[ANPPOM-Lista] Fwd: Volume 2018 Newsletter

[Zelia Maria Marques Chueke]

Encaminhando aos interessados.... 
Saudações, 
Zélia Chueke 

Associate Professor , UFPR 
Head of Grupo de Estudos e Prática da Música dos séculos XX e XXI, CNPq (www.musica20e21.ufpr.br) 
Head of IEMTP (www.iemtp.ufpr.br) 
Convention UFPR/Université Paris-Sorbonne 
Membre Associé, IReMus/CNRS, Sorbonne Université, BnF, MCC 
Responsable du GRMB/IreMus (http://www.iremus.cnrs.fr/fr/programme-de-recherche/groupe-de-recherche-musiquesbresiliennes ) 

----- Mensagem encaminhada -----

De: "Jedediah S" <jedediah-sklower em hotmail.com> 
Para: newsletter-volume em groups.openedition.org 
Enviadas: Terça-feira, 8 de maio de 2018 12:59:38 
Assunto: Volume 2018 Newsletter 



Hello all, 

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We are happy to announce the publication of 



The French Journal of Popular Music Studies , “Watching Music: Music Video Cultures” n° 14-2 





April 2018 • 292 pages • Format: 21 x 21 cm • ISBN: 978-2-913169-44-9 • Languages: French / English • 19 euros 

With the support of the Philharmonie de Paris, the MSH Paris Nord and the Cemti (Paris 8) 





Available on Cairn: https://www.cairn.info/revue-volume-2018-1.htm and very shortly on RILM Abtracts with Full Text . 

Buy / subscribe: http://www.lespressesdureel.com/ouvrage.php?id=6432&menu= or, via paypal: http://www.seteun.net/spip.php?article275 

Subscription with the popular music magazine Audimat: http://revue-audimat.fr/abonnement/ 



Presentation 


>From yéyé Scopitones and French chanson to Beyoncé’s visual album and Michel Gondry’s work for Björk, via Rage Against the Machine’s agit-prop, and dance in Mali and India, this 28 th issue of Volume! proposes a rich review of recent research on music videos. Today a ubiquitous phenomenon, music videos have played a crucial role in the evolution of music creation, distribution and consumption. With a postscript by Will Straw and more than fifteen contributions, this special issue analyzes the content, materiality and meaning of animated musical images. 


Table of contents Marc Kaiser et Michael Spanu , « On n’écoute que des clips ! » Penser la mise en tension médiatique de la musique à l’image » (open access) 

Histoire et industries 
Will Straw , Le clip vidéo et ses contextes : musiques populaires et postmodernité dans les années 1980 
Audrey Orillard , Le scopitone est-il un ancêtre du clip ? 
Carol Vernallis , L’œuvre débordante de Beyoncé ; ou l’histoire et l’avenir du clip musical 

Epistémologie et esthétique 
Warren Buckland , The Unnatural and Impossible Storyworlds of Michel Gondry’s Music Videos: The ‪ ‪Mise en Abyme‪ ‪ of “Bachelorette” (English version: open access ) 

Antoine Gaudin , Le clip comme forme d’expression musico-visuelle : pour une esthétique de la relation musique-images 
Julien Péquignot , Clip et discours : pragmatique de l’énonciation 
Jérôme Rossi , « L’homme au bouquet de fleurs » de Maxime Le Forestier : le clip comme approfondissement de la chanson 

Imaginaires culturels et politiques 
Elina Djebbari , Vidéochoréomorphose : danses et vidéo-clips au Mali 
Florence Nowak , Les clips de musique régionale indienne, dreamcatchers d’une économie de l’attention 
Maxime Boidy , Corps, gestes, interpellations. Iconographie politique du format clip 

Tribunes 
David Buxton et Marc Kaiser , La vidéo musicale comme « marchandise échouée » . Un entretien avec David Buxton 
Henry Keazor , Portable Music Videos? Music Video Aesthetics for Handheld Devices (English version: open access ) 
Fabian Holt , Music Festival Video: A “Media Events” Perspective on Music in Mediated Life (English version: open access ) 

Postface 
Will Straw , ‪Music Video in its Contexts: 30 Years Later (English version: open access ) 



And many tribunes, book reviews, etc. 




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