[ANPPOM-L] SIMPÓSIO Kandinsky-Sinestesia-Arte

Jorge Antunes antunes em unb.br
Qua Jan 6 16:29:03 BRST 2010


*Solomon R. Guggenheim Museum*

* The Universe Resounds:
Kandinsky, Synesthesia, and Art Symposium
Tuesday, January 12, 2010
2–7 pm*

Solomon R. Guggenheim Museum
Peter B. Lewis Theater
1071 Fifth Avenue
(entrance on 88th Street)
New York City

http://www.guggenheim.org/universe-resounds

In conjunction with the final days of the Kandinsky exhibition on view
through January 13, the Solomon R. Guggenheim Museum is pleased to
announce The Universe Resounds: Kandinsky, Synesthesia, and Art, an
interdisciplinary examination of painting, synesthesia, and
abstraction from modern to contemporary times, including from the
perspectives of art history, neuroscience, music, film, physics, and
performance. A reception and exhibition viewing follows the symposium.

Topics and Speakers

Kandinsky's Synesthetic Vision: Color/Sound/Word/Image
Magdalena Dabrowski, Special Consultant, Department of
Nineteenth-Century, Modern, and Contemporary Art, Metropolitan Museum
of Art, New York

Notes on Kandinsky and Schönberg
James Leggio, Head of Publications, Brooklyn Museum, New York

Kandinsky's Legacy in Film and Popular Culture
Kerry Brougher, Deputy Director and Chief Curator, Hirshhorn Museum
and Sculpture Garden, Washington, D.C.

Nonobjective Films
Courtesy the Center for Visual Music, Los Angeles

Neuroscience and Music
David Soldier, Professor of Neurology, Psychiatry, and Pharmacology,
Columbia University Medical School, New York, with Brad Garton,
Director of the Columbia Computer Music Studio, Columbia University,
New York

Hypermusic Prologue
Matthew Ritchie, artist, New York

Moderated Discussion
Caroline Jones, Professor of Art History and Director, History Theory
Criticism Section, Department of Architecture, Massachusetts Institute
of Technology, Boston

For complete information, schedule, and tickets check online or call
the Box Office at 212 423 3587, Mon–Fri, 1–5 pm.

Eyetracking Forum
Wednesday, January 13, 2010
9 am
Martin Segal Theatre
The City University of New York Graduate Center
365 Fifth Avenue (at 34th Street)
New York City

Science & the Arts at the CUNY Graduate Center and the Sackler Center
for Arts Education are pleased to announce an Eyetracking Forum. This
session for art and science professionals examines the science of
eyetracking from multiple perspectives, including filmmaking,
interface technology, psychology, and data visualization, and
concludes with an exhibition walkthrough.

Moderators: Adrienne Klein and Grahame Weinbren

Space is limited, RSVP required: publicprograms em guggenheim.org

Participants

Kenneth J. Ciuffreda, O.D., Ph.D., is the former Chairman of the
Department of Vision Sciences at SUNY State College of Optometry, New
York, whose current research involves normal and abnormal oculomotor
systems.

Isaac Dimitrovsky is a programmer who lives and works in New York.

Rebecca Shulman Herz is Senior Education Manager of the Learning
Through Art program at the Solomon R. Guggenheim Museum and author of
Looking at Art in the Classroom: Art Investigations from the
Guggenheim Museum (Teachers College Press, 2010).

Bruce Homer is Associate Professor for the Ph.D. Program in
Educational Psychology at the CUNY Graduate Center.

Adrienne Klein is Co-Director of Science & the Arts at the CUNY Graduate
Center.

Ken Perlin is Professor of Computer Science at New York University,
directing the NYU Games for Learning Institute.

John F. Simon, Jr. is a practicing new media artist who works with LCD
screens and computer programming.

Paula Stuttman is an artist, independent art lecturer, and part-time
Assistant Professor at the New School, New York.

Grahame Weinbren is an interactive filmmaker whose work is represented
in the permanent collection of the Guggenheim Museum; he is also a
member of the graduate faculty of the School of Visual Arts, New York.

George A. Zikos, O.D., M.S., directs the Manhattan Vision
Associates/Institute Vision Research, New York.
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