[ANPPOM-Lista] Call for Papers EMS12 - Extended Deadline 30 January 2012 [2 Attachments]

Sáb Jan 14 15:40:36 BRST 2012

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*This version contains new information.*
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*CALL FOR PAPERS*
*Electroacoustic Music Studies Network Conference 2012*
*11-15 June 2012*
**
*EXTENDED SUBMISSION DEADLINE*
 *30 January 2012*

*The Royal College of Music & Elektronmusikstudion*
*Stockholm, Sweden*

*EMS12 Conference Theme:*
*Meaning and Meaningfulness in Electroacoustic Music*
http://www.ems-network.org/ems12/

Meaning is essential to all human activity and the arts are special bearers
of meaning relevant to all cultural communication. Whereas the term meaning
suggests something that can be investigated and defined, meaningfulness
introduces a quality of significance that seems at once more approachable,
malleable and personal.

Meaning in music encompasses a vast area of inquiry, approachable from a
multitude of intersecting avenues and, in electroacoustic music, the
subject is distinguished by several unique features. Is meaning in music
immanent within its structural and formal design? Is it emotional? Is it
aesthetically embedded? Is it constructed by listeners both individually
and collectively? Is its significance embodied?

Semiotic approaches and studies of intention-reception highlight the
interdependence of composers and listeners. Meaning may be considered as an
exchange and becomes less a kind of objective quantity and more a process
related to qualitative meaningfulness. Composers, on the creative side of
the communication chain, often focus on the job at hand; subjective and
aesthetic intentions intermingle with both compositional and technical
concerns. For electroacoustic music, as a sound-based art, listening is a
primary mode of action and often the sole means of reception. Listeners
focus initially on experiencing, on making sense of and on understanding
the sounds and their relationships. These may be musical or other types of
extrinsic, referential sounds.

In all of its guises, electroacoustic music is, moreover, dependent upon a
technical medium. Are the diverse technical media, which are employed for
electroacoustic music, meaning-neutral, or do they condition – from the
perspectives of the composers, performers or listeners – the meaning(s) of
the music? What are the differences between delivery via large arrays of
loudspeakers, iPod earplugs, internet, installations or live performance.
Is the medium a message or a massage?

Electroacoustic music also integrates well with other art forms, in
particular those that utilize digital media or are digitally mediated. How
does the intermedial environment affect meaning in music and across media?

It is our hope that the conference theme - Meaning and Meaningfulness -
will inspire broad interest among the electroacoustic music community,
including composers, performers, musicologists as well as other related
disciplines.

The call for papers is not limited to any particular type of practice
within the diverse field of electroacoustic music. Rather an inclusive
approach is advocated in order to bring together a wide variety of theories
and practices including acousmatics, live electronics, intermedia and more.

Papers should address specific topics in the call. While some references to
works by the presenting author(s) may be cited, these should not be the
main focus of the paper.
*Related topics*

The conference is also open to other topics relevant to the history and/or
contemporary practice of electroacoustic music. We encourage the submission
of papers relating to any aspect of the field, including but not limited to
analysis, perception, listening, terminology, composition, performance,
cultural issues and education.  See website for additional details.

*Conference Co-Chairs*
Bill Brunson
Mats Lindström

*Steering Committee*
Marc Battier
Leigh Landy
Daniel Teruggi

*Guidelines for Submission*

*Deadline for receipt of submissions: *
*Monday 30 January 2012, 12.00 CET (GMT+1). *

*Reply Date: *
Notification of acceptance will be emailed to applicants by mid-February.

*Abstract submission guidelines: *
Submissions will be made directly by email to *ems12 [at]
**ems-network.org*<http://ems-network.org/>
*.*

A submission should consist of a zipped folder containing:
- The paper abstract in English or French (minimum 1,000 – maximum 1,500
words), headed with author name(s), organization affiliation (if any),
contact address, telephone, and email address in PDF:
- A curriculum vitae (2 pages maximum) in PDF;
- A list of publications (2 pages maximum) in PDF;
- A brief bio (150 words) in PDF.

The abstract should be ready for publication if the paper is accepted. A
program containing the paper abstracts will be made available on the EMS
website (www.ems-network.org) and distributed at the conference.

Submissions from students and early-career postdoctoral researchers are
particularly encouraged.

*Paper presentation guidelines: *
Each paper presentation will be 30 minutes (including a 5 minute question
period). (Changes between speakers will be made at a parallel station.)

Papers can be given in English or French.

Standard presentation equipment will be provided including a video
projector, CD/DVD player and stereo sound system.
_________________________________

*Bill Brunson*
The Royal College of Music in Stockholm
bill.brunson em kmh.se

*Mats Lindström*
Elektronmusikstudion
mats.lindstrom em elektronmusikstudion.se

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-- 
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Dr. Daniel Quaranta
Universidade Federal de Juiz de Fora - MG
http://www.ufjf.br/anais_eimas/  <http://www.ufjf.br/anais_eimas/>
ISSN: 2236-8353
www.rem.ufpr.br
ISSN 1415-953
www.eimas.net
http://ouvindonopatio.podomatic.com
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