[ANPPOM-L] The 3rd symposium of the ICTM Study Group

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CALL FOR PAPERS
The 3rd symposium of the ICTM Study Group
APPLIED ETHNOMUSICOLOGY
Nicosia, Cyprus, 18-22 April 2012
The International Council for Traditional Music’s Study Group on
Applied Ethnomusicology welcomes proposals for its Cyprus symposium.
It which will be hosted in collaboration with the Cyprus Musicological
Society and the University of Nicosia with support from the Department
of Social and Political Science of the University of Cyprus. The
symposium features three main themes.
THEMES
1.      Politics and practices of applied ethnomusicology: Social activism,
censorship, state control
State control can take on a variety of forms – on the level of
education, with regard to institutionalization, yet also concerning
media control and censorship. How does applied ethnomusicology
implement and rethink social activism within these contexts? While
presentations on the topic of censorship and state control are
specifically encouraged, this theme invites presentations that
document and theorize the solving of concrete social problems through
applied ethnomusicology projects in the academy, and beyond in
contexts of education, health, industry and culture.
2.      Disability and music
This theme welcomes contributions on all types of disability in
relation to music. Paper proposals can, for example, discuss music and
dance in the context of accessibility and the human rights of disabled
people. They can focus on how ethnomusicology can be applied in the
making of disability politics. Proposals can take up the variety of
musical contexts of ability, illness and health from the perspectives
of disability research, special education and music therapy, among
others. Proposals can deal with how dis/ability is constructed in
music and dance and what are the theories and methods that can be used
in the analysis of these constructions.
3.      Music and conflict
Continuing earlier work of the Study Group on Applied Ethnomusicology,
this theme includes the use of music in diverse social configurations
of conflict, including interpersonal and intergroup, interethnic,
interreligious and interclass. How can music scholars and
practitioners address, through music, the “macro” catalysts of
conflict? What can applied ethnomusicology contribute to the
understanding and solving of conflicts over economic resources and
ownership systems? How can scholars further theorize the specific
roles of oppression in music and conflict situations, and the
instrumentalization of music as a means of creating conflict?
LOCATION
Nicosia, a cosmopolitan and culturally rich city that is also the last
divided capital in Europe (between a Greek south and Turkish-occupied
north part), offers a fascinating urban setting for considering the
symposium’s several themes of music and inter-human relations.
The symposium will be hosted at the University of Nicosia. Delegates
are invited to stay at the Hilton Park Hotel, Nicosia, accommodation
in which has been organized by the Local Organizing Committee.
Delegates should fly into the international airport of Larnaca (code:
LCA).
The members of the Local Organizing Committee from Cyprus are Panikos
Giorgoudes, Chair, Despo Stylianou, Savvas Katsikides, Nicos
Kartakoullis, Anthoula  Hadjiantoni and Kalypso Apergi.
PROPOSALS
The program committee consists of Klisala Harrison, Chair (Canada),
Samuel Araújo (Brazil), Britta Sweers (Switzerland), Patricia Opondo
(South Africa), Panikos Giorgoudes (Cyprus), Aaron Corn (Australia),
Hanna Väätäinen (Finland) and Tan Sooi Beng (Malaysia).
We invite proposals for presentations in four basic formats, not
excluding others. These are: individual papers, organized sessions,
lecture demonstrations, and films.
Please submit an abstract of 250 words maximum to
britta.sweers em musik.unibe.ch by 1st December 2011, in order to enable
peer review by the year’s end.
--
Dr. Klisala Harrison
Research Fellow, Ethnomusicology of Indigenous Modernities project
University of Helsinki
Musicology, Department of Philosophy, History, Culture and Art Studies
Post Box 35
00014 Helsinki University
Finland

Atenciosamente,

Eurides de Souza Santos.
Presidente da ABET
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