[FWD cdmc] - 23/2007 -

Sáb Jun 23 12:01:27 BRT 2007

*FWD cdmc  - 23   22/06/2007 *

*CENTRO DE DOCUMENTACAO DE MUSICA CONTEMPORANEA*

*PESQUISA, DOCUMENTACAO E INFORMACAO MUSICAL*

*BIBLIOTECA CENTRAL DA UNICAMP - TERREO*

*CAIXA POSTAL  6136 - CEP 13083-859*

*ABERTO DE SEGUNDA A SEXTA-FEIRA DAS 9:00H ATE AS 17:00H *

*DIRECAO: PROFA. DRA. LENITA W. M. NOGUEIRA
PRODUCAO E MONTAGEM DO FWD CDMC: DENIS KOISHI
**www.unicamp.br/cdmc*

Noticias somente em texto simples, sem figuras nem tabelas, enviar a:
cdmusica em unicamp.br

Para receber/cancelar o recebimento do FWD cdmc enviar seu pedido a
cdmusica em unicamp.br

1 -        CONCERTO: Collegium Musicum, Reg. Abel Rocha. Obras de Ligeti,
Rautavaara, Wiedmer, Ripper (23/Jun - Espaco Cultural CPFL, Campinas, SP,
Brasil) <#_Toc170307106>

2 -        CONCERTO: Trio Fibonacci. Obras de Paul Frehner, Guilherme Bauer,
Harry Crowl (26/Jun, 19:00hs - Curitiba, PR, Brasil) <#_Toc170307107>

3 -        CONCERTO: Bruno Correia (alaude) e Sonia Wegenast (canto).
(24/Jun, 18:00hs - Parque das Ruinas, Rio de Janeiro, RJ) <#_Toc170307108>

4 -        CONCERTO: "Música Nova em Curitiba". Obras de Oscar Bazán,
Henrique Bergamo, Britten, Leo Brouwer,Aylton Escobar, Gilson Fukushima,
Antônio Guerreiro, Ligeti, Paulo osta Lima, Sólon Mendes, Marcell
Steuernagel, Márcio Steuernagel,Guilherme Tavares (30/Jun e 03/Jul -
Curitiba, PR, Brasil) <#_Toc170307109>

5 -        CONCURSO DE COMPOSICAO: "Concurso Nacional de Composição Camargo
Guarnieri - 2007 .Versão Comemorativa: Centenário do Compositor" (LIMITE:
13/Jul - Sao Paulo, SP) <#_Toc170307110>

6 -        CURSO: Música Contemporânea Norte-Americana para Piano", Prof.
Beatriz Roman (02/Ago-20/Set - Sao Paulo, SP) <#_Toc170307111>

7 -        FESTIVAL: Festival Internacional de Inverno de Brasília
(02-15/Jul - Brasilia, DF) <#_Toc170307112>

8 -        RECITAL: Adelia Issa (soprano) e Edelton Gloeden (violao). Obras
de Camargo Guarnieri, Villa-Lobos, Mignone, Guerra-Peixe, Villani-Côrtes,
Ernst Mahle e Paulo Costa Lima (26/Jun, 12:00hs - Teatro da Faculdade de
Medicina da USP, Sao Paulo, SP) <#_Toc170307113>

9 -        CALL FOR PAPERS: "Elgar and Musical Modernism" (DEADLINE: 17/Ago
- Londres, Reino Unido) <#_Toc170307114>

10 -      CALL FOR PROPOSALS: "Progression Routes in Music Technology
Education", Leeds International Music Technology Education Conference
(DEADLINE: 31/Ago - Leeds, Reino Unido) <#_Toc170307115>

11 -      CALL FOR PROPOSALS: First Conference of the International Council
for Traditional Music (ICTM) Study Group for Musics of East Asia (DEADLINE:
01/Ago - Shangai, China) <#_Toc170307116>

12 -      CALL FOR SUBMISSIONS: Current Musicology (DEADLINE: 01/Set - Nove
Iorque, NY, EUA) <#_Toc170307117>

13 -      COMPETITION: 11th The International Competition of Contemporary
Chamber Music (DEADLINE: 15/Jul - Cracovia, Polonia) <#_Toc170307118>

14 -      COMPETITION FOR LYRIC SINGERS: "Città di Ercolano" (05-09/Set/2007
- Ercolano, Italia) <#_Toc170307119>

15 -      CURSOS: Journeys through the Piano Teaching (Jul/2007 -
Italia)<#_Toc170307120>

