao gravadas em audio digital, recebendo cada vencedor uma
copia da gravacao;
e) Os autores das obras premiadas receberao Diploma de Premiacao.

5 - Do Juri:

5.1 - O juri de selecao e classificacao sera composto pelo Diretor Artistico
e Regente Titular da Orquestra Sinfonica Petrobras Pro Musica, Isaac
Karabtchevsky, e por membros da Academia Brasileira de Musica

6 - Disposicoes Gerais:

6.1 - A inscricao do candidato implica na aceitacao tacita dos termos
contidos neste Regulamento;

6.2 - Os candidatos, desde ja, cedem aos promotores do certame o direito de
gravar suas pecas no concerto de vencedores;

6.3 - As partituras nao premiadas e seus respectivos envelopes lacrados
ficarao a disposicao dos autores ou seus representantes na Academia
Brasileira de Musica pelo prazo de 60 dias a contar da data da premiacao.

Assessoria de Imprensa - Cida Fernandes- 21. 2527.3432 - 97638684 

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2 - 	QUEEN ELISABETH COMPETITION: PIANO 2007 (Deadline: 15/Jan/2007 -
Bruxelas, BELGICA)

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De: http://www.qeimc.be/

2007 PIANO

QUEEN ELISABETH COMPETITION

WWW.QEIMC.BE

BRUSSELS / BELGIUM

INTERNATIONAL PIANO COMPETITION

06 MAY > 02 JUNE 2007

Age limit: 27 years

DEADLINE FOR THE SUBMISSION OF APPLICATIONS:
15 January 2007

The Queen Elisabeth International Music Competition of Belgium for pianists
will be held from 6 May to 2 June 2007. This competition is intended for
musicians who have completed their training and who are ready to embark upon
an international career.

TIMETABLE

15 January 2007 deadline for sending applications
1 March 2007 announcement of the names of the candidates selected
2>3 May 2007 the candidates arrive
4 May 2007 drawing of lots
6>12 May 2007 first round
14>19 May 2007 semi-final
22>25 May 2007 master classes
28 May>2 June 2007 final
5 June 2007 awards ceremony
starting in June 2007 concerts given by laureates

I . CONDITIONS FOR ADMISSION

AGE

The Competition is open to pianists of all nationalities who are at least 17
years of age (except where special permission is granted by the organisers
of the Competition) and have not yet reached the age of 27 on the date fixed
as the deadline for the submission of applications (thus, they must have
been born after 15 January 1980).

APPLICATIONS

Applications must be sent by registered post, postmarked on 15 January 2007
at the latest, to the Secretariat of the Competition, 20 rue aux Laines,
B-1000 Brussels (Belgium). This deadline cannot be extended under any
circumstances.

Applications sent by fax or by e-mail will not be accepted. 

Applications must include:

1. the application form, correctly completed. This form must be completed
and submitted online on the Queen Elisabeth Competition website
(www.qeimc.be). A printout of this completed application form must be
enclosed with your application;

2. a recording on a good-quality, clearly indexed DVD-VIDEO (video cassettes
are NOT accepted), including (in this sequence) a prelude and fugue by Bach,
a movement from a classical sonata (by Haydn, Mozart, Beethoven, or
Schubert), an etude by Chopin, and another work of your choice.

The works presented on this DVD-VIDEO do not necessarily have to be included
in your programme for the Competition itself. The recording must mention the
place and date of recording of each piece; it must have been made in the
year preceding the deadline for applications, and must be accompanied by a
document in which the candidate certifies its authenticity; 

3. one or more official documents (originals or certified copies)
establishing the candidate's nationality and place and date of birth;

4. a CV including details of higher education, the names of teachers, and
principal concerts and recitals;

5. a list of principal repertoire (concertos, sonatas, etc.);

6. two passport-size photographs, with the name of the candidate on the
back;

7. a photograph on glossy paper (9 x 12 cm), for use in the Competition
programme.

This photograph may also be submitted in the form of a TIFF file (minimum
300 dpi) via the form on the Competition's website;

8. in order to allow the Competition organisers to judge the merits of a
candidature, the candidate shall enclose with his or her application any
document that might provide information on his or her abilities: for
example, higher qualifications, prizes, and certificates awarded at other
competitions, evidence of recent engagements, etc.

These documents will not be returned.

EXAMINATION OF APPLICATIONS

Applications

The application will be examined by the Competition's organisers. The
recordings of those candidates whose applications are not in order or who
have not met the documentation requirements by 1 February 2007 will not be
viewed and those candidates, accordingly, cannot be admitted to the
Competition.

Programme

The programme will be examined by an Artistic Committee specially designated
for this purpose. This committee will have the right to impose changes to
the programme in order to ensure that it complies with the rules and with
artistic requirements. Once the deadline for applications (15 January 2007)
has passed, no change can be made to the programme, except where required by
the Artistic Committee.

Viewing of recordings

A jury designated by the Competition's organisers will make a selection
based on the DVD-VIDEO recordings submitted by the candidates. For these
screenings, only the recordings of those candidates whose applications are
in order and who have met the documentation requirements by 1 February 2007
will be considered. 

Candidates will be informed individually of the results of this selection
process by 1 March 2007 at the latest.

Acceptance

Those candidates whose applications are accepted by the organisers and whose
programmes are also accepted by the Artistic Committee will be sent the
complete rules of the competition (after 1 March 2007). Each such candidate
must send back his or her signed agreement and proof of the transfer of the
registration fee of 55 euro within two weeks. This sum will not be
reimbursed under any circumstances. The rules shall constitute a contract
between the parties.

Once these documents have been received by the Competition's Secretariat,
the candidate will receive definitive confirmation of the acceptance of his
or her application, as well as the score of the compulsory unpublished
Belgian work for the semi-final.

II . THE COMPETITION

DATES, VENUES, AND PROGRAMMES

Some general points:

- Candidates may not include in their programme works that they themselves
have composed.

- In each round, all works must be played from memory, with the exception of
the compulsory unpublished works in the semi-final and the final.

A candidate may ask to be allowed to play some contemporary works with a
score. The Artistic Committee has the power to authorise this.

- Repeats will be left to the discretion of the candidate.

- Candidates are expected to treat each performance as a concert and should
consider the composition of their programme in this light. The jury will
look at each performance as a whole.

DRAWING OF LOTS

DATE : 4 May 2007

VENUE : Royal Conservatory

The drawing of lots will determine the order in which candidates will play
throughout the entire competition. All candidates admitted to the
Competition are required to attend.

FIRST ROUND

DATES : from 6 to 12 May 2007 (these dates may be slightly changed,
depending on the number of candidates)

VENUE : Royal Conservatory

NUMBER OF PARTICIPANTS : unlimited

DURATION OF THE PERFORMANCE : about 20 minutes.

PROGRAMME :

1.1 a prelude and fugue from J.S. Bach's Well-Tempered Clavier;

1.2 a work of the candidate's choice, not included in the programme for the
other rounds.

The prelude and fugue and the work chosen by the candidate must both be
performed: the total length of these two works must not exceed 15 minutes.

1.3 To conclude the programme, the jury will chose one or more works from
among the following etudes:

1.3.1 an etude by Chopin;

1.3.2 an etude by Liszt;

1.3.3 an etude by Debussy;

1.3.4 an etude chosen from among those by Prokofiev, Rachmaninov,
Rautavaara, Skryabin, and Stravinsky;

1.3.5 an etude chosen from among those by Bartok, Dusapin, Ligeti, Messiaen,
and Ohana.

