[ANPPOM-Lista] SBCM 2025 – Call for Contributions

[Micael Antunes]

Dear Colleagues,

The 19th Brazilian Symposium on Computer Music (SBCM 2025) invites the
submission of papers and artistic works that explore the intersection of
computing and music. The conference will be held from September 15 to 17,
2025, at the Convention Center – CDC – UNICAMP.

For more details on submission guidelines and the review process, please
visit the conference website: https://sbcm2025.nics.unicamp.br/

Important deadlines:

   -

   Submission Deadline: May 31, 2025
   -

   Notification of Acceptance: July 14, 2025
   -

   Camera-ready Submission: August 18, 2025

Submission Categories:

Full Papers: Submissions must present original research on technical or
musical topics and may be between 6 and 8 pages in length. All papers will
undergo a double-blind peer-review process. Accepted papers must be
presented orally at the conference, and both the written submission and the
presentation must be in English. The event proceedings will have an ISBN
and DOIs assigned to each paper.

Contributions are welcome in, but not limited to, the following tracks:
Machine Learning, Artificial Intelligence, and Music Information Retrieval;
Software Development for Musical Applications; Computational Musicology;
Musical Cognition and Computer Music; Real-Time Musical Systems for
Improvisation and Telematic Performance; Machine Listening and Musical
Creation; Audio Signal Processing, Sound Analysis, and Digital Audio
Effects; Physical Modeling and Sound Synthesis; and Sound Spatialization
and Immersive Environments.

Selected papers will be invited to submit an extended version for the
Brazilian Journal Musica Hodie. The selected papers will be required to
follow the journal guidelines, available at
https://revistas.ufg.br/musica/about/submissions#authorGuidelines.

Short Papers: This category provides a platform for presenting ongoing
research, artistic projects, lab reports, and experimental approaches that
explore the intersection between computing and music. Submissions are open
to individuals, research groups, collectives, or academic and artistic
initiatives.  Papers should objectively present technical, artistic or
propositional work, outline the methods used in its development, and/or
articulate its relevance to the scope of the conference—especially
regarding the intersections between computing, music, and other artistic or
technological practices. Short papers could be written in Portuguese,
English or Spanish and will be presented in a poster session.

Performances and Artistic Works: Works that explore the intersections of
computing, music, and other artistic and technological forms. An
accompanying short paper (up to 4 pages) discussing possible methods used
in developing the work, and/or a motivation of how it relates to the
conference scope should be submitted along with the artistic work proposals.

The 2025 SBCM Committee would like to strongly encourage the diversity in
research and artistic submissions including and encouraging the
participation of women, peripheral artists, black men and black women
artists, LGBTQIAPN+ and even more.

SBCM is a biennial event organized by the Computer Music Interest Group
(CECM) of the Brazilian Computer Society (SBC). Check our archive! This
archive contains links to all previous editions of the event, providing
access to the full digital content made available in each year, including
the electronic proceedings: http://compmus.ime.usp.br/sbcm/

We look forward to your contributions!

Best regards,
SBCM 2025 Organizing Committee

[Apologies for cross-posting]

[Do help us spread the word as the deadline is approaching]
-- 

Micael Antunes
Postdoctoral Researcher
Aix-Marseille Univ., CNRS, PRISM, LIS, InCIAM

-- 

Micael Antunes
Postdoctoral Researcher
Aix-Marseille Univ., CNRS, PRISM, LIS, InCIAM