16 -      EVENTO: Festival Musica Viva 2007 (11-23/Set/2007 - Lisboa e
Porto, Portugal) <#_Toc170307121>

17 -      EVENTO: First International Conference on Music and Minimalism
(31/Ago-02/Set - Bangor, Reino Unido) <#_Toc170307122>

********************************************
********************************************

1. CONCERTO: Collegium Musicum, Reg. Abel Rocha. Obras de Ligeti,
Rautavaara, Wiedmer, Ripper (23/Jun - Espaco Cultural CPFL, Campinas, SP,
Brasil)

********************************************

De: nonstop21 em uol.com.br

IV
23_junho

Uma odisséia no espaço - Música Coral

Criada no final dos anos 60, a dobradinha para coro Éjszaka/Reggel
(Manhã/Noite) coincide com um momento em que Ligeti começa a questionar a
transformação das idéias pronunciadas em Darmstadt em um "establishment
musical". Em outras palavras, a revolução estava virando escola e começava a
se repetir. Não que ele tenha se afastado da experimentação. Mas é neste
momento que suas cartas começam a falar na diminuição do tempo dedicado "a
aspectos práticos e burocráticos do dia a dia" e na preocupação em explorar
cada vez mais suas idéias e seu trabalho, "compondo mais e mais rápido". Em
obras deste período, entre outros aspectos, fica evidente a preocupação
imagética do compositor, que começa a associar sons a cores. Com peças como
Manhã/Noite, Ligeti marcou seu nome na antiga tradição da música coral, com
a qual dialogaram diversos compositores ao longo do século 20, do finlandês
Einojuhani Rautavaara ao brasileiro João Guilherme Ripper que, nos últimos
anos, tem se destacado em nosso panorama com um trabalho sempre ligado à voz
humana e suas possibilidades expressivas.

[programa]

Ligeti - Éjsaka/Reggel

Rautavaara - Personalia

Genzmer - Der schwarze Mond

Ginastera - Lamentaciones de Jeremias:
- O vos omnes qui transitis per viam
- Ego vir videns paupertatem meam
- Recordare Domine quid acciderit nobis

Widmer - Salmo 150

Orff - Quando Conveniunt

Ripper - Salmo Brevis

[intérpretes]
Collegium Musicum
Abel Rocha, regente

SERVIÇO

Série: "Dialogar para Sobreviver - Berio e Ligeti, uma rajada de notas"
Curador: João Luiz Sampaio
Datas: 02, 09, 16, 23 e 30 de junho
Horário: 20h
Local: Espaço Cultural CPFL
End.: R. Jorge Figueiredo Corrêa, 1.602, Campinas (SP)
Tel.: 19/ 3756-8000

Entrada franca

www.espacoculturacpfl.com.br

contato
NonStop Produção Cultural
11. 3663 2188
nonstop21 em uol.com.br

********************************************
********************************************

2. CONCERTO: Trio Fibonacci. Obras de Paul Frehner, Guilherme Bauer, Harry
Crowl (26/Jun, 19:00hs - Curitiba, PR, Brasil)

********************************************

De: harrycrowl em uol.com.br

Curitiba (PR)
26/06/2007 - Terça-feira, 19h

Série "Terça com arte"
Música no Museu - Museu Oscar Niemeyer

Trio Fibonacci
Trio Fibonacci (Julie-Anne Derôme, violino. Gabriel Prynn, violoncelo.
Jacynthe Riverin, piano.)

Museu Oscar Niemeyer - Auditório
R. Marechal Hermes, 999 - Centro Cívico. Tel.: (41) 3026-0029.
$ Grátis

PROGRAMA:
Paul Frehner - Nothing but the truth
Guilherme Bauer - Reflexos (1999/2007) - (estréia mundial)
Harry Crowl - Visões Noturnas (2002) - para violoncelo e piano (estréia
mundial)
Beethoven - Trio em si bemol maior, Op.97 "Arquiduque"

********************************************
********************************************

3. CONCERTO: Bruno Correia (alaude) e Sonia Wegenast (canto). (24/Jun,
18:00hs - Parque das Ruinas, Rio de Janeiro, RJ)

********************************************

De:bruno.lute em gmail.com

Canções Inglesas

Alaudista: Bruno Correia
Cantora: Sonia Wegenast

O duo convida a todos para um passeio pela Renascença Inglesa através da
música feita exclusivamente para alaúde e voz. Canções de John Dowland,
Thomas Campion, Philip Rosseter, Robert Johnson e Thomas Morley.

