[ANPPOM-Lista] Countercultures & Popular Music: A special, international, edition of Volume

[Carlos Palombini]

‘Counterculture’ emerged as a term in the late 1960s and has been
re-deployed in more recent decades in relation to other forms of cultural
and socio-political phenomena. This volume provides an essential new
academic scrutiny of the concept of ‘counterculture’ and a critical
examination of the period and its heritage. Recent developments in
sociological theory complicate and problematize theories developed in the
1960s, with digital technology, for example, providing an impetus for new
understandings of counterculture. Music played a significant part in the
way that the counterculture authored space in relation to articulations of
community by providing a shared sense of collective identity. Not least,
the heady mixture of genres provided a socio-cultural-political backdrop
for distinctive musical practices and innovations which, in relation to
counterculture ideology, provided a rich experiential setting in which
different groups defined their relationship both to the local and
international dimensions of the movement, so providing a sense of locality,
community and collective identity.

http://www.ashgate.com/isbn/9781472421081

-- 
carlos palombini
professor de musicologia ufmg
professor colaborador ppgm-unirio
orcid.org/0000-0002-4365-7673
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