[ANPPOM-L] ENC: EMUS - satellite event of Speech Prosody, Campinas 2008 - call for abstract - Prosody and expressivity in speech and music - New submission deadline

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Seg Jan 28 11:43:39 BRST 2008


-----Mensagem original-----
De: Greg Beller [mailto:Greg.Beller em ircam.fr] 
Enviada em: segunda-feira, 28 de janeiro de 2008 08:41
Para: destinataires inconnus:
Assunto: EMUS - satellite event of Speech Prosody, Campinas 2008 - call for
abstract - Prosody and expressivity in speech and music - New submission
deadline

2nd CALL FOR ABSTRACTS :

NEW SUBMISSION DEADLINE :  February 17th, 2008

Prosody and expressivity in speech and music

Satellite Event around Speech Prosody 2008 / First EMUS Conference -
Expressivity in MUsic and Speech
http://www.sp2008.org/events.php /
http://recherche.ircam.fr/equipes/analyse-synthese/EMUS

Campinas, Brazil, May 5th, 2008
[Abstract submission deadline: February 17th, 2008]
Keywords: emotion, expressivity, prosody, music, acquisition,
perception, production,
interpretation, cognitive sciences, neurosciences, acoustic analysis.

DESCRIPTION:
Speech and music conceal a treasure of “expressive potential” for they
can activate sequences of varied
emotional experiences in the listener. Beyond their semiotic
differences, speech and music share acoustic
features such as duration, intensity, and pitch, and have their own
internal organization, with their own
rhythms, colors, timbres and tones.
The aim of this workshop is to question the connections between various
forms of expressivity, and the
prosodic and gestural dimensions in the spheres of music and speech. We
will first tackle the links
between speech and music through enaction and embodied cognition. We
will then work on computer
modelling for speech and music synthesis. The third part will focus on
musicological and aesthetic
perspectives. We will end the workshop with a round table in order to
create a dialogue between the
various angles used to apprehend prosody and expressivity in both speech
and music.

FRAMEWORK:
This workshop will be the starting point of a string of events on the
relations between language and music:
May 16th: Prosody, Babbling and Music (Ecole Normale Supérieure Lettres
et Sciences Humaines, Lyon)
June 17-18th: Prosody of Expressivity in Music and Speech (IRCAM, Paris)
September 25th and 26th: Semiotics and microgenesis of verbal and
musical forms (RISC, Paris).
Our aim is to make links between several fields of research and create a
community interested in the
relations between music and language. The project will be materialized
in a final publication of the
keynote papers of those four events.

SUBMISSION PROCEDURE:
The workshop will host about ten posters.
Authors should submit an extended abstract to: beller em ircam.fr in pdf
format by January 30, 2008.
We will send an email confirming the reception of the submission. The
suggested abstract length is
maximum 1 page, formatted in standard style.
The authors of the accepted abstracts will be allocated as poster
highlights. Time will be allocated
in the programme for poster presentations and discussions.
Before the workshop, the extended abstracts (maximum 4 pages) will be
made available to a broader
audience on the workshop web site. We also plan to maintain the web page
after the workshop and
encourage the authors to submit slides and posters with relevant links
to their personal web pages.

KEY DATES:
Dec 10: Workshop announcement and Call for Abstracts
Jan 30: Abstract submission deadline
Feb 17: New submission deadline
Mar 28: Notification of acceptance
Apr 25: Final extended abstracts due
May 5: Workshop

SCIENTIFIC COMMITTEE:
Christophe d’Alessandro (LIMSI, Orsay);
Antoine Auchlin (University of Geneva, Linguistics Department);
Grégory Beller (IRCAM);
Nick Campbell (ATR, Nara);
Anne Lacheret (MODYCO,
Nanterre University) ;
Sandra Madureira (PUC-SP);
Aliyah Morgenstern (ICAR, Ecole Normale Supérieure Lettres et Sciences
Humaines) ;
Nicolas Obin (IRCAM)

ORGANISERS:
- University of Geneva, Linguistics Department (Antoine Auchlin)
- IRCAM (Grégory Beller and Nicolas Obin)
- MODYCO, Nanterre University (Anne Lacheret)
- ICAR, Ecole Normale Supérieure Lettres et Sciences Humaines (Aliyah
Morgenstern)

CONTACT :
For questions/ suggestions about the workshop, please contact
beller em ircam.fr
Please refer to http://recherche.ircam.fr/equipes/analyse-synthese/EMUS for
up-to-date information about the workshop.

PROGRAM
http://www.sp2008.org/events/EMUS-conferences.pdf

============================================================================
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Satellite Event around Speech Prosody 2008
EMUS - Expressivity in Music and Speech
Prosody and expressivity in speech and music

Conferences Organized by

IRCAM (Grégory Beller and Nicolas Obin)
MODYCO, Nanterre University (Anne Lacheret)
ICAR, École Normale Supérieure Lettres et Sciences Humaines (Aliyah
Morgenstern)
University of Geneva, Linguistics Department (Antoine Auchlin)

Scientific committee

Christophe d’Alessandro (LIMSI, Orsay)
Antoine Auchlin (University of Geneva, Linguistics Department)
Grégory Beller (IRCAM)
Nick Campbell (ATR, Nara)
Anne Lacheret (MODYCO, Nanterre University)
Sandra Madureira (PUC-SP)
Aliyah Morgenstern (ICAR, École Normale Supérieure Lettres et Sciences
Humaines)
Nicolas Obin (IRCAM)

1. Enaction - embodiement - empathy - co-experienciation

R. Núñez (Cognitive Science, University of California, San Diego): The
embodiment of prosody,
abstraction, and metaphor: some considerations based on the empirical study
of spatial
construals of linear scales
D. Bottineau (MODYCO, Paris X, France), Co-experiencing prosody: the
distributed motives
and effects of prosody in languaging processes
A. Auchlin & Anne Catherine Simon (Université de Genève-UC Louvain), Prosody
and
experiential blending: where and how do prosodies join linguistic meaning
(tempo, rythm,
melody) in discourse and interaction

2. Models and conditions for expressive machine talk

G. Beller, A. Lacheret, N. Obin, X. Rodet (IRCAM & Université de Paris X,
Nanterre),
Expressivity and signification in speech synthesis
J.-Ph. Goldman (Université de Genève): Measuring and synthetising
expressivity. Some tools
to analyse and simulate phonostyle
N. Campbell (ATR, Nara): Laughter in conversational speech; more than just
amusement
Ch. D’Alessandro (LIMSI-CNRS, France): Computerized chironomy: from hand
gesture in
Gregorian singing to hand-controlled synthesis of intonation

3. Prosody and expressivity through musical performance and speech

G. Beller (IRCAM, France): the Prosody of the emotion of the speech and the
musical
performance
A. Morgenstern (Ecole Normale Supérieure Lettres et Sciences Humaines) & Ch.
Dodane
(Université de Montpellier 3) : Emotions, language acquisition and music





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