Please note: it is recommended that the work chosen by the candidate should
be of a different style and of a different genre from the etudes and the
Bach prelude and fugue.

NUMBER OF CANDIDATES ADMITTED TO THE SEMI-FINAL : 24

SEMI-FINAL

DATES : from 14 to 19 May 2007

VENUE : Royal Conservatory

NUMBER OF PARTICIPANTS : 24

DURATION OF THE PERFORMANCE :

The semi-final is divided into two performances, over two days:

- a recital lasting about 50 minutes

- a concerto by Mozart, accompanied by the Orchestre Royal de Chambre de
Wallonie, conducted by Paul Goodwin.

The order established by the drawing of lots will determine the candidates'
appearance in recital.

PROGRAMME :

2.1 recital lasting about 50 minutes

The jury will make a choice from among the following works:

2.1.1 an unpublished Belgian work, lasting between 5 and 8 minutes, written
specially for this year's competition, which will be provided to candidates
once they have been definitively admitted to the competition;

2.1.2 a work by a Belgian composer, to be chosen from a list available on
the Competition's website;

2.1.3 a classical sonata;

2.1.4 a 20th- or 21st-century work;

2.1.5 a selection of three works from the core repertoire for solo piano.

Each work in the recital programme must be by a different composer.

A work may be replaced by a coherent group of pieces by a particular
composer.

2.2 A concerto by Mozart - to be chosen from concertos K. 271 (No. 9 in E
flat major), K. 450 (No. 15 in B flat major), K. 453 (No. 17 in G major), K.
459 (No. 19 in F major), K. 466 (No. 20 in D minor), K. 467 (No. 21 in C
major), and K. 595 (No. 27 in B flat major).

NUMBER OF CANDIDATES ADMITTED TO THE FINAL : 12

MASTER CLASSES

In memory of Countess Edmond Carton de Wiart

Within the framework of the piano competition, an encounter is organised
with pianists, members of the jury, who enjoy an international reputation.

These master classes are intended for top-quality pianists, whether or not
they are candidates in the Competition.

Those candidates who have taken part in the early rounds of the competition,
but have not reached the final, may be allowed to attend free of charge,
either as members of the audience or as active participants (priority will
be given to semi-finalists).

DATES : from 22 to 25 May 2007

VENUE : Musical Instrument Museum

A comprehensive information brochure will be available on the Competition's
website from January 2007.

PREPARATION FOR THE FINAL

The 12 finalists will move to the Queen Elisabeth College of Music in the
order established by the drawing of lots, at the rate of two finalists a
day. The week spent at the College of Music is intended to allow the 12
finalists a peaceful environment in which to prepare for the final and, in
particular, to make a personal study of the compulsory unpublished work,
whose score will be given to them once they arrive at the College.

FINAL

DATES : from 28 May to 2 June 2007

VENUE : The Henry Le BOEuf Hall at the Centre for Fine Arts

NUMBER OF PARTICIPANTS : 12

with the Belgian National Orchestra - conducted by Gilbert Varga

PROGRAMME :

3.1 a classical sonata by a composer other than the composer of the sonata
performed in the semi-final, to be chosen from among the following works:

- L. van BEETHOVEN: Sonata No. 1 in F minor, Op. 2 No. 1; No. 5 in C minor,
Op. 10 No. 1; No. 6 in F major, Op. 10 No. 2; No. 9 in E major, Op. 14 No.
1;No. 10 in G major, Op. 14 No. 2;No. 13 in E flat major, Op. 27 No. 1; No.
22 in F major, Op. 54; No. 24 in F sharp major, Op. 78; and No. 27 in E
minor, Op. 90;

- J. HAYDN: Sonata in C minor, Hob. XVI:20; in C major, Hob. XVI:48; in E
flat major, Hob. XVI:49; in C major, Hob. XVI:50; in D major, Hob. XVI:51;
and in E flat major, Hob. XVI:52;

- W.A.MOZART: Sonata in B flat major, K. 281; in G major, K. 283; in A
minor, K. 310; in C major, K. 330; in B flat major, K. 333; and in D major,
K. 576; 

- F. SCHUBERT: Sonata in A minor, D. 537 (Op. 164); in A major, D. 664 (Op.
120); and in A minor, D. 784 (Op. 143);

3.2 the compulsory unpublished work, to be performed with the orchestra;

3.3 a concerto chosen by the candidate, to be performed with the orchestra.
This concerto must not be the Mozart concerto already performed in the
semifinal and must not be by the composer of the sonata chosen for the
final.

The combined length of the concerto and the sonata must not exceed 60
minutes.

AWARDS CEREMONY

DATE : 5 June 2007

VENUE : Queen Elisabeth College of Music

All 12 laureates must attend this ceremony.

CONCERTS

The laureates are obliged to give concerts and recitals organised by the
association, both in Belgium and in other countries.

DATES : from 6 June 2007. Lists of engagements will be given to the
candidates once their applications have been definitively accepted.

PROGRAMME : A concerto other than those performed during the Competition.

III . THE JURY

The jury will be chaired by Arie Van Lysebeth. The members of the jury are
chosen from among internationally respected figures, regardless of any
consideration of race, ideology, politics, or language. The composition of
the jury may vary from one round to another. The complete list of jury
members will not be made public until the drawing of lots takes place (4 May
2007). The jury's decisions are final.

IV. PRIZES, HONOURS, AND AWARDS

A number of prizes, honours, and awards will be presented to the laureates
and the semi-finalists. Prizes in euro: 20,000, 17,500, 15,000, 10,000,
8,000, and 7,000 for the first six laureates; 4,000 euro each for the other
six laureates; 1,000 euro for each of the 12 semi-finalists. A number of
concerts, both in Belgium and in other countries, CD recordings, grants,
master classes, and cash amounts.

Managing editor M-E Van Neste, 20 rue aux Laines, B-1000 Brussels / Images
(c) A. Goldberg & R. Thienpont / Design by www.raf-thienpont.be

V. ASSISTANCE AND GENERAL REMARKS

ASSISTANCE PROVIDED TO CANDIDATES

- Reimbursement of 50% of travel expenses for semi-finalists from countries
not bordering on Belgium.

- Accommodation with families in and around Brussels; in addition, a piano
will be made available to candidates for as long as they are participating
in the competition.

GENERAL REMARKS

- Candidates may not be rejected on any ideological, linguistic, political,
or racial grounds.

- This competition is not open to laureates from a previous Queen Elisabeth
Piano Competition.

- Barring exceptional circumstances, the Competition's sessions and concerts
will be recorded and broadcast live and as recordings on radio and
television. Recordings of various kinds will be made: CD, video, DVD, etc.

- Only the French- and Dutch-language versions of these rules are binding in
law. 

INFORMATION :

20 rue aux Laines - B-1000 Brussels - Belgium
Tel.: +32 2 213 40 50 - Fax: +32 2 514 32 97
info em qeimc.be / www.qeimc.be

The Queen Elisabeth Competition is a member of Sponsors of the Queen
Elisabeth International Music Competition of Belgium:

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3 - 	SELECAO: MESTRADO e DOUTORADO UFRGS (Inscricoes: 06/Nov - Porto
Alegre, RS, BRASIL)

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De: Programa de Pos-Graduacao em Musica [mailto:ppgmus em ufrgs.br] 
Enviada em: segunda-feira, 4 de setembro de 2006 18:22
Assunto: Selecao Mestrado e Doutorado - PPG Musica da UFRGS

SELECAO MESTRADO E DOUTORADO - PPG MUSICA DA UFRG

Comunicamos que estao abertas as inscricoes para a selecao ao Mestrado e ao
Doutorado do Programa de Pos-Graduacao em Musica da Universidade Federal do
Rio Grande do Sul nas seguintes areas de concentracao: 

- Mestrado: Composicao, Educacao Musical, Praticas Interpretativas (orgao,
piano, violino);

- Doutorado: Composicao, Educacao Musical, Praticas Interpretativas (orgao,
piano).