Dia: 24 de Junho às 18:00.
Local: Parque das Ruínas, Santa Teresa, Rua Murtinho Nobre, 169, Rio de
Janeiro, RJ.

Bruno Correia  concluiu seu mestrado em Violão Clássico em 1999 pela
Universidade do Arizona (EUA). No período de 1993 a 1999 foi finalista de
diversos concursos de violão no Brasil e no exterior, obtendo o primeiro
prêmio no 18° Sholin Memorial Guitar Competition (1999   EUA).

No Brasil, se apresentou em duo com a mezzo-soprano Zelma Zaniboni de 1999 a
2004, todos os concertos foram repertório dedicado à música espanhola. Foi
integrante da Camerata de Violões do Consevatório Brasileiro de Música por
vários anos, se apresentando no Rio de Janeiro e em outros estados.

Em 2004, teve a honra de ter sido convidado a participar da XV Bienal de
Música Brasileira Contemporânea, executando uma obra para violão solo
especialmente dedicada ao intérprete do compositor carioca Marcelo Carneiro.

Desde seu retorno ao Brasil, Bruno Correia vem ampliando cada vez mais seus
conhecimentos dentro da Música Antiga. Apresentou-se em diversos concertos
como músico convidado do grupo Música Antiga da UFF. Dentre eles, um
programa dedicado à Renascença Inglesa e outro à execução de duas Ensaladas
de Mateu Flecha (o último programa foi gravado pela Rádio Mec).

Incansável na busca de conhecimentos para melhor se expressar musicalmente,
inclui em sua formação a participação em diversos masterclasses e workshops,
dentre os mais importantes na área da música antiga destacam-se:

. Masterclasses com Regina Albanez (alaudista), XVI Festival de Música  Antiga
de Juiz de Fora   (Brasil  2005).

. Masterclasses com o alaudista Eugéne Ferré (FRANÇA), XXI Oficina de Música
de Curitiba, (Brasil - 2004).

. Masterclasses com o vihuelista John Griffiths (Autrália), XXIV Festival de
Música Antiga de Daroca (Espanha   2002).

Atualmente Bruno Correia é Doutorando pela Uni-Rio (Rio de Janeiro) e se
dedica exclusivamente à Música Antiga atuando como solista e camerista no
alaúde renascentista e na guitarra barroca.

Sonia Leal Wegenast destaca-se como uma das principais cantoras na área da
música antiga no Brasil. Tem se apresentado em importantes salas de
concertos e festivais por todo o Brasil com renomados conjuntos musicais,
entre eles o Música Antiga da UFF e o Quadro Cervantes.

Sua discografia já conta com dez títulos, entre eles: Lope de Vega-Poesias
Cantadas, Cânticos de Amor e Louvor, Música no Tempo das Caravelas, A
Chantar, O Canto da Sibilla e Medievo-Nordeste com o Música Antiga da UFF;
Annua Gaudia e Rahelica com o Longa Florata; Secretos Quero Descuvrir com o
Minas Antiqua e Terra Sonora Brasilis, com o Terra Brasilis.

Realizou concertos na Espanha e Portugal. Com o Quadro Cervantes,
apresentou-se em uma turnê realizada no Brasil em 2005 e no México
participou do XVII Festival Internacional de Música de Morélia.

Participou de diversas gravações, trilhas sonoras, programas e entrevistas
para jornais, rádio e televisão, dentre elas: A Muralha e Aquarela do Brasil
da Rede Globo de Televisão; o Cine-Profissões da TV Futura; o Especial
Tiradentes para a Rede Minas de Televisão; vários especiais para a Rádio MEC
e para a TV Educativa.

Sonia Leal Wegenast também tem tido forte presença no campo didático. Na
Escola de Música Villa-Lobos, exerce intensa atividade: fundou o conjunto
Villa-Antiqua, coordenou os estudos da música medieval, renascentista e
barroca, e dirigiu o Madrigal da Escola de Música Villa-Lobos .

 Atualmente ministra curso de extensão universitária de "Técnica Vocal para
o Canto Popular", na Universidade Federal do Estado do Rio de Janeiro -
UNIRIO, onde voltando-se para a música brasileira, utiliza sua vasta
experiência com o   idioma português, fundindo a emissão erudita e popular.

