[ANPPOM-Lista] Últimos dias para submissão de resumos - Sonologia 2019: International Sound Studies Conference - São Paulo, Brasil

[Davi Donato]

Caros colegas, gostaria de lembrar que estamos nos últimos dias do
período para submissão de resumos expandidos para o Sonologia 2019:
International Sound Studies Conference. O evento ocorrerá entre 9 e 12
de abril de 2019 no CPF-SESC em São Paulo, o prazo para submissões é
1º de novembro. Aceitamos resumos em português, espanhol e inglês.

Palestrantes confirmados: Jonathan Sterne (McGill University) e Susan
Campos-Fonseca (Universidad de Costa Rica)

Mais detalhes: http://www2.eca.usp.br/sonologia/2019/

Segue abaixo a chamada.

grato,
Davi Donato
Comissão Organizadora - Sonologia 2019 - NuSom-USP

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[CFP] SONOLOGIA 2019: I/O – International Conference on Sound Studies

April 9-12, 2019 – São Paulo, Brazil

DEADLINE: November 1st, 2018.

In 2016 we had the first edition of SONOLOGIA: International
Conference on Sound Studies, a transdisciplinary event attended by
researchers from seventeen countries and five continents with
contributions from fields of study as broad as music, sound art,
anthropology, visual arts, theatre, literature, architecture, history,
sociology, media studies, gender studies, among others. This second
edition of the event proposes the theme I/O. An acronym which,
metaphorically mobilized, provides a powerful way of addressing the
diverse and problematic relations between the “I” and the “other”, as
well as “inside” and “outside”.

This second edition of SONOLOGIA: International Conference on Sound
Studies proposes the theme I/O. An acronym which, metaphorically
mobilized, provides a powerful way of addressing the diverse and
problematic relations between the “I” and the “other”, as well as
“inside” and “outside”. By focusing on matters of alterity,
subjectivities, limits, boundaries and crossings – either cultural,
territorial or disciplinary – we invite papers devoted to particular
and contingent relations that take to task hegemonic theories and
practices in sound studies. Although the pairing of categories may
indicate opposing notions, by retaining the slash [/] we intend to
focus on inquiries that disrupt the limits of each category and
suggest possible continuities, exchanges and intertwinements between
the terms of the relation.

• Politics of sound and sound making. Institutionalization of artistic
practices and research. Sound activism. Violence, war, control tactics
and sonic torture.
• The role of technique and technology in listening and sound making.
Critical perspectives on the repurposing of technology,
precariousness, experimental lutherie.
• Discourses on listening and sound practices. Aspects of legitimacy,
politics, place, alterity, gender or race, from the perspective of
non-binary, non-normatives, post-colonial or counter-hegemonic
epistemologies.
• Identity and alterity in sound practices in Latin America.
Discussions regarding hybridity, interculturalism, miscegenation,
transnationality.
• Sound materiality and immateriality. Critical inquiries regarding
sonic materialisms and the limits of aurality. Ontological debates
about sound and audio culture.
• Sound and territoriality. Politics of space and poetics of memory
and forgetting within practices such as site-specific art,
installations, soundscapes, sound walks, field recording, sonic
cartographies.
• Crossovers between sound, voice, body and visuality. Studies on
presence, performances and artistic practices related to theatre,
dance, audiovisual, performance and literature, regarding its
contingencies and particularities.
• (In)disciplines of sonic creative processes. Limits and ruptures in
collective or individual creative practices. Human/non-human
interaction. Alternative proposals of documenting and sharing creative
processes.

Confirmed keynote speakers: Jonathan Sterne (McGill University) and
Susan Campos-Fonseca (Universidad de Costa Rica)

The conference will happen in São Paulo, Brazil, in April 9-12, 2019.
Activities will be held at the Centro de Pesquisa e Formação of SESC.

Language and format

The official language of the event is English. However, inspired by
the theme of the conference – I/O – we encourage that participants
strive to relate in a flexible and inclusive manner with the language
issue during the conference. In line with this perspective, we invite
submissions of extended abstracts in either English, Portuguese or
Spanish. Afterwards selected participants shall submit their complete
papers, and present them in the conference, in English.

We accept alternative formats of papers that reflect critical and
creative necessities of theoretical, practice-based or artistic
research. However, the use of special technical resources needs to be
evaluated jointly with the organizing committee. Paper presentations
should last 20 minutes followed by up to 10 minutes of questions.
Submission guidelines

Please submit your extended abstract (in Portuguese, Spanish or
English) of a max. 800 words, and a short bio (50 words) no later than
November 1st, 2018 by 11:59pm Pacific Standard Time (GMT -3) to
sonologia em usp.br. Please allow 24-48 hours for confirmed reception.

Selected presentations will need to submit camera-ready papers (in
English) by February 25th 2019 with a provided (by us) ODT/ MS Word
templates (max. 7000 words in A4 format). The papers will be published
online in the conference proceedings.

Important Dates

• Submissions deadline: November 1, 2018
• Selection results: December 17, 2018
• Camera-ready paper deadline: February 25, 2019

For more information: http://www2.eca.usp.br/sonologia/2019/