[ANPPOM-Lista] CFP: IJ 7/1 (2017) Practice-Led and Practice-Based Popular Music Studies

[Carlos Palombini]

(EDMC scholars may be interested in this call for papers, which invites
audio rather than written submissions).

CFP: IJ 7/1 (2017) Practice-Led and Practice-Based Popular Music Studies

http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856

Popular music studies is routinely presented in the form of visual media,
as writing and notation, despite music being fundamentally aural and oral.
Art music, by contrast, presents new musical creations as research, using
sound to explore new research ideas. However, few opportunities arise for
popular music scholars similarly to present recordings as research. This
special issue invites researchers, composers, performers and producers to
present research in the form of audio recordings. It may be that the
research output in this case is the sound artifact submitted
(practice-based research), or that the research is focused in the main on
the recording (practice-led research). Submissions are therefore expected
to be in the form of oral/aural culture as well as related to oral/aural
cultures.

Themes may be focused upon, but are not restricted to:
• New developments in musical or sonic expression
• The use of a creative sound recording in an answer to specific research
questions
• Music focused on an exploration of ritual
• Explorations of modes of listening, including deep listening or trance
• Research that examines phenomenology or embodiment
• Studies focused on elements of the art of record production
• Creative approaches to sound studies, ecomusicology or acoustic ecologies
• Ethnographic material
• Gender, sexuality or identity politics
• Popular music and its relationship to public policy or politics
• Spiritualities, philosophy or aesthetics
• Electronic Dance Music and its Cultures

This call is not intended for work that is led by spoken word, nor it is it
intended that the research is merely presented in an audio format. Rather,
the aim is that that music/sound itself answers relevant research
questions. It is expected that the work will be written and produced
specifically for this call for papers. Practice alone is not eligible,
there must be a convincing rationale that explains what makes this work
research, including a discussion of research aims, context and methodology.
To this end, an audio recording will be accompanied by a short (around 2000
words) written piece or a video (up to ten minutes long).

Submissions may be individual or collaborations between for example a
researcher and an artist, musician or producer. Submissions must be between
2 and 10 minutes long, and the musical content should be of a professional,
publishable standard. All submissions will be published online in IASPM
Journal, following the usual practice of double blind review.

Authors are encouraged to submit a 300-word abstract including an
indicative title and references, showing engagement with relevant
literature and other outputs, by 15 September 2016 to the Lead Editor for
this issue, Dr Rupert Till: r.till em hud.ac.uk

The deadline for submission is 9 November 2016

The full Call for Papers can be downloaded from this link:
http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/795/856

---
Prof Hillegonda C Rietveld, PhD, SFHEA
Director of Postgraduate Research
School of Arts and Creative Industries
London South Bank University

http://uk.linkedin.com/in/hillegonda
https://dj.dancecult.net/index.php/dancecult/issue/view/82
editor em iaspmjournal.net

-- 
carlos palombini, ph.d. (dunelm)
professor de musicologia ufmg
professor colaborador ppgm-unirio
www.proibidao.org
ufmg.academia.edu/CarlosPalombini <http://goo.gl/KMV98I>
www.researchgate.net/profile/Carlos_Palombini2
scholar.google.com.br/citations?user=YLmXN7AAAAAJ
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