********************************************
********************************************

4. CONCERTO: "Música Nova em Curitiba". Obras de Oscar Bazán, Henrique
Bergamo, Britten, Leo Brouwer,Aylton Escobar, Gilson Fukushima, Antônio
Guerreiro, Ligeti, Paulo osta Lima, Sólon Mendes, Marcell Steuernagel,
Márcio Steuernagel,Guilherme Tavares (30/Jun e 03/Jul - Curitiba, PR,
Brasil)

********************************************

De: zchuekepiano em ufpr.br

Música Nova em Curitiba
Entrada Franca

Sábado, 30 de junho de 2007 às 17:00 hs
Auditório Salvador de Ferrante (Guairinha)
Rua XV de Novembro, 971

Terça-feira, 03 de julho de 2007 às 19:30 hs
Auditório Brasílio Itiberê
Rua Ébano Pereira, 240

Participantes : Classe de "Prática e Ensino de Música Contemporânea"
Programa de Pós-Graduação em Música da Universidade Federal do Paraná .
Orquestra da Escola de Música e Belas Artes do Paraná
Direção artística : Zélia Chueke e Isaac Chueke

Obras de: Oscar Bazán, Henrique Bergamo, Benjamin Britten, Leo
Brouwer,Aylton Escobar, Gilson Fukushima, Antônio Guerreiro,  György Ligeti,
PauloCosta Lima, Sólon Mendes, Marcell Steuernagel, Márcio
Steuernagel,Guilherme Tavares

Intérpretes:  Paulo Barreto, oboé - Rodrigo Capistrano, saxofone
Valentina Daldegan, Leandro Gaertner, Sólon Mendes, flauta
Paulo Demarchi, percussão - Daniele Franco, voz
Gilson Fukushima, guitarra elétrica - Caio Nocko, trombone
Mayra Pedrosa, contrabaixo - Zélia Chueke, Felipe Hickman,
Márcio Steuernagel, piano - Marcell Steuernagel, Guilherme Tavares,
Marcelo Teixeira, violão - Orquestra da EMBAP - Isaac Chueke, regência.

********************************************
********************************************

5. CONCURSO DE COMPOSICAO: "Concurso Nacional de Composição Camargo
Guarnieri - 2007 .Versão Comemorativa: Centenário do Compositor" (LIMITE:
13/Jul - Sao Paulo, SP)

********************************************

Concurso de composição Camargo Guarnieri

Já se encontra disponível o edital  do "Concurso Nacional de Composição
Camargo Guarnieri - 2007 .Versão Comemorativa: Centenário do Compositor" .

www.concursocamargoguarnieri.com

Edital em: http://www.concursocamargoguarnieri.com/edital.htm

O concurso conta com o apoio da Academia Brasileira de Música  que fará a
editoração eletrônica da obra vencedora e sua inclusão no Banco de
Partituras de Música Brasileira.

********************************************
********************************************

6. CURSO: Música Contemporânea Norte-Americana para Piano", Prof. Beatriz
Roman (02/Ago-20/Set - Sao Paulo, SP)

********************************************

De: iazzetta em usp.br

Curso de piano com Beatriz Roman

A professora Beartiz Roman, em colaboração com o Prof. Eduardo Monteiro,
estará oferecendo, entre 02/08 e 20/09, a disciplina "MÚSICA CONTEMPORÂNEA
NORTE-AMERICANA PARA PIANO" junto ao Programa de Pós-Graduação em Música da
ECA-USP.

Serão oferecidas 5 vagas para Alunos Especiais (com direito a créditos em
Mestrado ou Doutorado) e 5 vagas para pianistas participantes (com direito a
certificado; inscrição em data a ser divulgada).

Os estudantes de Pós-Graduação com interesse em realizar a disciplina como
alunos especiais devem fazer a inscrição já nos próximos dias 25 e 26/06 na
ECA/USP.

Ementa da disciplina:
http://sistemas.usp.br/fenixweb/fexDisciplina?sgldis=CMU5951

Informação sobre incrição como Aluno Especial:
http://poseca.incubadora.fapesp.br/portal

Fernando Iazzetta

********************************************
********************************************

7. FESTIVAL: Festival Internacional de Inverno de Brasília (02-15/Jul -
Brasilia, DF)

********************************************

De: http://www.fib.unb.br/index.php

FESTIVAL INTERNACIONAL DE INVERNO DE BRASILIA

2 a 15 de Julho de 2007

Arte para Todos

Transformar Brasília na Capital da Música, no mês de Julho, é a principal
meta do Festival Internacional de Inverno de Brasília, que acontecerá de 2 a
15 de Julho de 2007 e este ano chega a sua terceira edição.

