[ANPPOM-Lista] tim taylor, musica and capitalism: a history of the prsent

[Carlos Palombini]

Music and Capitalism A History of the Present

Timothy D. Taylor
<http://press.uchicago.edu/ucp/books/author/T/T/au13040587.html>
240 pages | 11 halftones, 1 line drawing, 3 tables | 6 x 9 | © 2016
Big Issues in Music <http://press.uchicago.edu/ucp/books/series/BIIM.html>

iTunes. Spotify. Pandora. With these brief words one can map the landscape
of music today, but these aren’t musicians, songs, or anything else
actually musical—they are products and brands. In this book, Timothy D.
Taylor explores just how pervasively capitalism has shaped music over the
last few decades. Examining changes in the production, distribution, and
consumption of music, he offers an incisive critique of the music
industry’s shift in focus from creativity to profits, as well as stories of
those who are laboring to find and make musical meaning in the shadows of
the mainstream cultural industries.

Taylor explores everything from the branding of musicians to the
globalization of music to the emergence of digital technologies in music
production and consumption. Drawing on interviews with industry insiders,
musicians, and indie label workers, he traces both the constricting forces
of bottom-line economics and the revolutionary emergence of the affordable
home studio, the global internet, and the mp3 that have shaped music in
different ways. A sophisticated analysis of how music is made, repurposed,
advertised, sold, pirated, and consumed, *Music and Capitalism* is a must
read for anyone who cares about what they are listening to, how, and why.

List of Illustrations
List of Examples
Acknowledgments
Introduction: Capitalism, Consumption, Commerce, and Music
Chapter 1: Music and Advertising in Early Radio
Chapter 2: The Classes and the Masses
Chapter 3: The Great Depression and the Rise of the Radio Jingle
Chapter 4: Music, Mood, and Television: The Discovery and Use of Emotion in
Advertising Music
Chapter 5: The Industrialization and Standardization of Jingle Production
Chapter 6: The Discovery of Youth
Chapter 7: Consumption, Corporatization, and Youth in the 1980s
Chapter 8: Conquering (the) Culture: The Changing Shape of the Cultural
Industries in the 1990s and After
Chapter 9: New Capitalism, Creativity, and the New Petite Bourgeoisie
Notes
References

http://press.uchicago.edu/ucp/books/book/chicago/M/bo21911791.html

-- 
carlos palombini, ph.d. (dunelm)
professor de musicologia ufmg
professor colaborador ppgm-unirio
www.proibidao.org
ufmg.academia.edu/CarlosPalombini <http://goo.gl/KMV98I>
www.researchgate.net/profile/Carlos_Palombini2
scholar.google.com.br/citations?user=YLmXN7AAAAAJ
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