[ANPPOM-Lista] Fwd: [IJAdv] Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic

Martha Ulhôa mulhoa1 em gmail.com
Seg Out 30 11:59:03 BRST 2017


*Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic*
http://www.iaspmjournal.net/index.php/IASPM_Journal/issue/view/62

I am pleased to announce that a new of IASPM Journal is now available!
Examining biopics of popular music artists, this special issue raises
questions regarding the genealogy of the genre, authenticity, remediation,
identity, authorship and stardom. Jonathan Stewart, Benjamin Halligan and
Liam Maloy address verisimilitude in the production processes of Joy
Division biopic Control (2007), and Telstar: The Joe Meek Story (2008);
Maurizio Corbella focuses on the remediation of historic live performances
in The Buddy Holly Story (1978), Johnny Cash biopic Walk the Line (2005)
and James Brown biopic Get On Up (2014); Ewa Mazierska shows how 1980s
Polish filmmakers and the band Maanam reinterpreted the music biopic genre;
Bridget Sutherland and Paul Judge interpret iconic films about American
music icons Elvis Presley and Jim Morrison in the light of the
Anthropocene; and Marcus O’Dair considers how in I’m Not There (2007) Todd
Haynes presents Bob Dylan as a brand that author-izes the film rather than
as a unified subject. The review section offers not only book reviews but
also a conference review in honor of Peter Wicke.

Thank you to Matthew Bannister for guesting, to Sarah E Raine for putting
together the review section, to William Echard, D. Ferrett, Mary Fogarty,
tobias C v Veen, Koos Zwaan for editing, and to Raquel Campos for making it
a good looking issue.

Hereby I bid my farewell as Editor of IASPM Journal, after six years and
ten issues. Thank you all for your contributions, co-editorship,
collegiality, and readership.

Enjoy! And spread the word :)

Hillegonda C Rietveld

--------------
*CONTENTS*
Editorial

Editorial Introduction
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868>
Hillegonda C Rietveld
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868/pdf_1>
Pop Life: The Popular Music Biopic – Introduction
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857>
Matthew Bannister
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857/pdf>
Articles – Special Issue

Practices of Verisimilitude in Pop Music Biopics: A Conversation with Todd
Eckert and James Anthony Pearson on Control, and Nick Moran on Telstar
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841>
Jon Stewart, Liam Maloy, Benjamin Halligan
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841/pdf_1>
Live to Tell: Remediating Historical Performance in the Popular Music Biopic
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840>
Maurizio Corbella
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840/pdf_1>
Beyond Authenticity, Beyond Romanticism: Films About Maanam
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839>
Ewa Mazierska
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839/pdf_1>
Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley and
Jim Morrison
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842>
Bridget Alexandra Sutherland, Paul Judge
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842/pdf_1>
“Even the ghost was more than one person”: Authorship and Authorisation in
I’m Not There
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838>
Marcus O'Dair
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838/pdf_1>
Reviews

REVIEW | Seismographic Sounds: Visions of a New World
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853>
Matthew Michael Sumera
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853/pdf_1>
REVIEW | Populäre Musikkulturen im Film. Inter- und transdiziplinäre
Perspektiven / Popular Music Cultures in Film. Inter- and transdisciplinary
Perspectives
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849>
Philipp Schmerheim
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849/pdf_1>
REVIEW | Popular Music and Retro Culture in the Digital Era
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850>
David Kane
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850/pdf_1>
REVIEW | Ludomusicology: Approaches to Video Game Music
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851>
Sam Cleeve
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851/pdf_1>
REVIEW | Black Popular Music in Britain Since 1945
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848>
tobias c. van Veen
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848/pdf>
REVIEW | Singing the Body Electric: The Human Voice and Sound Technology
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856>
Katerina Tzedaki
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856/pdf_1>
Review | Unsichtbare Landschaften: Populäre Musik und Räumlichkeit /
Invisible Landscapes: Popular Music and Spatiality
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837>
Jan Peter Herbst
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837/pdf_1>
REVIEW | Views from the South: A Latin American Music reader
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852>
Eduardo Viñuela
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852/pdf_1>
CONFERENCE REVIEW | Popular Music and Power. Sonic Materiality between
Cultural Studies and Music Analysis, June 2016, Berlin
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855>
Bianca Ludewig, José Miguel Gálvez
PD
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855/pdf_1>

Copyright in this email and in any attachments belongs to London South Bank
University. This email, and its attachments if any, may be confidential or
legally privileged and is intended to be seen only by the person to whom it
is addressed. If you are not the intended recipient, please note the
following: (1) You should take immediate action to notify the sender and
delete the original email and all copies from your computer systems; (2)
You should not read copy or use the contents of the email nor disclose it
or its existence to anyone else. The views expressed herein are those of
the author(s) and should not be taken as those of London South Bank
University, unless this is specifically stated. London South Bank
University is a company limited by guarantee registered in England and
Wales. The following details apply to London South Bank University: Company
number - 00986761; Registered office and trading address - 103 Borough Road
London SE1 0AA; VAT number - 778 1116 17 Email address - LSBUinfo em lsbu.ac.uk

_______________________________________________
Advisoryboard mailing list
Advisoryboard em list.journal.iaspm.net
http://list.journal.iaspm.net/listinfo.cgi/advisoryboard-journal.iaspm.net


Mais detalhes sobre a lista de discussão Anppom-L