As inscricoes serao realizadas no periodo de 04 de setembro a 06 de novembro
de 2006 e as provas ocorrerao entre os dias 11 e 14 de dezembro de 2006. 

O Edital de Selecao esta disponivel em www.artes.ufrgs.br (Pos-Graduacao >
Musica). 

Outras informacoes podem ser obtidas junto a Secretaria do Programa:

Tel.: (51) 3316-3641 / 3316-3642
Fax: (51) 3226-8772
e-mail: ppgmus em ufrgs.br

Luciana Del Ben
PPG Musica UFRGS

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4 - 	1er ENCUENTRO DE COMPOSITORES SIGLO XXI (21/Set, 20:00hs - Buenos
Aires, ARGENTINA)

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De: Alejandro Juarez [mailto:aiejuarez em hotmail.com] 
Enviada em: quarta-feira, 6 de setembro de 2006 02:29
Assunto: Gacet. 1er. Enc. Comp. XXI con valor entrada

1er ENCUENTRO DE COMPOSITORES SIGLO XXI

 - MUSICA CONTEMPORANEA - 

MANUEL JUAREZ - MARCELO DELGADO - CARMELO SAITTA - ALEJANDRO JUAREZ
GUILLO ESPEL - PABLO LEDESMA - RUBEN FERRERO 

Agradecemos la visita de SONORIDADES ALTERNATIVAS (La Plata), PABLO LOUDET,
ENRIQUE GERARDI, LUIS MIHOVILCEVIC, RAULFIORINO y OSCAR JAUREGUIBERRY.

Un importante grupo de compositores se reuniran para un evento de
significativas caracteristicas: hablar con estudiantes, musicos y publico
acerca de su obra y sus diversas experiencias musicales, sobre raices y
referentes, etc.

Algunos de los compositores convocados, presentaran obras en vivo y su
consiguiente analisis. Buscamos un acercamiento real entre nuevos y/o
experimentados creadores y el publico, para una mayor difusion de los
importantes trabajos que no suelen ser divulgados, puesto que estan fuera
del alcance de los medios -ademas de lo maravilloso de acercarlos
directamente al oyente en una charla abierta-.

JUEVES 21 DE SETIEMBRE - 20 HS
LA MANUFACTURA PAPELERA
Bolivar 1582
15-4147-6750 y 4307-9167
Entrada $15.-

Ruben Ferrero
organiza: CASA DE ALTOS ESTUDIOS MUSICALES "Ruben Ferrero"

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5 - 	NEWSLETTER: "Mundus Musicalis" Project (Set/2006 - Uniao Europeia)

******************************************** 

De: aecinfo [mailto:aecinfo em aecinfo.org] 
Enviada em: segunda-feira, 4 de setembro de 2006 12:23
Assunto: AEC NEWSFLASH 4 SEPTEMBER 2006 - Contacts

FIRST 'MUNDUS MUSICALIS' NEWSLETTER PUBLISHED 

The first newsletter of the 'Mundus Musicalis' project can be downloaded in
English, French and German versions at

www.aecinfo.org/mundusmusicalis.

The 'Mundus Musicalis' project studies issues on international cooperation
in professional music training with partners in the US, Canada, the Far
East, Latin America and Australia.

THE 'MUNDUS MUSICALIS' PROJECT (2005-2007)

Here you can download the PDF version of the Newsletter I in English
http://aecsite.cramgo.nl/DownloadView.aspx?ses=5712

The AEC has been successful in obtaining a grant for a project in the
framework of the ERASMUS MUNDUS Programme. This EU programme aims at
developing cooperation in higher education with countries outside the EU and
at enhancing attractiveness of European higher education. The project,
entitled 'Mundus Musicalis', is the first project in the field of music
supported by ERASMUS MUNDUS. 'Mundus Musicalis' is coordinated jointly by
the Norwegian University for Science and Technology - department of music in
Trondheim and the AEC, and studies international comparability of systems
and qualifications in the field of music training. The project builds on the
outcomes of the EU/USA project 'Music Study, Mobility and Accountability'
and confirms the intention of the AEC to maintain contact with professional
music training institutions all over the world.

The main project aims are the following:

I. The collection and exchange of information on professional music
training, by 

* compiling and providing information and analysis about educational
systems, study programmes and policy issues in professional music training
in the EU and other parts of the world

* collecting and disseminating information on issues related to the
international recognition of music studies and degrees, such as recognition
procedures, and quality assurance/accreditation processes and standards

* facilitating through use of the data collected in this project, policies
and mechanisms concerning transfer of credit and acceptance of students into
music study programs. 

* providing the basis for a clear understanding of current and projected
expectations for student learning and achievement among EU and non-European
institutions engaged in higher music education and training

An international working group consisting of representatives from the
following institutions, many of which are AEC associate member institutions,
will do this work: Birmingham Conservatoire (UK), McGill University - school
of music (Montreal, Canada), Conservatoire de Music du Quebec (Montreal,
Canada), University of Adelaide - Elder School of Music (Australia),
Griffith University - Queensland Conservatorium, Brisbane (Australia), Keim
Yung College of Music, Daegu (Korea), National Association of Schools of
Music (US) and the Universidade Federal do Rio Grande do Sul - Institute for
the Arts, Porto Alegre (Brazil).

II. Development of an information website portal for non-European students
interested to study music in Europe (www.studymusicineurope.org) with
country descriptions, lists of and links to institutions and practical
information about student mobility. 

More information about this project will be posted on this section of the
AEC website soon.

Le projet "Mundus Musicalis" (2005-2007)

Vous pouvez telecharger ici la version PDF de la Lettre d'Information no.1
en francais
http://aecsite.cramgo.nl/DownloadView.aspx?ses=5726

L'AEC a reussi a obtenir une subvention pour un projet dans le cadre du
programme ERASMUS MUNDUS. Le programme de l'UE entend developper la
cooperation dans l'education superieure avec les pays en dehors de l'UE et
renforcer l'attractivite du systeme europeen d'education superieure. Le
projet, intitule "Mundus Musicalis", est le premier projet dans le champ de
la musique soutenu par ERASMUS MUNDUS. "Mundus Musicalis" est coordonne
conjointement par La Norwegian University for Science and Technology -
department of music a Trondheim et par l'AEC. Ce projet etudiera des
systemes de comparaisons et de qualifications dans le champ de la formation
musicale. Il est construit autour des resultats du projet EU/USA "Etude
musicale, Mobilite et Responsabilite" et confirme l'intention de l'AEC de
maintenir le contact avec les institutions de formation musicale
professionnelle dans le monde entier.

Les objectifs du projet sont les suivants:

I. La collecte et l'echange d'information sur la formation musicale
professionnelle en:

* reunissant et fournissant des informations et des analyses sur les
systemes educatifs, les programmes d'etude et les questions de politiques
publiques pour la formation professionnelle musicale au sein de l'UE et dans
d'autres territoires du monde

* reunissant et disseminant l'information sur des questions relatives a la
reconnaissance internationale des etudes et des diplomes dans le domaine de
la musique, tels que les procedures de reconnaissance, les processus et les
standards d'assurance qualite/d'accreditation

* facilitant, a travers l'utilisation des donnees collectees pour ce projet,
les mecanismes de politiques publiques concernant le transfert de credit et
l'acceptation des etudiants au sein des programmes d'etude musicale

* fournissant une base de comprehension claire des attentes actuelles et
futures pour l'apprentissage des etudiants et la reussite des institutions
europeennes et non-europeennes engagees dans l'education et la formation
superieure musicale. 