Durante 15 dias os alunos terão a oportunidade de trocar experiências com
professores convidados e artistas de renome nacional e internacional e
assistir aos concertos gratuitos no Plano Piloto e nas outras cidades do DF.

A novidade é o  Concurso FIB Mirim e FIB Jovem Instrumental e  o Curso de
Formação "Arte para Todos" voltadas para o ensino especial, uma parceria com
a Secretaria de Estado da Cultura e Secretaria de Estado da Educação.

Pretendemos consolidar a iniciativa de produzir um Festival Cultural com ﬁns
educativos e de inclusão, mostrando a transversalidade da Cultura como um
instrumento de mediação, diálogo e integração com os diversos atores
sociais.

Mais informacoes: http://www.fib.unb.br

********************************************
********************************************

8. RECITAL: Adelia Issa (soprano) e Edelton Gloeden (violao). Obras de
Camargo Guarnieri, Villa-Lobos, Mignone, Guerra-Peixe, Villani-Côrtes, Ernst
Mahle e Paulo Costa Lima (26/Jun, 12:00hs - Teatro da Faculdade de Medicina
da USP, Sao Paulo, SP)

********************************************

De: adeliaedelton em uol.com.br

SÉRIE AQUARELA DA OSUSP

VOZ E VIOLÃO - CANÇÕES BRASILEIRAS

ADÉLIA ISSA - Soprano

EDELTON GLOEDEN - Violão

Obras de Camargo Guarnieri, Heitor Villa-Lobos,Francisco Mignone, César
Guerra-Peixe, Edmundo Villani-Côrtes, Ernst Mahle e Paulo Costa Lima

Dia 26 de junho, terça-feira, às 12:00h

TEATRO DA FACULDADE DE MEDICINA DA USP
Av. Dr. Arnaldo, 455

Telefones: 3061-7185 / 3061-7454

ENTRADA FRANCA

********************************************
********************************************

9. CALL FOR PAPERS: "Elgar and Musical Modernism" (DEADLINE: 17/Ago -
Londres, Reino Unido)

********************************************

CALL FOR PAPERS

ONE-DAY CONFERENCE: ELGAR AND MUSICAL MODERNISM

INSTITUTE OF MUSICAL RESEARCH, UNIVERSITY OF LONDON/GRESHAM COLLEGE

14 DECEMBER 2007

KEYNOTE SPEAKER: PROF. BYRON ADAMS (UNIVERSITY OF CALIFORNIA, RIVERSIDE)

Among the chief areas of growth in Elgar studies in the last decade have
been various approaches to his relation to musical modernism, conceived in
broad terms which encompass musical structure and design and the cultural
contexts in which his music was written, operated, and has maintained or
changed its meaning and significance in subsequent generations. Scholars
have considerably enriched our understanding of his music by assessing his
symphonic processes alongside those of Sibelius, Mahler, and others; by
questioning his position in British art and culture as it underwent the
process of change attendant on being a late-imperial power; and by
relocating his art and thought alongside broader European concerns, for
instance vis-a-vis the Decadent movement and a number of gender identities.
As new definitions of modernism break down previous disciplinary boundaries,
Elgar is coming into clearer focus as an important critical voice in the
first years of twentieth century.

This one-day conference is held by Gresham College, Holborn (London), in
association with the Institute of Musical Research. There is no registration
fee, but reservations are required. The day will end with a performance of
music by Elgar and his contemporaries.

Abstracts of c.200 words are invited for twenty-minute papers on any aspect
of Elgar's relation to musical modernism, broadly defined. The convenors
intend to offer space to one or more student papers, especially (but not
exclusively) those drawn from essays which have been awarded the Elgar
Society prize in their own universities.

Abstracts and all enquiries about the conference should be submitted to the
conference convenors, J. P. E. Harper-Scott (Royal Holloway, University of
London) and Daniel M. Grimley (University of Nottingham) at the following
email address:

ElgarIMR at gmail dot com

The deadline for submissions is 17 August, and contributors will be notified
of results by 1 September.

