[ANPPOM-Lista] CFP: 8th art od recording production conference, québec

[Carlos Palombini]

CFP 2013 ARP Conference

The 8th Art of Record Production Conference

July 12th – 14th 2013

Université Laval, Québec


Rewriting The Rules Of Production

The conference panel invites proposals for papers on the following themes:


Creative Practice In The Recording Studio

This stream is concerned with all aspects of creative practice in the
studio: performance (e.g. the differences between the concert hall and the
studio, new forms of performance activity), engineering and production
(e.g. the creative abuse of technology, editing as creative practice),
composing (e.g. issues of multiple authorship, the studio as a composing
tool), improvising (e.g. the constraints and opportunities associated with
improvisation in a controlled environment, improvising and overdubbing),
 and also more hybrid forms of creative practice such as what we might call
comprovisation, the way that improvisation becomes part of the
compositional practice.

The Development of Recording Technology

How much have the ‘rules’ of production in the recording studio been
written by the product manufacturers and software developers? The classic
model of technological ‘progress’ as a logical and chronological
progression has been enhanced with more nuanced discourses (such as Paul
Théberge’s Any Sound You can Imagine) in the past twenty years, but do
recent changes require further revisions to be made? How has the notion of
audio quality, both in the manufacturing sector and with the broader
listening publics, changed over the years? And what of the ways that terms
such as ‘vintage’, ‘analogue’ and the ‘future of audio’ have become
embedded in the language of technology? With the waters of supply and
demand models muddied by issues of gatekeeping, experts and rookies, the
role of education and power of large suppliers to distort the economic
system, this stream welcomes contributions that help us to navigate these
complicated waterways.

Alternative Cultures of Production

The mainstream of the academic narratives of study in our field focus on
the United States and the United Kingdom in the late twentieth century and
the activities of a predominantly white, male, rock music community working
in large scale recording studios for the larger record companies. This
stream seeks to highlight academic work that focuses on the ‘other’ in its
many and varied forms. These alternatives may be based on geography,
nationality, chronology, race, gender, sexuality, musical style, production
techniques, economic model or some other basis. They may be the mainstream
itself in circles outside this anglo-centric narrative or they may be based
on smaller niche communities. The aim of the stream is to incorporate and
integrate the widest possible range of approaches and subject matter to
create a more richly varied and nuanced academic field of study that
doesn’t fall into the mono-culture traps of traditional musicology.


The conference panel would like to invite delegates to submit ideas for
presentations exploring aspects of music production, performances and
practical demonstrations on any topic relating to the Art of Record
Production.

We welcome work from any relevant academic perspective, including but not
limited to popular music studies, ethnomusicology, the study of performance
practice, communication and media studies, cultural studies, historical
musicology, the history of technology, ergonomics, acoustics and
psychoacoustics, music theory, music cognition, music and music technology
education, and the philosophies of music, mediation and technology. Please
include a note on methodology where appropriate, and an indication of the
theme your work is intending to address.

Papers or demonstrations that require recording / studio / 5.1 playback
facilities are also encouraged but selection will be subject to a
feasibility study by the conference panel at Université Laval, Québec.

Proposals for individual papers and poster presentations should not exceed
500 words and should be in Word Document, Rich Text File or Text file
formats (doc, docx, rtf or txt files).


Submissions by email to kji em artofrecordproduction.com

The deadline for proposals is October 31st 2012


Katia Isakoff                        Director of the Art of Record
Production Conference

Gérald Côté                        Host of the 8th Art of Record Production
Conference

Serge Lacasse                    Host of the 8th Art of Record Production
Conference

Sophie Stévance                 Host of the 8th Art of Record Production
Conference

Simon Zagorski-Thomas     Director of the Art of Record Production
Conference

-- 
carlos palombini
www.researcherid.com/rid/F-7345-2011
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