Un groupe de travail international reunissant les representants des
institutions suivantes, parmi lesquelles beaucoup sont membres associes de
l'AEC, sera responsable de ces taches: Birmingham Conservatoire
(Royaume-Uni), McGill University - school of music (Montreal, Canada),
Conservatoire de Music du Quebec (Montreal, Canada), University of Adelaide
- Elder School of Music (Australie), Griffith University - Queensland
Conservatorium, Brisbane(Australie), Keim Yung College of Music, Daegu
(Korea), National Association of Schools of Music (Etas-Unis) et
l'Universidade Federal do Rio Grande do Sul - Institute for the Arts, Porto
Alegre (Bresil).

II. Le developpement d'un site internet, portail d'information pour les
etudiants non-europeens interesses par des etudes musicales en Europe
(www.studymusicineurope.org) avec des descriptions de pays, des listes et
des liens vers des institutions et des informations pratiques sur la
mobilite des etudiants.

De plus amples informations sur ce projet seront incluses prochainement dans
cette section du site internet de l'AEC. 

********************************************
********************************************

6 - 	MASTERCLASS: "Para pianistas e formacoes cameristicas com piano do
duo ao sexteto", Prof. FABIO LUZ (21-28/Out - Sao Paulo, SP)

******************************************** 

De: Fabio Luz [mailto:fabioluz em aliceposta.it] 
Enviada em: sabado, 2 de setembro de 2006 11:19
Assunto: LEMBRANDO

PIANO MASTER CLASSES

para pianistas e formacoes cameristicas com piano do duo ao sexteto

PROF. FABIO LUZ

www.fabioluz.com

Enfoque principal :

Musica Francesa
do final do seculo dezenove ate dois mil e seis

Fabio Luz e Mestre em Musica Francesa
pela Universite Musicale Internationale de Paris,
Premio Internacinal Debussy - Franca 1978

de 21 a 28 de outubro
Tom sobre Tom - Escola de Musica

Periodos: manha, tarde e noite
Executantes (numero limitado) e ouvintes

Pre-inscricoes pelo tel. (11) 30 32 34 36

www.escolatomsobretom.com.br

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7 - 	LANCAMENTO de LIVRO: "Minhas Pobres Cancoes - Carlos Gomes", NIZA DE
CASTRO TANK, Algol Editora (11/Set, 21:00hs - Sao Paulo, SP)

******************************************** 

De: PRESTO [mailto:contato em presto.mus.br] 
Enviada em: sexta-feira, 1 de setembro de 2006 23:57
Assunto: Lancamento de livro sobre Carlos Gomes

LANCAMENTO DE LIVRO SOBRE CARLOS GOMES

Comunicamos o lancamento do livro "Minhas Pobres Cancoes - Carlos Gomes", de
Niza de Castro Tank, publicado pela Algol Editora, para o qual fizemos as
partituras.

Esta obra, uma das mais importantes do mercado editorial brasileiro nos
ultimos anos, tera coquetel e concerto de lancamento dia 11 de setembro, as
21:00, no "Teatro Sao Pedro".

Reserve sua entrada gratuitamente acessando o site 
http://www.algoleditora.com.br/pre_inscricao.asp

Outras informacoes sobre o livro:
http://www.algoleditora.com.br

Equipe PRESTO

PRESTO
Editoracao de Partituras
http://www.presto.mus.br

+55 11 5061-9112

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********************************************

8 - 	CONCERTO: Quarteto de Cordas de Leipzig. Obra de STEVE REICH
(20-27/Set - Brasilia, DF; Sao Paulo, SP; Rio de Janeiro, RJ e Curitiba, PR,
BRASIL)

******************************************** 

De: A3 BRASIL EVENTOS [mailto:a3brasil em a3brasil.com.br] 
Enviada em: terca-feira, 5 de setembro de 2006 08:59
Assunto: Concertos Itau Personnalite

Os Concertos Itau Personnalite tem como proximas atracoes:

* na Serie Internacional: Quarteto de Cordas de Leipzig - Brasilia, 20 de
Setembro // Sao Paulo, 21, 22 e 27 de Setembro // Rio de Janeiro, 25 de
Setembro // Curitiba, 26 de Setembro

PROGRAMA 1:

F. Schubert (1797 - 1828)
Movimento de Quarteto em do menor D 703

Steve Reich (1936 - )
Different Trains

J. Brahms (1833 - 1897)
Quarteto no. 2 para cordas em la menor op.51 no. 2

PROGRAMA 2:

L. van Beethoven  (1770 - 1827)
Quarteto no.11 para cordas em fa menor op.95 - "Quarteto Serioso"

F. Schubert (1797 - 1828)
Quarteto em la menor D 804 "Rosamunde"

R. Schumann (1810 - 1856)
Quarteto no. 3 em la maior op. 41 no. 3

Gabinete de Comunicacao
Matias Jose Ribeiro

(11) 3082-5444 e 8102-9870
matias.ribeiro em gabinete.com.br

Interarte
Vivianne Araujo
(11) 3081-1911
vivianne em interartemusica.com.br

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9 - 	CONCERTO: DANIEL CAMPOS (clarinete) e ERNESTO HARTMANN (piano).
Obras de RANDOLF MIGUEL, VILLANI CORTES, GUERRA-PEIXE (14/Set, 19:00hs -
Sala Baden Powell, Rio de Janeiro, RJ)

******************************************** 

De: Ernesto Frederico Hartmann [mailto:ernestoh em acd.ufrj.br] 
Enviada em: terca-feira, 5 de setembro de 2006 01:15
Assunto: Concerto na Sala Baden Powell 14 de Setembro

CONCERTO NA SALA BADEN POWELL 14 DE SETEMBRO

No dia 14 de setembro, quinta-feira, as 19h, o clarinetista Daniel Campos e
o pianista Ernesto Hartmann irao se apresentar na Sala Baden Powell.

No Programa:

Randolf Miguel
Melos para Clarineta Solo

E. Villani Cortes
5 Miniaturas Brasileiras

N. Gade
4 Pecas para Clarineta e Piano

C. Guerra Peixe
4 Coisas

J. Brahms
Sonata em Mib para Clarineta e Piano op.120 no. 2

O duo Campos - Hartmann de clarineta e piano realizou sua primeira
apresentacao em Maio de 2000 no auditorio Fernando Coelho em Belo Horizonte.

Daniel Campos e formado em Clarineta pela UFMG. Iniciou seus estudos na
Banda do SESI em Belo Horizonte e e detentor de alguns premios como o de
Solista da Orquestra Sinfonica da UFMG. Ernesto Hartmann, Natural do Rio de
Janeiro, graduou-se em Piano pela UFRJ, onde tambem obteve o titulo de
Mestre. Atua como camerista e solista e ja realizou concertos em varios
estados do Brasil e na Argentina, EUA e Canada. Atualmente e professor de
Piano da UFRJ.

Com a proposta de divulgar a musica Brasileira para Piano e Clarineta, em
particular a de compositores mineiros, o duo realizou diversos importantes
recitais, entre eles no Centro de Cultura Gen. San Martin em Buenos Aires,
na Serie Concertos para a Juventude da UFMG em Belo Horizonte, e na Sala
Juvenal Dias do Palacio das Artes alem de outras quase 50 apresentacoes. 