Further information on the conference will be uploaded on the Gresham

College website as it becomes available:

<http://gresham.ac.uk/event.asp?PageId=4&EventId=718>

********************************************
********************************************

10. CALL FOR PROPOSALS: "Progression Routes in Music Technology Education",
Leeds International Music Technology Education Conference (DEADLINE: 31/Ago
- Leeds, Reino Unido)

********************************************

Leeds International Music Technology Education Conference: "Progression
Routes in Music Technology Education"

Leeds College of Music, Friday 19th - Saturday 20th October

LIMTEC continues to provide a forum for the promotion of good practice in
music technology and music production based teaching and learning in Further
and Higher Education. The conference will offer lively debate and
stimulating presentations, which will address issues of the place of music
technology within the broader context of the performing arts sector,
research and professional communities. The focus of this year's conference
is the progression routes in music technology education from school through
to postgraduate level.

The conference committee invites proposals for papers relating to the
conference theme of 'Music Technology Pedagogy'. Possible topics for
consideration may include:

Music Technology Progression from Schools through to Higher Education and
beyond
Pedagogical models for teaching Music Technology and Production to encourage
progression
Authenticity and Studio Practice
Production Analysis in Education
Teaching Creativity in Music Production
Technology versus Technique in Music Technology & Production
Critical approaches to Studio Environments
Recording Practice Research
Industry partnerships and knowledge transfer - its importance in education
Vocational vs. academic training
Career pathways for music production graduates

Individual presentations should be no more than twenty minutes in duration.
Proposals should take the form of a title followed by an abstract of no more
than 200 words.

Deadline for submission is Friday 31st August 2007.

Decisions will be notified as soon as possible after this date.

Proposals should be sent to:

Amy Jagger, Research and Enterprise Administrator
Leeds College of Music, 3 Quarry Hill, Leeds LS2 7PD
0113 222 3431
a.jagger at lcm.ac.uk

********************************************
********************************************

11. CALL FOR PROPOSALS: First Conference of the International Council for
Traditional Music (ICTM) Study Group for Musics of East Asia (DEADLINE:
01/Ago - Shangai, China)

********************************************

The deadline for the submission of proposals for the First Conference of the
International Council for Traditional Music (ICTM) Study Group for Musics of
East Asia has been extended to August 1 , 2007. The conference will be held
at the Shanghai Conservatory of Music from December 20 to 22, 2007.  Proposals
for either individual papers or presentations of new compositions are
welcome. Conference themes and submission guidelines can be found at the
Study Group's website: http://homepage.ntu.edu.tw/~gim/mea/conference.htm

For those attending the ICTM conference in Vienna this coming July, the East
Asia Study Group will be holding an informal business meeting sometime
during the conference (tentatively scheduled for the evening of July 10), in
order to discuss future conferences, plans for the study group, and so
on.  Anyone
interested in music and dance in, of, or from East Asia (broadly defined) is
welcome to attend!

Larry Witzleben
School of Music
Clarice Smith Performing Arts Center
University of Maryland
College Park, MD 20742
USA

email: jlwitz  at umd.edu

********************************************
********************************************

12. CALL FOR SUBMISSIONS: Current Musicology (DEADLINE: 01/Set - Nove
Iorque, NY, EUA)

********************************************

Call for Submissions:

Current Musicology invites the submission of articles in all branches of
musicology, including historical musicology, ethnomusicology, and music
theory. The editors also welcome scholarly papers on interdisciplinary
topics concerning music. We especially encourage submissions from graduate
students and other scholars beginning their careers in musicology.

Articles submitted before September 1, 2007 will be considered for
publication in our Fall 2007 and Spring 2008 issues.

Current Musicology is a leading forum for research in all areas of music
scholarship, seeking to reflect the breadth and diversity of approaches and
topics that characterize contemporary music research.

CM was founded in 1965 by graduate students at Columbia University as a
semiannual review that would primarily serve the needs of musicologists who
are about to undertake, are presently engaged in, or have recently completed
their graduate studies.

Articles may be submitted electronically to current

<mailto:current-musicology em columbia.edu> -musicology at columbia.edu
<mailto:current-musicology em columbia.edu>, or in hard copy to:

Current Musicology
Department of Music
Columbia University
614 Dodge Hall, MC 1812
2960 Broadway
New York, NY 10027

For more information, please refer to our website,
www.music.columbia.edu/~curmus <http://www.music.columbia.edu/%7Ecurmus>

Tyler Bickford
Incoming Editor (Fall 2007)

********************************************
********************************************

13. COMPETITION: 11th The International Competition of Contemporary Chamber
Music (DEADLINE: 15/Jul - Cracovia, Polonia)

********************************************

De: http://www.instytutsztuki.pl/index.php?a=index_start&id=2

TERMS AND REGULATIONS

(29th August  - 2nd September 2007 r. 11th edition)

The International Competition of Contemporary Chamber Music will be held  on
August/ September every year. It is organized yearly by The Institute of Art
in Cracow.

