[ANPPOM-Lista] announcement and cfp: popular music & politics in the 21stcCentury

Carlos Palombini cpalombini em gmail.com
Qua Out 17 14:21:20 BRT 2012


Hello all,

Volume! and the Editions Mélanie Seteun are pleased to announce the
following
events:

I. Publications:
    1. Sheila Whiteley (ed.) "Popular Music and Countercultures" issues of
Volume! will be out in November and February.

An English version, edited by Sheila Whiteley and Jedediah Sklower will be
published in 2013 by Ashgate. With an introduction by Andy Bennett. More
information soon!

    Stéphane Dorin (ed.), Sound Factory. Music and Industrialization
with texts from Jeremy Deller, Patrick Mignon, Simon Frith, Gérôme Guibert,
David Hesmondhalgh, Philippe Bouquillion,
More information here: http://volume.revues.org/2986

II. Call for papers:

"Changing the Tune:
Popular Music & Politics in the 21st Century From the Fall of Communism to
the
Arab Spring"

International Conference – Strasbourg University, France - 7-8 June 2013

Conference organizers:

-       Alenka BARBER-KERSOVAN, Leuphana University of Lüneburg,
Arbeitskreis
Studium Populärer Musik

-       Elsa GRASSY, Université de Strasbourg, International Association for
the Study of Popular Music-branche francophone d’Europe

-       Jedediah SKLOWER, Université Catholique de Lille, Éditions Mélanie
Seteun / Volume! the French journal of popular music studies

Confirmed Keynote Speakers:

    - Martin Cloonan, University of Glasgow
    - Rajko Mursic, University of Ljubljana

Popular Music scholars have devoted considerable attention to the
relationship
between music and power. The symbolic practices through which subcultures
state and reinforce identities have been widely documented (mainly in the
field of Cultural, Gender and Postcolonial Studies), as has the increasingly
political and revolutionary dimensions of popular music. Most studies have
focused on the genres and movements that developed with and in the aftermath
of the 1960’s counterculture. Yet little has been written about how the
politics of popular music has reflected the social, geopolitical and
technological changes of the late 20th and early 21st centuries, after the
fall of Communism. Still, the music of the Arab Spring or of the Occupy and
Indignados movements have been scarcely commented upon while they attest to
significant changes in the way music is used by activists and
revolutionaries
today.

More information here: http://volume.revues.org/3050

-- 
carlos palombini
www.researcherid.com/rid/F-7345-2011
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