SALA BADEN POWELL (508 lugares)
Av. Nossa Senhora de Copacabana, 360 - Copacabana
CEP: 22050-000
Tel: 2548 0421 / 0492

Os precos sao R$10.00 e R$5.00 (estudantes e acima de 60).

Localizada no coracao de Copacabana, a Sala Baden Powell - surgida com a
reforma do antigo Cine Ricamar e assim batizada em homenagem ao grande
violonista, falecido em 2001 - tornou realidade o antigo projeto da
Prefeitura de contar com um espaco nobre para ampliar ainda mais sua atuacao
na area cultural.

A sala, projetada inicialmente como um local para a musica, abriga hoje
tambem importantes montagens do teatro musical brasileiro. Em respeito a
populacao do bairro e as suas necessidades, a Terceira Idade recebe atencao
especial.

Universidade Federal do Rio de Janeiro (http://www.ufrj.br)
Sistema Academico - acd.ufrj.br

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********************************************

10 - 	CONCERTO: CARLOS ALEIXO (viola) e CENIRA SCHREIBER (piano). (10/Set,
11:00hs - Belo Horizonte, MG, BRASIL)

******************************************** 

De: Fundacao de Educacao Artistica [mailto:fea em gold.com.br] 
Enviada em: quarta-feira, 6 de setembro de 2006 09:29
Assunto: Manhas Musicais 10/09

MANHAS MUSICAIS

Recem-chegados dos Estados Unidos, os musicos mineiros Carlos Aleixo e
Cenira Schreiber apresentam-se na serie "Manhas Musicais", dia 10 de
setembro, as 11 horas.

O duo nos da a rara oportunidade de apreciar a Viola como instrumento
solista e de camara, em um repertorio de grande responsabilidade e
interesse.

O violista Carlos Aleixo doutorou-se em Viola e recebeu importantes premios
nos Estados Unidos, onde adquiriu notavel experiencia nas areas de
performance e ensino.

A pianista Cenira Schreiber doutorou-se na Shenandoah University, Estados
Unidos, retornando em 2006 para reassumir seu cargo de Pianista da Orquestra
Sinfonica de Minas Gerais. Dedica-se ao repertorio de piano solo e a musica
de camara.

Data e horario: Domingo - 10/09/06 as 11:00 horas.
Ingressos: R$5 (meia entrada para todas as categorias).
Venda: 4a. e 6a. feira ate as 21 horas e Sabado ate as 12 horas na
secretaria da FEA. Na bilheteria, Domingo a partir das 10 horas.
Local: Sala de Musica Sergio Magnani
Endereco: R. Goncalves Dias, 320 - bairro Funcionarios - BH - MG
Informacoes: (31)3226.6866

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********************************************

11 - 	CONCERTO: PAULO GAZZANEO (piano), LILIANA CHIRIAC (violino) e
EDUARDO BELLO (violoncelo). Obras de GNATTALI e PIAZZOLA (16/Set, 21:00hs -
Braganca Paulista, SP, BRASIL)

******************************************** 

De: Retrato Brasileiro Interartes [mailto:retratobrasileiro em uol.com.br] 
Enviada em: sabado, 2 de setembro de 2006 13:47
Assunto: Informe Artistico/Newsletter 09/2006 - Paulo Gazzaneo, Liliana
Chiriac e Eduardo Bello estreiam o Sao Paulo Arte Trio

INFORME ARTISTICO
(english at the bottom)

Sao Paulo Arte Trio

Paulo Gazzaneo, piano
Liliana Chiriac, violino
Eduardo Bello, violoncelo

No proximo dia 16 de setembro de 2006 as 21:00 h a cidade de Braganca
Paulista, interior do Estado de Sao Paulo, sera palco do concerto de estreia
do Sao Paulo Arte Trio no cenario musical brasileiro.

O evento acontecera na Casa de Cultura Maestro Demetrio Kipman - Rua
Riachuelo, 111 - centro - Braganca Paulista - SP.

Fundado oficialmente em 25 de abril de 2006 e formado por tres destacados
musicos residentes em Sao Paulo: o pianista paulistano Paulo Gazzaneo, a
violinista Liliana Chiriac, da Moldavia e o fluminense Eduardo Bello ao
violoncelo, professores conceituados com formacao academica consistente e
concertistas premiados nacional e internacionalmente.

Musicos amplamente ativos em suas atribuicoes profissionais pedagogicas e
artisticas, reconheceram entre si a afinidade pela realizacao de um trabalho
qualitativo que exige dedicacao, estudo constante e identidade musical
propria. Estas marcas em comum fizeram com que durante um jantar no dia 25
de abril na residencia da Familia Gazzaneo fosse oficializada a formacao do
Sao Paulo Arte Trio. Prontamente iniciaram a escolha de seu repertorio
inicial e ensaios constantes e ininterruptos que, com certeza, solidificarao
durante sua trajetoria de estudos, ensaios, apresentacoes e gravacoes o
amadurecimento musical e a criacao de uma propriedade sonora propria que os
caracterize definitivamente como conjunto cameristico de ponta no cenario
nacional e internacional.

Artistas dotados de sonoridade vigorosa em seus respectivos instrumentos,
buscam a partir deste momento atraves do estudo da sonoridade e
particularidades estilisticas das obras que ja integram e integrarao o seu
repertorio uma identidade unica como formacao cameristica explorando todas
as possibilidades que a formacao classica de trio com piano possibilita a
seus interpretes.

O programa do concerto de estreia do Sao Paulo Arte Trio e formado pelas
seguintes obras:

W. A MOZART (1756 - 1791): Divertimento em si bemol maior para piano,
violino e violoncelo KV 254.

L. van BEETHOVEN (1770 - 1827): Piano Trio em si bemol maior no. 4, op. 11.

R. GNATTALI (1906 - 1988): Trio Miniatura.

A. PIAZZOLA (1921 - 1992): De "As Quatro Estacoes", Outono e Primavera.

Para maiores informacoes:

LEILA CRISTHIANE GAZZANEO
Retrato Brasileiro Interartes
retratobrasileiro em uol.com.br
www.geocities.com/paulogazzaneo

Realizacao

Sociedade Sinfonica Amadores da Arte Musical de Braganca Paulista / SP

ARTISTIC NEWSLETTER

In next September 16th at 09:00 p.m., Braganca Paulista city (Sao Paulo
State), will be stage of the premiere concert of Sao Paulo Arte Trio in the
Brazilian musical scene. 

The event will happen in the Casa de Cultura Demetrio Kipman - Rua
Riachuelo, 111 - center - Braganca Paulista / SP - Brazil. 

Established officially in April 25th of 2006 it is formed by three resident
musicians in Sao Paulo: the pianist Paulo Gazzaneo, the violinist Liliana
Chiriac, from Moldova and the cellist Eduardo Bello from Rio de Janeiro,
professors appraised with consistent academic formation and awarded
concertists, national and internationally. 

Widely active musicians in their professional attributions, pedagogically
and artistically, they had recognized among themselves the affinity for the
accomplishment of a qualitative work that demands devotion, constant
practice and proper musical identity. These marks had in common made with
that during a dinner meeting in April 25th in the residence of the Gazzaneo
Family was officialized the formation of the Sao Paulo Arte Trio. 