1. The competition is divided into three categories:
- soloists,
- duos,
- trios, quartets, quintets and sextets.
The competition is open to soloists and groups of different instruments, as
well as vocalists. The participants can only be persons whose age, by the
first day of the Competition, is below 30 years.

2. The number of participants is limited.

3. The Jury qualifies the participants on the basis of the submitted
applications with recording of two pieces of music mentioned in section 4 of
the regulation.

4. The candidates submit:
- application form,
- the participant's profile,
- scores of pieces to perform,
- photo of the participant,
- the proof of winning a prize at other competitions or festivals
(optionally),
- original performances of two pieces of music (one Polish piece obligatory)
recorded on an audio or CD. The obligation of to sending records of two
pieces of music does not concern laureates of previous editions of
International Competition of Contemporary Chamber Music in Cracow

5. The application deadline is 15th July every year.

6. On request from the participants, the Organization Office supplies scores
of pices of Polish music allowed to the competition.

7. A change in the competition program (in relation to the submitted
records) is allowed, on condition that this fact is indicated in the
application, provided that the pieces of music to be performed during the
competition are in accordance with the regulations (see section 16).

8. The competition auditions are open to the audience.

9. The participants will be judged by international jury consisting of
distinguished musicians and scholars. Decisions of the jury are irrevocable.
The chairman of the Jury only may decide any changes to the regulations.

10. The music may be performed from scores.

11. The competition auditions are divided into two stages. In the first
stage the Jury constitutes a group of finalists and winners in each category
and it awards the Marek Stachowski Special Prize for the best performance of
work written by a Polish composer and Special Award for the best performance
of work written by a Dutch composer. In the second stage the Jury selects
the laureate of Grand Prix from the finalists of first prize in each
category.

12. Total time of the performance during audition must not exceed 20 minutes
(fragments of music pieces are allowed).
The Jury has the right to hear only a part of the program performed. The
participants may be requested by the Jury to repeat their performances at a
time appointed by the Jury, not later than the last day of the auditions.

13. The main prize of the competition is Grand Prix - 35 000 PLN (8750 EUR*)
and a statuette. The Jury also awards prizes for winners in each category
(statuettes, diplomas, money) and extra prizes. The Jury awards the Special
Prize for the best performance of Polish music - 10 000 PLN (2 500 EUR*).
The Jury awards also the Special Prize for the best performance of a Dutch
composer. The amount of this award will be known in the future. The Jury
reserves the right to not award any prizes in justified cases.

14. The winners are obliged to take part in the laureate concert, which will
be held after the last day of auditions after the official prize-giving
ceremony. The organizers reserve the right to perform free-of-charge
video-acoustic recordings during the competition auditions and the laureate
concert and access possible recordings by radio and television.

15. The program of the competition consists of performances of two freely
selected pieces of modern music written after 1965 in case of overseas
composers and after 1945 in case of Polish composers. One piece by a Polish
composer is obligatory in the competition program. Karol Szymanowski's music
is allowed in the competition. Electro-acoustic equipment is allowed in the
competition.
This same rules concern music works recorded on CD, mentioned in section 5
of the regulation.

16. The Jury reserves the right to request for a performance of a third,
non-obligatory piece, being in accordance with the conditions mentioned
above or for a repetition of a piece applied for the competition.

17. Laureates of previous editions of the competition will be allowed to
enter for the competition, on condition that they change their program.

18. The cost of participation in the competition is 100 PLN (30 EUR*) paid
by every musician qualified to the competition. Overseas participants pay
the value of 100 PLN in their own currency. The fee covers the costs of
qualification and postal fees. The fee should be paid within 14 days from
the received confirmation of participation in the competition. All
participants are guaranteed to receive free accommodation and one free hot
meal daily during the competition by the organizers. The organization office
can provide the accommodation and board for the accompanied persons on
condition that they cover total expenses. In the case of resignation from
participation in the competition, the organization office does not refund
any participation fees.

19. Further information about the accommodation, dates of arrival and the
duty time of the organization office will be sent to participants.

