[ANPPOM-L] Announcing The Journal of Film Music 1 (4)

[Carlos Palombini]

I?m pleased to announce the publication of Volume 1, no. 4 of The 
Journal of Film Music, a Festschrift devoted to Leith Stevens, edited by 
Mark Brill. It includes all of Stevens? own mostly unpublished writings 
as well.

CONTENTS:

Mark Brill. Leith Stevens: Piano Prodigy?Jazz Band Conductor?
Composer for Radio, Films and Television
Zolona Stevens Moss.  Leith Amadeus Stevens: Early Years and Family History
Leith Stevens. Radio Versus Movie Underscoring
Leith Stevens. The Hollywood Composer
Leith Stevens. Music in the Films: The Promotion of FilmMusic in the
Concert Hall
Leith Stevens. Film Scoring: The UCLA Lectures
Leith Stevens. The Door to Atonality
Leith Stevens. The Logic of Concert Keys
William H. Rosar. Music for Martians: Schillinger?s Two Tonics and
Harmony of Fourths in Leith Stevens? Score for War of the Worlds (1953)
John G. Gordon. Leith Stevens: In Memoriam

REVIEWS

Annette Davison. Hollywood Theory, Non-Hollywood Practice: Cinema 
Soundtracks in
the 1980s and 1990s
Larry M. Timm. The Soul of Cinema: An Appreciation of Film Music.
?Music and Moving Image.? American Music. Edited by Gillian B. Anderson,
Thomas L. Riis, and Ronald H. Sadoff by Lora Matthews

Caryl Flinn. The New German Cinema: Music, History and the Matter of Style
by Angelica Fenner

Eric James. Making Music with Charlie Chaplin: An Autobiography by Dan Blim

Anahid Kassabian. Hearing Film: Tracking Identifications in Contemporary 
Hollywood
Film Music by James Wierzbicki

Randall D. Larson. Music from the House of Hammer: Music in the Hammer 
Horror
Films by Rebecca Fülöp

Rerecording Max Steiner by Brian C. Thompson

Michael Schelle. The Score: Interviews with Film Composers by Nicholas 
Reyland


The Journal of Film Music (ISSN: 1087-7142), provides an 
interdisciplinary forum for scholars in music, film and other 
disciplines who share a common interest in this vital new area of 
scholarly inquiry.  Though now represented in mainstream journals in 
music, film, the media, and mass communication, scholarly writing on 
film music is currently dispersed across many publications throughout 
the world.  By providing a scholarly journal devoted to the subject, the 
interdisciplinary work of film music studies can flourish.  
Contributions encompassing all aspects of film music history, analysis, 
theory, and criticism are welcome. The website of the Journal can be 
found at www.ifms-jfm.org.

Regards -

Leslie Andersen, Managing Editor
The Journal of Film Music

Arts Librarian
California State University, Long Beach
1250 Bellflower Boulevard
Long Beach, CA 90840-1901
562-985-5529 (voice)
562-985-1703 (FAX)
landerse em csulb.edu

-- 
carlos palombini
diretor
centro de pesquisa em música contemporânea
universidade federal de minas gerais
cpmc-ufmg
<palombini em terra.com.br>