[ANPPOM-Lista] Keep it Simple, Make it Fast! Crossing Borders of Underground Music Scenes: caderno de resumos

[Carlos Palombini]

​Está disponível o caderno de resumos da terceira conferência internacional
KISMIF (Keep it Simple, Make it Fast!), ocorrida no Porto em julho deste
ano.

We are delighted to meet you all at the third KISMIF International
Conference ‘Keep It Simple, Make It Fast!’ (KISMIF) International
Conference, here at Porto, this year dedicated to the theme ‘DIY Cultures,
Spaces and Places’. This initiative follows the great success of the two
first KISMIF Conference editions (held in 2014 and 2015), seeking to voice
the will of the many researchers who have sought to promote an annual
scientific meeting for the discussion of underground music scenes and
do-it-yourself culture at the highest level . The KISMIF Conference 2016 is
once again focused on underground music, directing its attention this time
towards the analysis of DIY cultures’ relationship to space and places.
Thus, we challenge students, junior and senior teachers/researchers, as
well as artists and activists, to come to the KISMIF International
Conference and present works which explore the potential of the theoretical
and analytical development of the intersection of music scenes, DIY culture
and space under a multidimensional and multifaceted vision. We hope with
this to enrich the underground scenes and DIY cultures analysis by
producing innovative social theory on various spheres and levels, as well
as focusing on the role of DIY culture in late modernity.

Indeed, the role of music and DIY cultures is once more an important
question – taking place in a world of piecemealed yet ever-present change.
The space, spaces, places, borders, zones of DIY music scenes are critical
variables in approaching contemporary cultures, their sounds, their
practices (artistic, cultural, economic and social), their actors and their
contexts. From a postcolonial and glocalized perspective, it is important
to consider the changes in artistic and musical practices with an
underground and/or oppositional nature in order to draw symbolic boundaries
between their operating modalities and those of advanced capitalism.
Territorialization and deterritorialization are indelible marks of the
artistic and musical scenes in the present; they are related to immediate
cosmopolitanisms, to conflicting diasporas, new power relations, gender and
ethnicity. As in previous KISMIF Conferences, it is our intention to
welcome reflexive contributions which consider the plurality that DIY
cultural practices demonstrate in various cultural, artistic and creative
fields and to move beyond music in considering artistic fields like film
and video, graffiti and street art, the theatre and the performing arts,
literature and poetry, radio, programming and editing, graphic design,
illustration, cartoon and comics, as well as others.​

https://www.academia.edu/27769705

-- 
carlos palombini, ph.d. (dunelm)
professor de musicologia ufmg
professor colaborador ppgm-unirio
www.proibidao.org
ufmg.academia.edu/CarlosPalombini <http://goo.gl/KMV98I>
www.researchgate.net/profile/Carlos_Palombini2
scholar.google.com.br/citations?user=YLmXN7AAAAAJ
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