[ANPPOM-L] CFP(apers/performances): Theorizing Performance/Performing Scholarship

carlos palombini palombini em terra.com.br
Sex Nov 10 09:48:02 BRST 2006


CALL FOR PAPERS/PERFORMANCES

City University of New York Graduate Students in Music
Tenth Annual Conference
Theorizing Performance/Performing Scholarship

Keynote Speaker: ELISABETH LE GUIN,
Associate Professor of Musicology at the
University of California at Los Angeles

Saturday, April 21, 2007
CUNY Graduate Center, New York City

The CUNY Graduate Center's Music Ph.D.-D.M.A. program invites
submissions from graduate students for its Tenth Annual Graduate
Students in Music symposium (GSIM 10), Theorizing
Performance/Performing Scholarship, to be held on Saturday, April
21st, 2007 in the CUNY Graduate Center's Segal Theatre.
Keynote speaker Elisabeth Le Guin has taught at UCLA since 1997. Her
book Boccherini's Body: an Essay in Carnal Musicology, was published
by the University of California Press in January 2006. Her current
project is on musical theater in 18th-century Madrid. Before beginning
her academic career Dr. Le Guin was a free-lance Baroque cellist in
the lively Early Music scene in California. She is a founding member
of Philharmonia Baroque Orchestra and the Artaria String Quartet, and
appears in over 40 recordings. She continues to perform nationally and
internationally, and this double career has permitted her to develop
the idea, fundamental to her work, of musicology as a perpetual
dialogue between theory and practice.
Increasingly, scholars across all disciplines of
music—ethnomusicology, theory, performance, musicology, and
composition—are engaging with performative aspects of music. We
invite submissions that explore issues of performance practice: bodies
that perform, dance and its relationship to music, intersections of
performance and research, contextualization of performance, queer
theory/performance, feminist theory/performance, or work on related
topics. The following presentation formats are welcomed:
• Papers (20-minute time limit)
• Lecture-recitals (30-minute time limit)
• Performance art
• Original compositions
• Other performative scholarship
Paper proposals should contain a 250-word abstract with title and a
separate, cover letter with the author's contact information,
institutional affiliation, and indication of audio-visual needs.
Lecture-recital and other performance proposals should include a CD or
DVD of material that is representative of the work to be performed in
addition to the abstract. Composers should submit a score with a
recording, as well as a 250-word statement about the piece's relevance
to the topic at hand. Proposals, CDs and DVDs should be labeled with
the proposal title only. Electronic submissions are preferred where
possible. Please send proposals to Megan Jenkins, Conference Chair:
Megan Jenkins
Music Programs
CUNY Graduate Center
365 Fifth Avenue
New York, NY, 10016

mbjenkins at gmail.com : The proposal may be pasted into the body of the
e-mail, or attached as an .rtf or .doc file using the first and last
name of the author as the document title.

Your identity will be withheld from the Program Committee.
Submissions must be received by January 31st, 2007.

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