[ANPPOM-Lista] International Webinair Philosophy and musicology of Audiotactility

[Bia Cyrino]

Prezados,
Fui informada que a lista da Anppom não permite anexos.
Seguem as informações do seminário "Webinário Internacional Filosofia e
Musicologia da Audiotatilidade".

Cordialmente,

Maria Beatriz Cyrino Moreira
Universidade Federal da Integração Latino-americana
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International Webinair Philosophy and musicology of Audiotactility
Organized by: Laurent Cugny (Sorbonne Université, France),
Maria Beatriz Cyrino Moreira (Universidade Federal da Integração
Latino-Americana - UNILA, Brasil), Lisa Giombini (Università Roma Tre,
Italy).

Audiotactility, a notion introduced by the Italian musicologist Vincenzo
Caporaletti, refers to a particular type of music “formativity” that uses
auditory and bodily mediation to replace the visual representation provided
by the score in written music. Audiotactile music differs from oral music
in that it incorporates phonographic recording as a means to fix the sound
and rhythmic indications required by performers and as a support of the
work. Beyond specific differences, Jazz, rock, pop, blues, Brazilian
popular music, rap, etc., can be designated as ‘audiotactile music’ insofar
as they are based on this kind of formativity. However, as a concept,
audiotactility also proves to be relevant to other types of music such as
scored, oral, or improvised music. Audiotactility raises as many questions
for philosophy as for musicology.
This webinar aims to become a platform for discussion between practitioners
of the two disciplines from different countries and academic environments.
The webinar is held on Zoom every other Tuesday from 5:00 to 7:00 pm (CEST)
starting February 8, 2022.
Link to participate: https://us02web.zoom.us/j/89939424043.
While French is the preferred language, other languages are also welcomed
including English, Italian, and Portuguese. Each session will feature two
presentations, one by a doctoral or postdoctoral fellow and one by a senior
researcher, followed by a general discussion. Other formats are also
possible, such as e.g., the round table.

*Season 1 (February - May 2022): Program *

 *8 February 2022*
 Stéphane Audard (Sorbonne Université – IReMus, France) Histoire de
l’enseignement du jazz : apports de la Théorie des musiques audiotactiles

  Fabiano Araújo Costa (PPGA/UFES - Programa de Pós-Graduação em Artes da
Universidade Federal do Espírito Santo; PPGM/UNIRIO - Programa de
Pós-Graduação em Música da Universidade Federal do Estado do Rio de
Janeiro) : Interactions audiotactiles : musique, culture et nouveaux médias

* 22 February 2022*
 Leo McFadden (Sorbonne Université – IReMus, France) Ran Blake : une étude
de cas pour l’analyse musicale des musiques audiotactiles

  Vincenzo Caporaletti (Università di Macerata, Italie) Qu'est-ce que la
Théorie des musiques audiotactiles ?

* 8 March 2022 *
  Rafael Tomazoni (Universidade Federal de Pelotas, Brésil) Sambalanço
Trio et Zimbo Trio : deux conceptions de l'arrangement pour « Berimbau »

  Rafael dos Santos (Universidade Estadual de Campinas, Brésil) The
collective authorship present in the album “Você Ainda não Ouviu Nada” (You
Haven’t Heard Anything Yet – Phillips, 1964), by Sergio Mendes & Bossa Rio:
between stridency and smoothness.

 *22 March 2022 *
 Isaac Almeida (Universidade Estadual de Campinas, Brésil) When she plays
Tom Jobim: interaction and musical improvisation in the Eliana Elias´ trio

  Maria Beatriz Cyrino Moreira (Universidade Federal da Integração
Latino-Americana – UNILA, Brésil) La théorie des musiques audiotactiles et
le contexte latino-américain: dialogues et rapprochements

 *5 April 2022 *
 Thomas Mercier-Bellevue (Sorbonne Université – META, France) Quelle
critique d’art pour les arts de masse ? Enquête sur les fondements
théoriques d’une hiérarchie des arts

  Violaine Anger (Université d’Evry Val d’Essonne – CERCC, France) La
notation musicale appréhendée par sa visualité : la notion de hauteur de
son et son invention

 *19 April 2022 *
  Daniel Feige (Stuttgart State Academy of Art and Design, Germany) The
Aesthetic Temporality of Musical Improvisation in the Case of Jazz

* 3 May 2022 *
 Andy Hamilton (Durham University, UK) Jazz as Classical Music

* 17 May 2022 *
 Special session Adorno and audiotactility music 1 Round table:
participants TBA

 *31 May 2022 *
 Special Session Adorno and Audiotactile Music 2 Round table: participants
TBA