[ANPPOM-Lista] Registration Open for Oral Histories Conference in Philadelphia

[Carlos Palombini]

 Registration Open!

  Giving Voice: Interpreting & Preserving Oral Histories

  Presented by the Conservation Center for Art & Historic Artifacts

  November 6, 2013

  Philadelphia, PA

  Hosted and co-sponsored by:

  The Athenaeum of Philadelphia

With countless advances made in audiovisual technology during the 20th
century, libraries, archives, museums, and historical societies, as well
as families and individuals, set out to capture the stories of the past
through recordings.  This oral history material was preserved using
magnetic recording tapes, film, and digital formats-many now obsolete.
While of great value and worthy of preservation, any oral history
material in a collection should be considered at-risk until an
institution conscientiously develops strategies to preserve it.

This national conference, intended for archivists, librarians,
collections managers, and any other collections staff working with oral
histories, brings together noted historians and preservation experts to
discuss best practices and methods for capturing and sharing oral
histories.

  Topics include:

  *Best practices for collecting stories

  *Basic principles for managing oral histories within your repository

  *Strategies for preserving audiovisual materials

  *Access

  *Outreach and exhibition

  *Reaching and documenting underrepresented groups

  Speakers:

  George Blood

  President, George Blood Audio and Video

  Charles Hardy III

  Professor of History, West Chester University

  Bertram Lyons

  Folklife Specialist/Digital Assets Manager, Library of Congress
American Folklife Center

  Joyce Hill Stoner

  Edward F. and Elizabeth Goodman Rosenberg Professor of Material
Culture, University of Delaware (UD)

  Paintings Conservator, Winterthur/UD Program in Art Conservation

  Director, UD Preservation Studies Doctoral Program

  Sady Sullivan

  Director of Oral History, Brooklyn Historical Society

  Program Fees:

  $95 CCAHA members

  $110 Non-members

  More information about this program and online registration is
available at http://www.cvent.com/d/scqhjy
(http://www.cvent.com/d/scqhjy
).

  Major funding for this program was generously provided by the National
Endowment for the Humanities (NEH), with additional support from The Pew
Charitable Trusts, the Independence Foundation, and the Gladys Krieble
Delmas Foundation.

  About CCAHA

  The Conservation Center for Art & Historic Artifacts (CCAHA) is the
country's largest nonprofit conservation facility serving cultural,
research and educational institutions, as well as individuals and
private organizations. CCAHA's mission is to provide expertise and
leadership in the preservation of the world's cultural heritage. CCAHA
specializes in the treatment of works of art on paper, such as drawings,
prints, maps, posters, historic wallpaper, photographs, rare books,
scrapbooks, and manuscripts, along with related materials like parchment
and papyrus. CCAHA also offers digital imaging services, on-site
consultations, educational programs, fellowships, and emergency
conservation services.

  For information on additional educational opportunities, visit
www.ccaha.org (http://www.ccaha.org) or find us on Facebook.

  If you no longer want to receive emails from CCAHA, click the link
below. *Please note that this will exclude you from receiving all CCAHA
emails including important announcements about the program(s) for which
you have registered. If you would prefer to opt out of only certain
email lists, please contact Katherine Magaziner at kmagaziner em ccaha.org
(mailto:kmagaziner em ccaha.org) for assistance.


-- 
carlos palombini
professor de musicologia ufmg
proibidao.org
ufmg.academia.edu/CarlosPalombini
scholar.google.com.br/citations?user=YLmXN7AAAAA<http://scholar.google.com.br/citations?user=YLmXN7AAAAAJ>
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