APLICATION FORM
*
*http://www.instytutsztuki.pl/pages-111.html
*

*********************************************
********************************************

14. COMPETITION FOR LYRIC SINGERS: "Città di Ercolano" (05-09/Set/2007 -
Ercolano, Italia)

********************************************

De: http://www.isolistinapoletani.com/

International Competition for Lyric singers

"Città di Ercolano", past Zonta

"Ritorna Vincitor"

The Competition will take place in the famous

Villa Campolieto, Corso Resina 283, Ercolano, Italy

5th - 9th september 2007

information:

Inga Meli
Gaetano De Rosa

Phone :  0039 081 7752805

e-mail :  ingameli em virgilio.it
e-mail:   gaetanoderosa em tele2.it

President Antonio Veneruso

********************************************
********************************************

15. CURSOS: Journeys through the Piano Teaching (Jul/2007 - Italia)

********************************************

De: fabioluz em aliceposta.it

Convido-os a ver o programa de nossos próximos encontros do mês de julho

É só clicar diretamente na página abaixo:

http://www.fabioluz.com/index.php?art_id=8b621cc8c1d6715e777f51f7cced0934

Master Piano Studio IV dall'8 al 13 luglio 2007

Journeys through the Piano Teaching
Creative approaches to musical memorizing
Journées d'études sur l'enseignement du piano
Metodologie di insegnamento e di studio - training

Lecture-recitals :

Martedì 10 luglio, ore 21, Sala Grande del Castello
Fabio Luz

www.fabioluz.eu

********************************************
********************************************

16. EVENTO: Festival Musica Viva 2007 (11-23/Set/2007 - Lisboa e Porto,
Portugal)

********************************************

De: musicaviva em misomusic.com

Festival Música Viva 2007
de 11 a 23 de Setembro
LISBOA e PORTO

Percepção e Estéticas na Criação Musical
Transmutações do Som e Novas Tecnologias

Instituto Franco-Português  - 11, 12,13 e 14 de Setembro
Fundação Calouste Gulbenkain  - 15 de Setembro
Casa da Música - 18 a 23 de Setembro

Programa detalhado em http://www.misomusic.com/port/difu/musviva/2007.html

MISO MUSIC PORTUGAL
CENTRO DE CRIAÇÃO E PRODUÇÃO MUSICAL

Membro da International Association of Music Information Centres
Secção Portuguesa da International Society for Contemporary Music
Secção Portuguesa da Confédération Internationale de Musique
Electroacoustique
Membro da International Computer Music Association
Membro da European Conference of Promotors of New Music
Estrutura financiada pelo Ministério da Cultura / Instituto das Artes
http://www.misomusic.com
mailto:misomusic em misomusic.com

Rua do Douro 92 - Rebelva
2775-318
PAREDE
PORTUGAL
Phone:+ 351-21.4575068
Fax: + 351-21.4587256

Música Viva Festival 2007
11 to 23 of September
LISBON & OPORTO

Perception and aesthetics within Musical Creation
Trasmutations of sound and new technologies.

Institut Franco-Portugais 11, 12 , 13 & 14 of September Lisbon
Gulbenkian Fondation 15 of September Lisbon
Casa da Música 18 to 23 of September Oporto

Detailed programme at  http://www.misomusic.com/ingl/circul/mviva/2007.html

MISO MUSIC PORTUGAL
CENTRE FOR MUSICAL CREATION
Member of the International Association of Music Information Centres
Portuguese Section of the International Society for Contemporary Music
Portuguese Section of the International Confederation of Electroacoustic
Music
Associate Member of the European Conference of Promotors of New Music
Member of the International Computer Music Association
Funded by: Ministério da Cultura/Instituto das Artes

http://www.misomusic.com
mailto:misomusic em misomusic.com

Rua do Douro 92 - Rebelva
2775-318
PAREDE
PORTUGAL
Phone:+ 351-21.4575068
Fax: + 351-21.4587256

********************************************
********************************************

17. EVENTO: First International Conference on Music and Minimalism
(31/Ago-02/Set - Bangor, Reino Unido)

********************************************

De: dcervo em uol.com.br

FIRST INTERNATIONAL CONFERENCE ON MUSIC AND MINIMALISM

Primeira Conferência Internacional sobre Minimalismo em Música,a realizar-se
na Wales University - Bangor, Irlanda do Norte, entre 31 de agosto e 2 de
setembro.

Segue a programação completa do evento, que dedica painéis a tópicos
específicos.

http://www.bangor.ac.uk/music/events/minimalism.php.en
-------------- Próxima Parte ----------
Um anexo em HTML foi limpo...
URL: <http://www.listas.unicamp.br/pipermail/cdmusica-l/attachments/20070623/155b4403/attachment-0002.html>