[ANPPOM-L] CFP: EMP Pop Conference, Seattle, Apr 2008

[carlos palombini]

Call for Papers: 2008 Pop Conference at Experience Music Project

Shake, Rattle: Music, Conflict, and Change

April 10-13, 2008,  Seattle, Washington

How does music resist, negate, struggle? Can pop music intensify vital confrontations, as well as ameliorating and concealing them? What happens when people are angry and silly love songs aren't enough? The migrations and global flows of peoples and cultures; the imbalanced struggles between groups, classes, and nations: what has music's role been in these ongoing dramas? We invite presentations on any era, sound, or geographic region. 

Full details: http://www.empsfm.org/education/index.asp?articleID=1019

Send proposals to Eric Weisbard, EricW at empsfm.org, by December 17, 2007; please keep them to 250 words and a 50 word bio. 

Full panel proposals, bilingual submissions, and unusual approaches are welcome. For questions, contact the organizer or program committee members: Joshua Clover (UC Davis), Kandia Crazy Horse (editor, Rip it Up: The Black Experience in Rock 'n' Roll ), Simon Frith (University of Edinburgh) Holly George-Warren (author, Public Cowboy No. 1: The Life and Times of Gene Autry), Michelle Habell-Pallan (University of Washington), Michele Myers (KEXP), Ann Powers (LA Times), Joe Schloss (NYU), RJ Smith (Los Angeles magazine), Ned Sublette (author, Cuba and its Music), and Sam Vance (EMP).

-- 
carlos palombini (dr p)
professor adjunto de musicologia
universidade federal de minas gerais
<cpalombini em gmail.com>

"Foule ahurie, n'êtes-vous pas capables d'écouter des accords sans demander à voir leur carte d'identité et leurs caractéristiques? D'où viennent-ils? Où vont-ils? Faut-il absolument le savoir? Ecouter, cela suffit." (Claude Debussy)