Readily they had initiated the choice of their initial repertoire and
constant and uninterrupted rehearsals that, with certainty, will make solid
during their trajectory of studies, rehearsals, concerts and recordings, the
musical matureness and the creation of a proper sonorous, property that
characterizes them definitively as a top chamber group in the Brazilian and
international scene. Artists endowed with vigorous sound in their respective
instruments, they search from this moment through the study of the music and
style properties of the works that already integrate and will integrate
their repertoire an only identity as a chamber group exploring all the
possibilities that the classic formation of piano trio makes possible its
interpreters. 

The program of the premiere concert of Sao Paulo Arte Trio is formed by the
following works: 

W. A. MOZART (1756 - 1791): Divertimento in B flat major for piano, violin
and violoncello KV 254.

L. van BEETHOVEN (1770 - 1827): Piano Trio in B flat major, no. 4, op. 11 

R. GNATTALI (1906 - 1988): Trio Miniature. 

A PIAZZOLA (1921 - 1992): From "The Four Seasons", Autumn and Spring.

Further information:

LEILA CRISTHIANE GAZZANEO
Retrato Brasileiro Interartes
retratobrasileiro em uol.com.br
www.geocities.com/paulogazzaneo

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12 - 	CURSO: "A Filosofia de Adorno: Para Alem da Musica", Prof. VLADIMIR
SAFATLE (05/Set-03/Out - Centro Universitario Maria Antonia, Sao Paulo, SP)

******************************************** 

De: Imprensa MariAntonia USP [mailto:imprensama em usp.br] 
Enviada em: segunda-feira, 4 de setembro de 2006 15:19
Assunto: A filosofia de Adorno: para alem da musica

A FILOSOFIA DE ADORNO: PARA ALEM DA MUSICA

Musica e Filosofia em Adorno e o titulo do curso ministrado por Vladimir
Safatle no ciclo Encontros de Arte e Cultura promovido pelo Centro
Universitario Maria Antonia da USP, de 5 de setembro a 3 de outubro,
tercas-feiras, das 20 as 22horas.

O curso apresentara o modo com que Adorno recorre a musica para elaborar sua
reflexao filosofica, uma vez que ela gera problemas que escapam ao ambito
estritamente musical. Trata-se da ideia de que os impasses levantados pelas
formas musicais constituem um campo privilegiado para uma autocritica da
razao. O curso tambem preve audicao e analise de pecas e compositores
comentados por Adorno.

Vladimir Safatle e professor do Departamento de Filosofia da USP, professor
convidado da Universidade de Paris VII, autor, entre outros, de A paixao do
negativo: Lacan e a dialetica (Unesp, 2006).

Programa

5 de setembro - Estrutura musical e formas de racionalidade no seculo XX
12 de setembro - Fetichismo e mimesis na filosofia da musica de Adorno
19 de setembro - Os dois impasses do modernismo musical: Schoenberg e o
serialismo
26 de setembro - Os dois impasses do modernismo musical: Stravinsky e a
recuperacao da tonalidade
3 de outubro - A nocao de musica informal e a construcao de um conceito
positivo de razao musical

Musica e Filosofia em Adorno com Vladimir Safatle
Tercas-feiras, de 5 de setembro a 3 de outubro, das 20 as 22h.
Preco R$ 150,00 (descontos especiais)

Inscricoes
Centro Universitario Maria Antonia - 2o. andar - sala de cursos
Segunda a sexta das 10h as 12h e 13h as 17h

Informacoes
3255-7182 - ramal 32 e 33 - cursosma em usp.br

Joao Vinicius, Leticia Cocciolito e Samantha Oshiro
Assessoria de Imprensa

Centro Universitario Maria Antonia da USP
11 3237-1815 / 3255-7182 ramal 36

www.usp.br/mariantonia

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13 - 	COMPOSITION COMPETITION FOR YOUNG COMPOSERS (30/Set - La Valleta,
MALTA)

******************************************** 

De: http://www.isofestival.com/

COMPOSITION COMPETITION

The International String Orchestra Festival is announcing a competition for
young composers born after 1970, to write a 5 to 7 minute Solo work for
Violin, Viola or Cello. The winning composition will be performed during the
festival and awarded L500.

Composers are invited to send their compositions including a detailed
curriculum vitae, contact information, a live recording if existing (no
midis please) and a processing fee of L20 (Twenty English Sterling) in
international cheques or Bank Draft Payable to: International String
Orchestra Festival. Account No: MT HBMT 033 029786 451, Swift Code:
MMEBMTMT, IBAN: MT79MMEB44336000000033029786451.

The deadline for submission is the 30th September 2006. An appointed jury of
international musicians will select the winning composition and results will
be published by the 31st October 2006. All submitted material will be
treated in the strictest confidence.

For any additional information please do not hesitate in contacting us via
email on info em isofestival.com

APPLICATION FORM

http://www.isofestival.com/services/files/Composition%20competition%20applic
ation%20form.pdf

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14 - 	CONCOURS INTERNATIONAL DU FESTIVAL PABLO CASALS DE PRADES -
COMPOSITION MUSICALE (15/Nov/2006 - Prades, FRANCA)

******************************************** 

De:
http://www.prades-festival-casals.com/cas-100.php?ThemaID=4&CatID=9&ArtID=68

CONCOURS INTERNATIONAL DU FESTIVAL PABLO CASALS DE PRADES

COMPOSITION MUSICALE - OEUVRE DE MUSIQUE DE CHAMBRE

2eme EDITION - 14 avril 2007

INTERNATIONAL COMPETITION OF THE PABLO CASALS FESTIVAL OF PRADES

MUSICAL COMPOSITION - CHAMBER MUSIC WORK

2nd edition - April 14th 2007

date limite d'inscription 15 novembre 2006
deadline for registration : November 15th 2006 

JURY

Marc-Andre Dalbavie Compositeur
Cristobal Halffter Compositeur
Krzysztof Penderecki Compositeur
Barry Douglas Piano
Frans Helmerson Violoncelle
Michel Lethiec Clarinette
Vladimir Mendelssohn Violon

REGLEMENT / RULES

Article 1

Le concours est consacre a la composition d'OEuvres de musique de chambre.
Il se deroulera a Prades, le Samedi 14 avril 2007. Il est organise, tous les
deux ans, par le Festival Pablo Casals de Prades.

The competition is devoted to chamber music compositions. It is being
organised by the Pablo Casals Festival of Prades and will take place in
Prades on Saturday 14th of April 2007.

Article 2

La deuxieme edition de ce concours est ouvert aux compositeurs de toutes
nationalites, nes apres le 14 avril 1966. La Direction du Concours est
habilitee a decider de l'admission des candidats, apres examen des dossiers.

This second competition is open to composers of all nationalities born after
the 14th of April 1966. After due consideration of the competitors'
applications, the organisers shall be the sole judges of their admission to
compete.

Article 3

Les candidats sont invites a envoyer, une oeuvre inedite de musique de
chambre, utilisant trois a six instruments, en n'importe quelle combinaison,
d'une duree approximative de 15 minutes. La formation doit etre composee a
partir des instruments suivants : violon, alto, violoncelle, flute,
clarinette, hautbois, basson, cor, piano. Le violoncelle est instrument
oblige.

The competitors are invited to submit one new chamber music composition,
lasting about 15 minutes, in any formation for three to six players.
Admitted instruments: violin, viola, cello, flute, clarinet, oboe, bassoon,
French horn, piano. Cello is mandatory.

Article 4

A partir du 31 janvier 2007, la decision du Jury sera communiquee
personnellement aux trois finalistes. Les partitions individuelles devront
etre envoyees, a la Direction du Concours, pour le 15 fevrier au plus tard.

After the 31st of January 2007, the three selected competitors will receive
personal notification from the jury. The individual scores must be sent to
the Direction of the Competition by the 15th of February at latest.

Article 5
Ce concours a lieu en un tour. L'execution des oeuvres retenues se
deroulera, dans un ordre fixe par un tirage au sort, lors du concert public
du Samedi 14 avril 2007. Les compositeurs devront etre personnellement
presents a cette occasion. Les OEuvres seront jouees par des solistes et
ensembles professionnels. Le Jury deliberera, a huis clos, a l'issue des
interpretations.

The competition will take place in one round. A drawing will be held to
determine the order of play on the occasion of a public concert on Saturday
14 April 2007. The composers are required to be present. The pieces will be
performed by professional soloists and groups. At the end of the round the
jury will deliberate and decide the winner.

Article 6

Un prix de 15000 euros sera decerne au laureat. La decision du Jury est sans
appel. Une seconde representation de l'OEuvre primee se deroulera l'ete
2007, a l'Abbaye Saint Michel de Cuxa lors de la 56e edition du Festival
Pablo Casals et egalement proposee a d'autres Festivals. L'oeuvre primee
sera eventuellement proposee a differents editeurs.

The winner will be awarded a prize of 15000 Euros. The Jury's decision is
final. The winning piece will be performed again in summer 2007 at the Abbey
of Saint-Michel-de-Cuxa, during the 56th Pablo Casals Festival. The piece
will also be proposed to other Festivals and to different publishers.

Article 7

Dossier d'inscription (aucun frais d'inscription) Application Form (no
registration fees)

Date limite d'inscription : 15 novembre 2006 (cachet de la poste faisant
foi) /

Deadline for registration: 15 November 2006 (postmarked)

Les candidats devront envoyer un dossier complet d'inscription a l'adresse
du concours, comprenant les documents suivants :

A filled-in application must be sent to the Competition organisers and must
include the following:

- 8 exemplaires de l'OEuvre avant le 30 novembre 2006 / eight copies of the
work until 30 November 2006

- un curriculum vitae redige en francais et en anglais (une page
dactylographiee) mentionnant les etablissements des etudes musicales, les
principaux professeurs, les recompenses obtenues, la situation
professionnelle / curriculum vitae in French and English (length one typed
page), indicating institutions where musical studies were undertaken, most
important teachers, any prizes obtained and working status.

- le bulletin d'inscription, dument complete et signe / duly completed and
signed entry form
- une photocopie de carte d'identite ou de passeport / photocopy of a
document of identification or of a passport.

- deux lettres de recommandation, de personnalites musicales (uniquement
pour les compositeurs debutants) / two references from well known persons
who are in the field of music (for beginning composers only)

- une photographie recente pour l'edition du programme (si possible par
email en 300 dpi) / One recent photograph (if possible by e-mail in 300 dpi)

Article 8

Voyage et Hebergement

La direction du concours se chargera de l'organisation de l'hebergement et
du transport des trois candidats retenus. Les frais de transports seront
rembourses sur justificatifs (factures et tickets originaux d'avion ou
train)

Travel and stay

The competition organisers will arrange travel and lodging of the three
final competitors. The travel expenses will be refunded on condition that
the original plane or train tickets are given to the organisers.

Article 9

Le fait de concourir implique de la part des concurrents l'acceptation pure
et simple du reglement. En cas de litige, seule la redaction en langue
francaise fera foi. /

The very fact of competing implies, on the part of the candidates, the
acceptance of all of the rules of the competition. Only the French version
of these rules will take precedence in case of any dispute.

BULLETIN D'INSCRIPTION / ENTRY FORM

A renvoyer au plus tard le 15 novembre 2006 (cachet de la poste faisant foi)
accompagne de votre CV et biographie.

A remplir en caracteres d'imprimerie.

To be returned no later than 15 November 2006 (postmarked date) together
with your CV and your biography.

Fill out in block letters.

Nom
Family name

Prenom
First name

Nationalite
Nationality

Sexe F / M
Sex

Date de naissance
Date of birth

Lieu de naissance
Place of birth

Adresse
Address

TEL. FAX
Portable (Mobile Phone) E-mail
Site Internet 

Lettres de recommandation / References

J'adresse ci-joint deux lettres de recommandation redigees par (seulement
pour les compositeurs debutants)/ Please find attached two references
written by (only for composers who are beginners) :
1)
2)

OEuvre proposee / Proposed work

Titre de l'OEuvre / Title of the work Duree / Length

Dates de composition / Date[s] of composition

Instrumentation

Je declare avoir pris connaissance du reglement, en accepte toutes les
clauses et demande a etre inscrit au 2e Concours International de
Composition de Musique de Chambre du Festival Pablo Casals de Prades. /

I have read all of the rules of the competition and I accept them. I wish to
be entered in the 2nd International Competition for Chamber Music
Composition of the Pablo Casals Festival of Prades.

Dossier complet a envoyer a : / Complete file to be sent to:
Festival Pablo Casals de Prades
Service Concours
BP 24
33, rue de l'Hospice
F-66502 Prades Cedex 2

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15 - 	RECITAL: PAULO MANDARINO (tenor) e LIDIA BAZARIAN (piano). Obra de
BRITTEN (13/Set, 20:30hs - SESC Vila Mariana, Sao Paulo, SP)

******************************************** 

De: lidiabazarian [mailto:lidiabazarian em uol.com.br] 
Enviada em: domingo, 3 de setembro de 2006 13:52
Assunto: recital dia 13 de setembro

RECITAL

O tenor Paulo Mandarino e a pianista Lidia Bazarian apresentam o recital
Cancoes sobre Sonetos Italianos, na quarta feira dia 13 de setembro as 20:30
horas no Sesc Vila Mariana.

Serao apresentados Tres Sonetos de Petrarca de Franz Liszt e os Sete Sonetos
de Michelangelo de Benjamin Britten.

Alem dessas obras a pianista executara Valee d'Obermann tambem de Liszt.

Os ingressos vao de 3,00 a 6,00 reais.

SESC VILA MARIANA
rua Pelotas, 141
Vila Mariana
Sao Paulo - SP
cep 04012-000

telefone: 11 5080-3000
fax: 11 5539-4201
e-mail: email em vilamariana.sescsp.org.br

********************************************
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16 - 	MASTERCLASS: Profa. ZELIA CHUEKE (piano). (15/Set - Porto Alegre,
RS, BRASIL)

******************************************** 

De: [mailto:extmusica-l-bounces em ufrgs.br] Em nome de Extensao Musica
Enviada em: segunda-feira, 4 de setembro de 2006 15:18
Assunto: [Extmusica-l] Masterclass de piano com Zelia Chueke (UFPR)

MASTERCLASS DE PIANO

com ZELIA CHUEKE (UFPR)

datas: 15 de setembro de 2006

horario: das 14h as 17 h

local: Auditorium Tasso Correa - Instituto de Artes da UFRGS
Rua Senhor dos Passos, 248, andar terreo

publico-alvo: 
executantes: estudantes e profissionais de piano;
ouvintes: interessados em geral

taxas: 
executantes: R$ 30,00;
ouvintes: R$ 15,00

inscricoes: de 4 a 14 de setembro de 2006, na sala 62 do Instituto de Artes
da UFRGS (Rua Senhor dos Passos, 248 - Centro - Porto Alegre/RS).

Residentes fora da Grande Porto Alegre poderao solicitar sua inscricao pelo
e-mail extmusica em ufrgs.br

ZELIA CHUEKE

Desde seu primeiro recital aos 8 anos, Zelia Chueke vem desenvolvendo sua
carreira no Brasil, na Europa e nos Estados Unidos. Suas mais de 200
apresentacoes incluem recitais solo e de musica de camera, concertos com
orquestra, participacao em festivais de musica contemporanea, palestras e
gravacoes para radio e TV. Devido a sua constante atuacao como divulgadora
da musica de compositores de nossos tempos, teve diversas obras dedicadas a
ela. Seu mais recente CD com obras de Debussy e Brahms recebeu elogios de
figuras prestigiosas da cena musical de Nova Iorque. 

Realizou seus estudos de pos-doutorado na Universite de Paris Sorbonne, e
Doutora em Musica pela Universidade de Miami - com bolsa integral oferecida
pela Universidade-, Mestre em Musica pelo Mannes College of Music em Nova
Iorque -com bolsa de estudos da CAPES- e Bacharel em piano pela Escola de
Musica da Universidade Federal do Rio de Janeiro. Seus ilustres professores
foram: Homero Magalhaes (Rio de Janeiro), Hans Graf (Viena) e Grant
Johannesen (Nova Iorque) , tendo tido em 1986, a oportunidade unica de
receber orientacao do legendario maestro Sergiu Celibidache em um de seus
seminarios sobre fenomenologia realizado no mosteiro de Cluny, Franca,
recebendo um sonoro "Bravo!" .

Paralelamente a sua carreira pianistica, Zelia Chueke lecionou no
departamento de piano das escolas de musica das duas maiores universidades
da Florida : University of Florida - New World School of Arts e University
of Miami, onde foi diretora musical da serie Notes, Strokes and Movement no
Lowe Art Museum e do workshop de Danca. Radicada em Paris entre 2002 e 2004,
vem atuando como Pesquisadora Associada ao Observatoire Musical Francais -
Universidade Paris IV- Sorbonne. Desde 2005 ocupa o cargo de Professor
Adjunto do Departamento de Artes da Universidade Federal do Parana.

********************************************
********************************************

17 - 	RESENHA: NOVA BIOGRAFIA DE STRAVINSKY, New York Review of Books
(Set/2006 - Nova Iorque, EUA)

******************************************** 

De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de Carlos Palombini
Enviada em: segunda-feira, 4 de setembro de 2006 06:35
Assunto: [ANPPOM-L] nova biografia de Stravinsky

NOVA BIOGRAFIA DE STRAVINSKY

A "New York Review of Books" tem a resenha de uma nova biografia de
Stravisnky que avalia sua relacao com Kraft:

<http://www.nybooks.com/articles/19193>

A resposta furiosa de Kraft esta em:

<http://www.nybooks.com/articles/19307>.

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18 - 	CONCERTO: "La fuerza narrativa: Borges y la musica de Buenos Aires".
Obras de GINASTERA, URTEAGA, PIAZZOLLA, TIENSSUU, TERZIAN, BINELLI (14/Set,
20:00hs - La Plata, ARGENTINA)

******************************************** 

De: Encuentros [mailto:eimc em aliciaterzian.com.ar] 
Enviada em: quarta-feira, 6 de setembro de 2006 08:28
Assunto: 14/9 - "Borges y la musica de Buenos Aires" en La Plata

Homenaje a JORGE LUIS BORGES en el

20o. aniversario de su fallecimiento

SALA PIAZZOLA

TEATRO ARGENTINO de La Plata

"BORGES Y LA MUSICA DE BUENOS AIRES"

El jueves 14 de septiembre , a las 20 hs., se realizara en la Sala "Astor
Piazzola" del Teatro Argentino de La Plata, dependiente del Instituto
Cultural de la Provincia de Buenos Aires, el espectaculo gratuito titulado:

"La fuerza narrativa: Borges y la musica de Buenos Aires"

"Grupo Encuentros"

Direccion: Alicia Terzian

Mezzo:Marta Blanco -Recitante: Miguel Habud

Claudio Espector (piano), Sergio Polizzi (violin), Carlos Nozzi
(violoncello), Fabio Mazzitelli (flauta) y Eduardo Ihidoype (clarinete)

Se interpretaran obras de: Juan Jose Castro, Guillermo Graetzer, Alberto
Ginastera, Irma Urteaga, Luis Naon, Astor Piazzolla, Aquiles Roggero, Jukka
Tienssuu,  Gabriel Senanes , Alicia Terzian y Daniel Binelli.

Las entradas seran gratuitas y se entregaran en la Oficina de Informes del
Teatro, hasta agotar la capacidad de la sala, desde tres horas antes del
comienzo de la funcion.

Este espectaculo cuenta con el auspicio de O.S.Pe. (Obra Social de
Petroleros).

El publico puede solicitar mayor informacion comunicandose gratuitamente al
Tel. 0800-666-5151.

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19 - 	CALL FOR PROPOSALS: 5th Biennial International Conference on Music
Since 1900 (05-07/Jul/2007 - York, REINO UNIDO)

******************************************** 

De: [mailto:anppom-l-bounces em iar.unicamp.br] Em nome de Carlos Palombini
Enviada em: terca-feira, 5 de setembro de 2006 17:30
Assunto: [ANPPOM-L] 5th Biennial International Conference on Music Since
1900

Fifth Biennial International Conference on Music Since 1900

5-8 July 2007, University of York, United Kingdom

Proposals are warmly invited on any topics pertinent to musics of the 20th
and 21st centuries. However, the ICMSN conference would particularly like to
emphasize work on the following topics, intended to be applicable to all
genres of music (pop, commercial, concert, jazz, folk, world...):

* Technological innovations and social context
* Music in non-Western cultures
* Improvisation and improvised music
* Present-day composition shaped by and shaping social and historical forces

Proposals are welcome for any of the following:

* Panel discussions (up to 6 participants, each giving a short position
paper, followed by a general discussion)
* Paper sessions (four papers, each 20 minutes maximum, with 10 minutes for
discussion)
* Papers (20 minutes maximum, with 10 minutes for discussion)
* Recitals or lecture-recitals (40 minutes maximum)
* Workshop-discussions, led by up to three presenters, on aspects of
present-day composition
* Curated installations or compositional listening sessions

Abstracts should be prepared as follows:

* For individual papers - up to 250 words
* For paper sessions - 250-word (maximum) summary and up to 250 words for
each session participant
* For panel discussions - 250-word (maximum) and up to 150 words for each
panel participant

The deadline for submission of session and paper titles and abstracts is 8
January 2007. To make it possible to review proposals anonymously, we ask
that:

* There be only one proposal per applicant.
* Proposals not duplicate presentations being given at conferences or other
events proximate in time or place to ICMSN.
* All proposals be sent as an email together with an MS Word attachment.
* For panel or paper sessions, the email should include the names of all
participants, with the corresponding titles of their papers, and the session
titles.  For individual papers, the email should include both the
applicant's name and the paper title.
* The Word attachments should include the titles and abstracts, but nothing
that reveals the names of the participants.

Send proposals to William Brooks, Department of Music, University of York,
YO10 5DD (wfb3 em york.ac.uk).

Conference updates will be posted at http://music.york.ac.uk/icmsn2007

COMPOSERS: please note that we will issue a separate call for compositions
in association with a workshop that will take place during the ICMSN
conference.  Stay tuned ...

Dr Jenny Doctor
Senior Lecturer
Department of Music
University of York

e-mail: jennyd em jdsf.demon.co.uk

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